Vaudeville in three acts by Aurel Baranga<\/p>\n
Artistic direction: Mihai Raicu<\/strong> \u201e"Be good, Cristofor!" addresses the perennial theme of family and the trials this nucleus goes through when the harmony of the beginning is eroded by the passing of the years. Composer Cristofor Bellea is married to Ema, but routine is strongly felt in their marriage. Each one seems to be not living, that he is "vegetating", that "this week is similar to the last", that he "feels tired", that he "has aged prematurely", that "everything is bleak", that the other is "absent", "indifferent", "absorbed exclusively by his own concerns". True to his artist nature, Cristofor treats his wife with superiority, crushes her personality and even allows himself to have secret meetings with Anca, the family's best friend. The earthquake occurs when the submissive wife, who has left the town to see to her father's health, sends her husband a note from the train station announcing that she is leaving him for another man. The drama takes on a bovine tone: the husband suffers, but more out of pride than out of love: he rebels at the thought that his wife could fall in love with someone else. Everything seems to end well when, near the end, the incident turns out to be a farce. The ending is actually quite bitter, because the wife really leaves Cristofor, not for another man, but for her own happiness. Through a game of alternations, the playwright suggests that perhaps if Cristofor had been married to Anca, his attention would have turned to Ema, because he is and remains an adventurer in love.<\/p>\n Distribution:<\/p>\n Valeriu Stambuliu:\u00a0 Jean Sandulescu<\/strong> Technical director: Dalma Simionescu Vodevil \u00een trei acte de Aurel Baranga Regia artistic\u0103:\u00a0 Mihai Raicu Scenografia:\u00a0 Maria Ha\u0163eganu Data premierei:\u00a0 13 decembrie 1969 \u201eFii cuminte, Cristofor!\u201d abordeaz\u0103 tema peren\u0103 a familiei \u015fi a \u00eencerc\u0103rilor prin care trece acest nucleu atunci c\u00e2nd armonia \u00eenceputului este erodat\u0103 de trecerea anilor. Compozitorul Cristofor Bellea este c\u0103s\u0103torit cu Ema, dar \u00een c\u0103snicia lor […]<\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"categorie-arhiva":[494],"class_list":["post-10058","arhiva","type-arhiva","status-publish","hentry","categorie-arhiva-unsorted"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t
\nScenography: Maria Ha\u0163eganu<\/strong>
\nPremiere date: December 13, 1969<\/p>\n
\nVictoria Sava:\u00a0 Doina Ioja<\/strong>
\nChristopher Bellea:\u00a0 Nicholas Thomas<\/strong>
\nEma Bellea and Anca Stambuliu:\u00a0 Simona Constantinescu<\/strong><\/p>\n
\nPrompter: Sofica Spoiala
\nMusical illustration and sound design: Dorel Olea<\/p>","protected":false},"excerpt":{"rendered":"