Historical drama in five acts by Barbu \u015etef\u0103nescu Delavrancea<\/p>\n
Artistic director: Ion Deloreanu<\/strong> \u201e"Luceaf\u0103rul" represents the last artistic act of Barbu \u0218tef\u0103nescu Delavrancea's trilogy dedicated to the history of Moldavia, which begins with 1504 (the year of Stephen the Great's death) and ends with 1538 (the year of Petru Rare\u0219's departure into exile). Until the 1963 Oradea staging, the play "Luceaf\u0103rul" had been staged only once, at the National Theater in Bucharest, in 1910, the year it was written.<\/p>\n \u201e"Through the theme, through some characters and situations, through style even, Star<\/em> is a continuation of the first piece, Sunset, <\/em>standing in antithesis with The wind. <\/em>Driven by educational intentions, the writer did not want to end his fresco with the reign of the villainous \u0218tef\u0103ni\u021b\u0103, but with the luminous image of Petru Rare\u0219, a patriotic and brave ruler, the continuer of the political testament of \u0218tefan cel Mare. (\u2026) The action (\u2026) retells, in a biographical manner, the main events of Petru Rare\u0219\u2019s first reign. The beginning is Shakespearean. The guards at the Suceava castle recall the terrible events of \u0218tefan cel Mare\u2019s recent reign. The entire act is focused on the motif of \u201erecognition\u201d. After 22 years of wandering, Petru Rare\u0219, the natural son of \u0218tefan cel Mare, appears alone and unarmed in front of the Suceava castle to claim the vacant throne. But no one recognizes him anymore. The material evidence of his identity \u2013 Luca Arbore's note reinforced by \u0218tefan's signature, the mark on Rare\u0219's right shoulder \u2013 fail to convince the boyars. The words of Dolca, an old woman with the gift of prophecy, will do so, but especially Oana's testimony, after Rare\u0219 evokes the moment, known only to them, of the revelation of their origin by \u0218tefan on his deathbed. Petru Rare\u0219 is proclaimed lord. In the second act, the action languishes. In the camp near Suceava, a few years later, the same soldiers recount incidents of arms and love from the campaigns against Ferdinand of Habsburg, the Poles and the Tatars (\u2026). The action, more sustained, of the third act, focused on the motif of the battle, also takes place in the camp. One of the conflicts of the play, that between the prince, as the exponent of the country, and the external enemies, now reaches its climax. Symbolically, the two characters who dominate the action in this act are the prince and the valiant soldier Corbea, the first wounded, the second dead on the battlefield. Between them, the author introduced the boyar's daughter Genunea, fascinated by the greatness of Rare\u015f, but regretting the death of Corbea, whose love was revealed to her too late. It is only in the fourth act that the traditional conflict, based on historical realities, unfolds between the prince, the defender of centralized power, of the integrity and independence of the country, and the great feudal boyars, driven by selfish interests. In the country's council, most of the boyars, led by the hetman Mihu, refuse to fight against the Ottoman invaders. To these, the prince, together with a small group of believers, opposes, in fiery words, a heroic and patriotic mentality, nourished by the example of his predecessors. (\u2026) Finally, abandoned by the boyars and the country, Petru Rare\u0219 resumes his wanderings. With a small group of believers, he wanders through the mountains. After parting with his loved ones and the land of Moldavia, some fishermen, as the old woman Dolca had predicted, help him cross into Transylvania in disguise, where he finds refuge.