Drama and comedy in three acts (six scenes) by Paul Everac<\/p>\n
Artistic direction: Valeriu Grama<\/strong> Approaching the problem of the individual-society relationship with the means of socialist realism, the play "Costache and the Inner Life" is a comedy of ideas with programmatic value: the author criticizes the individualistic attitude of isolation towards the people around him, egocentrism (with all its justifications), cheap romanticism, superficiality and infatuation.<\/p>\n The play discusses the case of Romulus and Felicia M\u0103lureanu, who fail to establish any emotional contact with their work colleagues at the Runcu III hydroelectric power plant, but also with each other. With the completion of the construction site and the departure of the workers, the school closed and Felicia finds herself in a forced break from work, from which her daily boredom and irritation originate. Romulus reacts inappropriately, annoyed by his wife's demands, which are fair but impossible to satisfy. The writer's irony is directed at the way in which the heroes understand how to solve their problems, indulging in isolation and self-pity. They externalize their feelings by addressing the donkey Costache in parallel series of sterile laments. The true solution to their problems will be found when the two will do without the donkey as a confidant and will address real interlocutors, the people around them.<\/p>\n Distribution:<\/p>\n Romulus Malureanu:\u00a0 Nicholas Thomas<\/strong> Technical director: Dalma Simionescu Dram\u0103 \u015fi comedie \u00een trei acte (\u015fase tablouri)\u00a0 de Paul Everac Regia artistic\u0103:\u00a0 Valeriu Grama Decor:\u00a0 Nagy S\u00e1ndor Costume:\u00a0 Eliza Popescu Muzica de scen\u0103:\u00a0 Remus Georgescu Data premierei:\u00a0 23 septembrie 1962 Abord\u00e2nd cu mijloacele realismului socialist problema raportului individ-societate, piesa \u201eCostache \u0219i via\u021ba interioar\u0103\u201d se constituie \u00eentr-o comedie de idei cu valoare programatic\u0103: autorul critic\u0103 […]<\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"categorie-arhiva":[494],"class_list":["post-10007","arhiva","type-arhiva","status-publish","hentry","categorie-arhiva-unsorted"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t
\nDecor: Nagy S\u00e1ndor<\/strong>
\nCostumes: Eliza Popescu<\/strong>
\nIncidental music: Remus Georgescu<\/strong>
\nPremiere date: September 23, 1962<\/p>\n
\nRemus Malureanu:\u00a0 Jean Sandulescu<\/strong>
\nComan Botogan:\u00a0 Liviu Martinus<\/strong>
\nNicolae Vatui:\u00a0\u00a0 Radu Reisel\u00a0<\/strong>
\nSilviu Totea:\u00a0\u00a0 John Martin\u00a0<\/strong>
\nAurel Dobrica:\u00a0\u00a0 Grig Schi\u0163cu\u00a0<\/strong>
\nFelicia Malureanu:\u00a0 Simona Constantinescu<\/strong>
\nPaulina Orzaru:\u00a0 Genoveva Matici<\/strong>
\nMariuca Sas:\u00a0 Anca Miere Chiril\u0103, Ana Popa<\/strong>
\nVictoria Dobrica:\u00a0\u00a0 Doina Ioja Vasiu<\/strong>
\nSorin:\u00a0 Radu Cristian<\/strong>
\nJoanna:\u00a0 Doinita Vasiu<\/strong><\/p>\n
\nPrompter: Sofica Spoiala<\/p>","protected":false},"excerpt":{"rendered":"