by Evgheni \u0160var\u0163
\nTranslation: Doina Cri\u015f and Ion V\u0103r\u0103deanu<\/p>\n
Artistic direction: Alexandru Colpacci<\/strong> Taking the central motif from the fairy tale "The Emperor's New Clothes", Evgheni \u015evar\u0163's play "The Naked King" deals in parables with serious problems facing the contemporary world, in particular aspects of a totalitarian system that 20th-century Europe was unfortunately not without. The play's action is set at the militarized court of a king, where "the trees in the garden are lined up, the birds fly in battalions", law and order are unknown and everyone sees the truth, but does not dare to confess it. Everyone blindly obeys the king's orders, whose authority and competence they do not dispute in the slightest: "The king cannot be an idiot... he must always be smart." "He does not grin... at most he laughs magnanimously". The monarch cultivates a myth around his personality that maintains and strengthens his power and keeps his subjects as far away from the truth as possible.<\/p>\n The farce of the young swineherds, who promise the king a wonderful suit, which the fools and those unworthy of their rank cannot see, creates an exceptional symbol: all the courtiers see the king naked, but none dares to say it, either because the king does not like unpleasant announcements, or because each believes himself worthy of his rank. However, once convinced of the nakedness of the ruling system, people set out in search of the truth shake the edifice built on lies and ridicule. Written in 1934, in the midst of the fascist rise, the play leaves much to be guessed behind the lines spoken on stage, becoming a vehement satire on dictatorship in general, and an appeal to sincerity, moral beauty and justice.<\/p>\n Distribution:<\/p>\n Henry:\u00a0 Nicolae Barosan<\/strong> Technical director: Elena Varlam de Evgheni \u015evar\u0163 Traducerea:\u00a0 Doina Cri\u015f \u015fi Ion V\u0103r\u0103deanu Regia artistic\u0103:\u00a0 Alexandru Colpacci Scenografia:\u00a0 Tatiana Manolescu Uleu Compozitor:\u00a0 Adi Braun Coregrafia:\u00a0 Maria Schneider Data premierei:\u00a0 30 noiembrie 1972 Prelu\u00e2nd motivul central din basmul \u201eHainele cele noi ale \u00eemp\u0103ratului\u201d, piesa \u201eRegele gol\u201d a lui Evgheni \u015evar\u0163 trateaz\u0103 \u00een parabole probleme grave cu care se confrunt\u0103 lumea […]<\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"categorie-arhiva":[494],"class_list":["post-10082","arhiva","type-arhiva","status-publish","hentry","categorie-arhiva-unsorted"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t
\nScenography: Tatiana Manolescu Uleu <\/strong>
\nComposer: Adi Braun<\/strong>
\nChoreography: Maria Schneider<\/strong>
\nPremiere date: November 30, 1972<\/p>\n
\nChristian:\u00a0 Theo Cojocaru<\/strong>
\nKing Father:\u00a0 Eugen Tugulea<\/strong>
\nThe King:\u00a0 Nicholas Thomas<\/strong>
\nPrincess:\u00a0 Dorina Paunescu<\/strong>
\nGoverness:\u00a0 Simona Constantinescu<\/strong>
\nMinister of intimate feelings:\u00a0 Ion Abrudan<\/strong>
\nPrime Minister:\u00a0 Ion Tomorrow<\/strong>
\nChamberlain:\u00a0 John Martin<\/strong>
\nThe mayor:\u00a0 Marcel Seg\u0103rceanu<\/strong>
\nThe court poet:\u00a0 Mihai Paunescu<\/strong>
\nLadies of the court:\u00a0 Olimpia M\u00e2inea, Doina Ioja, Anca Miere Chiril\u0103, Doina Url\u0103\u021beanu<\/strong>
\nThe valet:\u00a0 Grig Dristaru<\/strong>
\nThe Jester:\u00a0 Eugen Harizomenov<\/strong>
\nThe conductor:\u00a0 Grig Schi\u0163cu<\/strong>
\nLustragi:\u00a0 Tiberius Varga<\/strong>
\nThe chef:\u00a0 Octavian Uleu<\/strong>
\nWoman:\u00a0 Ana Popa\u00a0<\/strong>
\nIn other roles:\u00a0 Mariana Vasile, Mia Popescu<\/strong>, Carmen Ghiman, Octavian Vaida, Gigi Grosanu<\/em><\/p>\n
\nPrompter. Agy Seg\u0103rceanu
\nLighting: Vasile Blejan
\nSound: Dorel Olea<\/p>","protected":false},"excerpt":{"rendered":"