by Mircea Bradu
\nAbsolute premiere<\/p>\n
Artistic director: Magda Bordeianu<\/strong> The well-known figure of the ruler Vlad Tepes, animated by an anti-Ottoman ideology, found an unprecedented embodiment in Mircea Bradu's historical play. The show is set up as an unusual dialogue between Vlad Tepes and posterity. We witness an imaginary interview granted by the ruler to the chroniclers, out of the desire to make the political reasons, the motivation behind each of his famous "atrocities" understandable. The author chooses exactly those episodes that, at first glance, seem inexplicable, difficult to understand: the killing of the peace messengers, the nailing of the turbans from the heads of the Turks, the impaling of ambassadors lacking the intellectual qualities required by their mission or an appropriate clothing style. From what results, Vlad's attitude is neither arbitrary violence nor a whim born of vanity, but a strong affirmation of the dignity of a ruler and a people who can no longer tolerate the humiliation to which they are subjected. The narrated episodes are reconstructed using the "theater within theater" method by the ruler's soldiers, emphasizing the convention according to which it is not the narration that takes precedence, but the debate in terms of ideas and meanings.<\/p>\n Distribution:<\/p>\n Vlad the Impaler Dracula:\u00a0 Stefan Sileanu<\/strong> (National Theatre of T\u00e2rgu Mure\u015f) Technical director: Dalma Simionescu de Mircea Bradu Premier\u0103 absolut\u0103 Regia artistic\u0103:\u00a0 Magda Bordeianu Asistent regie:\u00a0 Eugen Harizomenov Scenografia:\u00a0 Sic\u0103 Rusescu Data premierei:\u00a0 26 octombrie 1972 Binecunoscuta figur\u0103 a domnitorului Vlad \u0162epe\u015f, animat de o ideologie antiotoman\u0103 a g\u0103sit \u00een piesa istoric\u0103 a lui Mircea Bradu o \u00eentruchipare f\u0103r\u0103 precedent. Spectacolul se constituie ca un insolit dialog al lui Vlad […]<\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"categorie-arhiva":[494],"class_list":["post-10081","arhiva","type-arhiva","status-publish","hentry","categorie-arhiva-unsorted"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t
\nAssistant director: Eugen Harizomenov<\/strong>
\nScenography: Sica Rusescu<\/strong>
\nPremiere date: October 26, 1972<\/p>\n
\nThe abbot:\u00a0 Ion Tomorrow<\/strong>
\nThe Italian Knight:\u00a0 Theo Cojocaru<\/strong>
\nJohn:\u00a0 Nicholas Thomas<\/strong>
\nNecker:\u00a0 Dorel Url\u0103\u021beanu emeritus artist<\/em><\/strong>
\nAlbert B\u00f6l\u00f6ni of Marzihaza:\u00a0 Marcel Seg\u0103rceanu<\/strong>
\nEuphrosyne:\u00a0 Eugen Tugulea<\/strong>
\nThe mount and the ground:\u00a0 Grig Dristaru<\/strong>
\nCotean, Turk I and the Captain of the Guard:\u00a0 Nicolae Barosan<\/strong>
\nBalmu\u015f, Canon II, Boyar suite Laiota:\u00a0 Grig Schi\u0163cu<\/strong>
\nMotoi, Catavolinos, Boyer suite Laiota:\u00a0 Ion Abrudan<\/strong>
\nHamza, Canon I, Boyar of the throne:\u00a0 John Martin<\/strong>
\nMehmed, Boyar Throne and Boyar Suite Laiota:\u00a0 Eugen Harizomenov<\/strong>
\nVodka Layota:\u00a0 Mihai Paunescu<\/strong><\/p>\n
\nPrompter: Gigi Gro\u015fanu
\nLighting: Vasile Blejan
\nSound: Dorel Olea<\/p>","protected":false},"excerpt":{"rendered":"