{"id":10091,"date":"2012-06-10T15:02:13","date_gmt":"2012-06-10T15:02:13","guid":{"rendered":"https:\/\/teatrulreginamaria.ro\/2012\/06\/10\/galcevile-din-chioggia\/"},"modified":"2012-06-10T15:02:13","modified_gmt":"2012-06-10T15:02:13","slug":"the-gaols-of-chioggia","status":"publish","type":"arhiva","link":"https:\/\/www.teatrulreginamaria.ro\/en\/arhiva\/galcevile-din-chioggia\/","title":{"rendered":"The quarrels of Chioggia"},"content":{"rendered":"

Comedy by Carlo Goldoni
\nTranslation: Florian Potra
\n<\/strong><\/p>\n

Artistic direction:\u00a0 <\/strong>STEFAN <\/strong>Farkas <\/strong>and Eugen Harizomenov<\/strong>
\nScenography: Eliza Popescu<\/strong>
\nPremiere date: January 6, 1974<\/p>\n

Carlo Goldoni's theatre, of an incomparable richness, mirrors all social environments, in the most diverse settings, in a vision full of naturalness, spontaneity and freshness. "The Quarrels of Chioggia" brings to the stage the world of the many in a fishing village on the Adriatic coast. As the title suggests, the play is essentially conflictual, the quarrel being started by the fisherman Toffolo, guilty of flirting with young women. Although she is engaged to Titta-Nane, Lucietta willingly accepts the slice of pumpkin that Toffolo offers her. From here a conflict is born that takes on unsuspected proportions, ending up involving all the husbands, brothers and friends in the village. After numerous comic and energetic disputes and even an intervention of the judiciary, harmony is restored and in a festive atmosphere no less than three marriages are announced: Lucietta with Titta-Nane, Orsetta with Beppo and Checa with Toffolo. Remarkable in this play is the rendering of the ambience of the Italian street, with the customs, gaiety, tricks and the own language of the people who populate it. Goethe notes in relation to this play: \u201eThe loud cries of the people who rejoice or take counsel, their quarrels, their abruptness, their bonhomie, their gaiety, their free manners, everything is rendered in a masterly way\u2026 The author deserves the highest praise\u2026 for this picture of profound realism.\u201d<\/p>\n

Distribution:<\/p>\n

Master Toni:\u00a0 Octavian Uleu<\/strong>
\nAunt Pasqua:\u00a0 Doina Ioja<\/strong>
\nLucietta:\u00a0 Mariana Vasile<\/strong>
\nTitta-Nane:\u00a0 Marcel Popa<\/strong>
\nBeppe:\u00a0 Ion Abrudan<\/strong>
\nMaster Fortunato:\u00a0 Nicholas Thomas<\/strong>
\nAunt Libera:\u00a0\u00a0 Olympia Tomorrow<\/strong>
\nOrsetta:\u00a0 Ana Popa, Mia Popescu<\/strong>
\nChecca:\u00a0 Katie<\/strong> GABOR <\/strong>
\nMaster Vicenzo:\u00a0 Marcel Seg\u0103rceanu<\/strong>
\nToffolo:\u00a0 Nicolae Barosan<\/strong>
\nIsidore:\u00a0 Ion Tomorrow<\/strong>
\nThe doorman:\u00a0 Grig Schi\u0163cu<\/strong>
\nCanocchia:\u00a0 Mia Popescu, Ana Popa<\/strong><\/p>\n

Technical director: Elena Varlam
\nPrompter: Gigi Gro\u015fanu
\nLighting: Vasile Blejan
\nSound: Dorel Olea<\/p>","protected":false},"excerpt":{"rendered":"

Comedie de Carlo Goldoni Traducerea:\u00a0 Florian Potra Regia artistic\u0103:\u00a0 \u015etefan Farkas \u015fi Eugen Harizomenov Scenografia:\u00a0 Eliza Popescu Data premierei:\u00a0 6 ianuarie 1974 Teatrul lui Carlo Goldoni, de o bog\u0103\u0163ie greu de egalat, oglinde\u015fte toate mediile sociale, \u00een decorurile cele mai diverse, \u00eentr-o viziune plin\u0103 de naturale\u0163e, spontaneitate \u015fi prospe\u0163ime. \u201eG\u00e2lcevile din Chioggia\u201d aduce \u00een scen\u0103 […]<\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"categorie-arhiva":[494],"class_list":["post-10091","arhiva","type-arhiva","status-publish","hentry","categorie-arhiva-unsorted"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t