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TICKET AGENCY HOURS

Monday: 2:00 PM-6:00 PM
Tuesday: 12:00 - 18:00
Wednesday: 10:00 - 14:00
Thursday: 12:00 - 18:00
Friday: 10:00 - 14:00
Saturday and Sunday: closed
The agency is also open one hour before the start of each show at the Great Hall, regardless of the day.

TICKET AGENCY PROGRAM
Monday: 2:00 PM - 6:00 PM
Tuesday: 12:00 - 18:00
Wednesday: 10:00 - 14:00
Thursday: 12:00 - 18:00
Friday: 10:00 - 14:00
Saturday and Sunday: closed
The agency is also open one hour before the start of each show at the Great Hall, regardless of the day.
Queen Marie Theater Oradea
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Tag: Spectacole 2024-2025

FREDERICK THE MOUSE – I KNOW WHO I AM

"Frederick the Mouse" - a show about childhood dreams and the courage to be yourself!

In a fast-paced, pragmatic world, little mouse Frederick seems… different. While others are stockpiling supplies for the winter, he gathers sunshine, colors, and words. It doesn't seem useful, it doesn't seem "productive" – but when the cold and silence descend on their hideout, his very dream becomes food for the soul.

Frederick is not just a dreamy mouse, but a mirror of the child in us – that child who dreamed, felt deeply, saw beauty in the smallest things and dared to be different. Our show tells Frederick's story from a sensitive and contemporary perspective, adding original moments, dialogue with the audience and thought-provoking questions:

  • Who were we before we were told who we “should” be?
  • What did we love to do, but forgot along the way?

Through puppetry, play, music and humor, the show invites children and adults on a journey of discovery. It is a show that offers not just a story, but an experience – one that reconnects us with our authentic selves and reminds us of how valuable it is to follow your dream, even if others don’t understand it.

Ana Christmas Lambru

Frederick the Mouse: Armanca Serac
Max, Grandma Mouse, Bully: Alexander Pop
Father Mouse, Leaflet, Assistant Bully: Florian Silaghi
Grandma Mouse, Assistant Mouse Frederick: Consuela Egyed
Mother Mouse, Assistant Bully: Andrei Fazecas
Grandma Mouse, Assistant Mouse Frederick: Alexandru Crefelean
Lia, Grandma Mouse: Igor Lungu

Directed by: Ana Christmas Lambru
Scenography: Alexandra Budianu
Music: Cari Tibor
Video mapping: Radu Martin and Andrei Cozlac
Set design assistant: Emese Csuri
Dolls: Razvan Chendrean
Doll painting: Ana Christmas Lambru
Puppet and props production assistant: Madalina Baciu
Lighting design: Peter Papp
Scenario consultancy: Florin Tudose
Storytelling workshop coordinators: Ioana Drugas and Ana Crăciun Lambru

Sound: Peter Papp
Lights: Adrian Gherdan
Stage technicians: Daniel Turcuț, Nicolae Porumb
Cabin attendant: Anna Cellino

Show recommended for children over 4 years old!

Premiere date: April 26, 2025, Arcadia Hall

RICHARD III

"This text is a manual on the rise of dictatorship in society, meticulously exemplifying the tropes of tyranny, a landscape play about dictators disguised as saviors. Richard, a prodigious criminal, narcissistic and violent, unleashes a mechanism of terror. Thus, the non-hero becomes, for a time, a leader. As now, perhaps in a hundred or a thousand years, Richard will continue to appear before the spectators, explaining to them step by step the forms of corruption in their own reality. And the spectators will watch with bated breath all the facts they have been warned about and will do nothing. They will promise themselves, perhaps, that the slippages they are experiencing will not be repeated. This is why we chose to imagine a scenic universe with no temporal definition.

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HOPE NEVER GOES UP IN THE ELEVATOR

"Hope Never Goes Up in the Elevator" brings to light a conflict that has become more acute in the context of today's world: that between the old world vs. the new world.
A single, elderly woman is placed in the care of two androids, specially programmed for this mission. However, the androids, at first, cannot fully understand the woman's needs, because their thinking is analytical and they cannot perceive the emotions and spiritual needs of their subject.
However, in the end, everyone benefits from this confrontation and there seems to be a trace of reconciliation between the two worlds.

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AN ENEMY OF THE PEOPLE

Dr. Stockmann, the idealistic doctor of a spa resort in a generic town, makes a shocking discovery: the springs that attract thousands of tourists to his town are not curative, but dangerous to health. It's just that the "heart that pumps life itself" in this town brings both income and advantages for all members of the social pyramid. Stockmann thus embarks on a solitary fight to expose the truth in a world where economic interests prevail and the community often remains indifferent.

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