Comedy in five acts by Moli\u00e8re
\nTranslation: Alexandru Toma<\/p>\n
Artistic director: Marietta Sadova<\/strong> Definitively departing from the aesthetics of farce, this character comedy by Moli\u00e8re constitutes itself both as a painting of morals and as a satire of human flaws, announcing the liberal tendencies that would characterize the Enlightenment art of the following century.<\/p>\n The aristocrat Orgon welcomes Tartuffe into his home, taking him as an exemplary Christian, an adherent of moral austerity (for others, not for himself, as will be demonstrated throughout the play). While Orgon and his mother appreciate Tartuffe, the other members of the family see him for what he really is \u2013 a hypocritical adventurer enslaved to the sensual pleasures of life, who takes advantage of the naivety of his wealthy protector. He offers him his daughter, Mariane, as his wife, not seeing how Tartuffe is actually trying to seduce his wife. Elmira devises a plan by which the duplicitous Tartuffe's intentions are thwarted and his true nature is revealed right before Orgon's astonished eyes. The false bigot, however, has another card to play: using some compromising documents that Orgon had entrusted to him without fear of anything, Tartuffe denounces him to the royal court. Fatal imprudence: retaining great affection for Orgon, who had once served him faithfully, the king forgives him, and the one arrested will be the traitor Tartuffe himself.<\/p>\n Distribution:<\/p>\n Mrs. Pernelle:\u00a0 Maud Mary<\/strong> Technical director: Dalma Simionescu Comedie \u00een cinci acte de Moli\u00e8re Traducerea:\u00a0 Alexandru Toma Regia artistic\u0103:\u00a0 Marietta Sadova Asistent regie artistic\u0103:\u00a0 Valeriu Grama Scenografia:\u00a0 Tatiana Manolescu Uleu Data premierei:\u00a0 12 mai 1968 Dep\u0103rt\u00e2ndu-se definitiv de estetica farsei, aceast\u0103 comedie de caracter a lui Moli\u00e8re se constituie at\u00e2t ca un tablou de moravuri, c\u00e2t \u0219i ca satir\u0103 a defectelor umane, anun\u021b\u00e2nd […]<\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"categorie-arhiva":[494],"class_list":["post-10044","arhiva","type-arhiva","status-publish","hentry","categorie-arhiva-unsorted"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t
\nAssistant artistic director: Valeriu Grama<\/strong>
\nScenography: Tatiana Manolescu Uleu<\/strong>
\nPremiere date: May 12, 1968<\/p>\n
\nOrgone:\u00a0 Nicholas Thomas<\/strong>
\nElmira:\u00a0 Simona Constantinescu<\/strong>
\nDamis:\u00a0 Ben Dumitrescu<\/strong>
\nMarianne:\u00a0 Gina Nicolae<\/strong>
\nValue:\u00a0 Nicolae Barosan\u00a0<\/strong>
\nClean:\u00a0 Eugen Tugulea<\/strong>
\nTartuffe:\u00a0 Vladimir Jurascu\u00a0<\/strong>
\nWishes:\u00a0 Viorica Cernucan<\/strong>
\nMr. Loyal:\u00a0 Octavian Uleu<\/strong>
\nA captain of the guard:\u00a0 Ion Tomorrow<\/strong>
\nFlipota:\u00a0 Anca Miere Chiril\u0103<\/strong><\/p>\n
\nPrompter: Sofica Spoiala
\nSound: Dorel Olea<\/p>","protected":false},"excerpt":{"rendered":"