Play in two parts (seven scenes) by Al. Kiri\u0163escu<\/p>\n
Artistic direction:\u00a0<\/strong> Otto<\/strong> Szombati Gille<\/strong> \u201e"Michelangelo" is part of the "Renaissance Trilogy" (along with "The Wedding of Perugia" and "The Borgias"), inspired by the impressions accumulated by the Romanian playwright after a trip to Italy. "Michelangelo" is a period show, but above all an aesthetic debate on the condition of the artist. As the title suggests, the play is dedicated to Michelangelo, the prototype of the Renaissance man, a synthesis of the most valued artistic, civic and human qualities. Under the appearance of harshness and misanthropy, the artist portrayed by Kiri\u0163escu hides immense resources of humanity, tenderness, and gentleness.<\/p>\n The play highlights the creator's struggle, the agonizing struggle with himself, with destiny, the drama of the isolated man. However, in addition to the attempt to decipher the mystery of creation, so impressively embodied in the Sistine Chapel, the dramatic binder remains a love intrigue.<\/p>\n As we can read in the Director's Note in the program booklet, the play brings to the stage "less of a historical Michelangelo and more of a human Michelangelo, a creator who fights with all his might to attribute perfection to forms." Indeed, Michelangelo did not know the serenity of creation like Raphael, for example. Artistic ideas were transposed into stone with passion, suffering and turmoil. The play's action and long tirades capture the effervescent, renewing aspects of Renaissance culture and the free spirit that could be perceived in all intellectual manifestations. As a whole, the play is a firm plea for art.<\/p>\n Distribution:<\/p>\n Michelangelo Buonarroti:\u00a0 Ion Tomorrow<\/strong> Technical director: Dalma Simionescu Pies\u0103 \u00een dou\u0103 p\u0103r\u0163i (\u015fapte tablouri) de Al.Kiri\u0163escu Regia artistic\u0103:\u00a0 Otto Szombati Gille Asistent regie:\u00a0 Alla T\u0103utu Decor:\u00a0 Mircea Matcaboji Costume:\u00a0 Edit Schrantz Kunovits Ilustra\u0163ia muzical\u0103:\u00a0 Zolt\u00e1n Boros Data premierei:\u00a0 14 septembrie 1969 \u201eMichelangelo\u201d face parte din \u201eTrilogia Rena\u015fterii\u201d (al\u0103turi de \u201eNunta din Perugia\u201d \u015fi \u201eBorgia\u201d), inspirat\u0103 din impresiile acumulate de dramaturgul rom\u00e2n dup\u0103 o […]<\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"categorie-arhiva":[494],"class_list":["post-10056","arhiva","type-arhiva","status-publish","hentry","categorie-arhiva-unsorted"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t
\nAssistant director: Alla T\u0103utu<\/strong>
\nDecor: Mircea Matcaboji<\/strong>
\nCostumes: Edit Schrantz Kunovits<\/strong>
\nMusic illustration: Zolt\u00e1n Boros<\/strong>
\nPremiere date: September 14, 1969<\/p>\n
\nRafael Sanzio:\u00a0 Nicolae Barosan<\/strong>
\nBramante:\u00a0 Nicholas Thomas\u00a0<\/strong>
\nPope Julius II:\u00a0 Dorel Url\u0103\u021beanu emeritus artist<\/em><\/strong>
\nCardinal Giovanni de Medici:\u00a0 Marcel Seg\u0103rceanu<\/strong>
\nPrince Gaetano Colonna:\u00a0 Mircea Olariu<\/strong>
\nSer Antonello:\u00a0 Ben Dumitrescu<\/strong>
\nSir Giovanni:\u00a0 George Pintilescu<\/strong>
\nBoccacino Serum:\u00a0 Jean Sandulescu<\/strong>
\nGianino:\u00a0 Ana Popa<\/strong>
\nBattista della Palla:\u00a0 Eugen Tugulea<\/strong>
\nRinaldo Corsini:\u00a0 Ion Abrudan<\/strong>
\nGherado Gherardi:\u00a0 Octavian Uleu<\/strong>
\nBeppo the lunatic:\u00a0 John Martin<\/strong>
\nFrancis of Urbino:\u00a0 Grig Dristaru<\/strong>
\nLelio:\u00a0 George Stana<\/strong>
\nChercio:\u00a0 Constantin Simionescu<\/strong>
\nBridget:\u00a0 Andra Teodorescu<\/strong>
\nEmpire:\u00a0 Simona Constantinescu<\/strong>
\nAntennas:\u00a0 Corneliu Zdrehus<\/strong>
\nA soldier:\u00a0 Grig Schi\u0163cu<\/strong><\/p>\n
\nPrompter: Agy Seg\u0103rceanu
\nSound: Dorel Olea<\/p>","protected":false},"excerpt":{"rendered":"