\u201d (Analytical dictionary of Romanian literary works, <\/em>coord. Ion Pop, House of the Science Book, Cluj-Napoca, 2007).<\/p>\n Distribution:<\/p>\n Petru Rares:\u00a0 Liviu Martinus<\/strong> Technical director: Dalma Simionescu Dram\u0103 istoric\u0103 \u00een cinci acte de\u00a0 Barbu \u015etef\u0103nescu Delavrancea Regia artistic\u0103:\u00a0 Ion Deloreanu Asistent regie:\u00a0 Sanda T\u00eelvan B\u0103lt\u0103re\u0163u Scenografia:\u00a0 Tatiana Manolescu Uleu Ilustra\u0163ia muzical\u0103:\u00a0 Lucian Ionescu Data premierei:\u00a0 2 octombrie 1963 \u201eLuceaf\u0103rul\u201d reprezint\u0103 ultimul act artistic al trilogiei lui Barbu \u0218tef\u0103nescu Delavrancea dedicat\u0103 istoriei Moldovei, care \u00eencepe cu 1504 (anul mor\u021bii lui \u0218tefan cel Mare) […]<\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"categorie-arhiva":[494],"class_list":["post-10013","arhiva","type-arhiva","status-publish","hentry","categorie-arhiva-unsorted"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t
\nAssistant director: Sanda T\u00eelvan B\u0103lt\u0103re\u0163u<\/strong>
\nScenography: Tatiana Manolescu Uleu<\/strong>
\nMusical illustration: Lucian Ionescu<\/strong>
\nPremiere date: October 2, 1963<\/p>\n
\nThe Balo\u015f logo:\u00a0 John the Baptist<\/strong>
\nThe Groza Screamer:\u00a0\u00a0 George Pintilescu, Sandu Simionica<\/strong>
\nThe scoundrel Mihu:\u00a0 Dorel Url\u0103\u021beanu<\/strong>
\nMateias the Fool:\u00a0 Marcel Seg\u0103rceanu<\/strong>
\nThe Albota Bedspread:\u00a0 Misu Vladimir\u00a0<\/strong>
\nThe Lycian rascal:\u00a0 Constantin Simonescu<\/strong>
\nThe Sandru Backrest:\u00a0 Grig Schi\u0163cu<\/strong>
\nLogofat Trotusan:\u00a0 Octavian Uleu<\/strong>
\nPan Crasnes:\u00a0 Vasile Constantinescu, Corneliu Zdrehus\u00a0<\/strong>
\nHirea Cellar:\u00a0 Valentin Avrigeanu<\/strong>
\nMogardici:\u00a0 Nicholas Thomas<\/strong>
\nSandomierz:\u00a0 Ion Abrudan\u00a0<\/strong>
\nCorbea:\u00a0 George \u015eimonca, Sandu Simionic\u0103, Vasile Constantinescu<\/strong>
\nFlint:\u00a0 John Martin<\/strong>
\nDoctor Shmil:\u00a0 Radu Reisel, Valeriu Grama<\/strong>
\nThe first soldier:\u00a0 Teodor Buzea, Boris Petroff\u00a0<\/strong>
\nSecond soldier:\u00a0 Ilie Iliescu<\/strong>
\nThird soldier:\u00a0 Valeriu Grama, Eugen Tugulea\u00a0<\/strong>
\nA home child:\u00a0 Ivan Sugar<\/strong>
\nA spy:\u00a0 Jean Sandulescu<\/strong>
\nAndrea:\u00a0 Cornel Cionca<\/strong>
\nAntonio:\u00a0 Gheorghe Chise<\/strong>
\nThe first fisherman:\u00a0 Valeriu Grama, Eugen Tugulea\u00a0<\/strong>
\nSecond fisherman:\u00a0 Grig Schi\u0163cu<\/strong>
\nThird fisherman:\u00a0 Sandu Simionica, Teodor Buzea, Boris Petroff<\/strong>
\nFourth fisherman:\u00a0 Ilie Iliescu<\/strong>
\nFifth fisherman:\u00a0 Jean Sandulescu\u00a0<\/strong>
\nElena Madam:\u00a0 Genoveva Matici, Alla Tautu<\/strong>
\nOana:\u00a0 Lili Mihailescu Vladimir\u00a0<\/strong>
\nGenuine:\u00a0 Vivi Popescu, Marilena Negru<\/strong>
\nNastasia:\u00a0 Anca Miere Chiril\u0103<\/strong>
\nSweet:\u00a0 Maud Mary, Doina Url\u0103\u0163eanu<\/strong>
\nBoyars and soldiers:\u00a0K\u00e1lm\u00e1n Batty\u00e1n, Imre R\u00e1dai, Istv\u00e1n Kiss, L\u00e1szl\u00f3 Balogh, Ern\u0151 G\u00e1ll, Doina Ioja<\/strong><\/p>\n
\nPrompter: Sofica Spoiala
\nSound: Olea Dorel<\/p>","protected":false},"excerpt":{"rendered":"