Enchanting comedy in five acts and nine scenes by Vladimir Mayakovsky
\nTranslation: Tamara Gane<\/p>\n
Artistic direction: Alexandru Colpacci<\/strong> According to the author's confessions, the material for the play comes from the mass of small facts encountered throughout his journalistic and publicistic activity. Discussing a series of issues with a thesis, he synthesizes the theme of the play as "the unmasking of contemporary philistinism". A simple reading of the play reveals a plan of pro-communist meanings, appropriate to the era in which it was performed. The two parts of the play take place 50 years apart, and the playwright's irony and satire, although in different registers, are preserved at the same intensity. Prisypkin, projected from the third decade of the 20th century into a world that he no longer recognizes half a century later, cannot understand the world suffocated by false principles and candor. His inability to communicate with this new world results in a deep and human despair. On a second reading, however, the play, apparently a plea for communism, turns out to be a demystification of it: the bedbug becomes the symbol of the "new type of man", ready to forget his origin, to submit to brainwashing, but also the symbol of the huge Soviet Empire, which sucked the vitality of its inhabitants for almost a century.<\/p>\n Distribution:<\/p>\n Prisipkin:\u00a0 Eugen Harizomenov<\/strong> Technical director: Elena Varlam \u00a0<\/p>\n \u00a0<\/p>","protected":false},"excerpt":{"rendered":" Comedie feeric\u0103 \u00een cinci acte \u015fi nou\u0103 tablouri de Vladimir Maiakovski Traducerea:\u00a0 Tamara Gane Regia artistic\u0103:\u00a0 Alexandru Colpacci Scenografia:\u00a0 Paul Salzberger Ilustra\u0163ia muzical\u0103:\u00a0 Cornel Pop Data premierei:\u00a0 17 noiembrie 1974 Dup\u0103 m\u0103rturisirile autorului, materialul piesei provine din noianul de fapte m\u0103runte \u00eent\u00e2lnite de-a lungul activit\u0103\u0163ii sale gazet\u0103re\u015fti \u015fi publicistice. Pun\u00e2nd \u00een discu\u0163ie o serie de […]<\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"categorie-arhiva":[494],"class_list":["post-10100","arhiva","type-arhiva","status-publish","hentry","categorie-arhiva-unsorted"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t
\nScenography: Paul Salzberger<\/strong>
\nMusical illustration: Cornel Pop<\/strong>
\nPremiere date: November 17, 1974<\/p>\n
\nZoya Beriozkina:\u00a0 Eugenia Papaiani<\/strong>
\nElzevira Davidovna:\u00a0 Mia Popescu, Ileana Iurciuc\u00a0<\/strong>
\nRosalia Pavlovna:\u00a0 Olympia Tomorrow<\/strong>
\nDavid Osipovich:\u00a0 Grig Schi\u0163cu, Ion M\u00e2inea<\/strong>
\nOleg Baian:\u00a0 Ion Abrudan<\/strong>
\nThe barefoot boy:\u00a0 Nicolae Barosan<\/strong>
\nThe Boy with the Book and the Inventor:\u00a0 Laurian Jivan<\/strong>
\nThe locksmith:\u00a0 John Martin<\/strong>
\nGirl:\u00a0 Mariana Vasile<\/strong>
\nBridesmaids:\u00a0 Doina Url\u0103\u0163eanu, Anca Miere Chiril\u0103<\/strong>
\nKnight of Honor:\u00a0 Marcel Seg\u0103rceanu<\/strong>
\nThe guest:\u00a0 Octavian Uleu, Grig Schi\u0163cu<\/strong>
\nFirefighter I:\u00a0 Nicolae Barosan<\/strong>
\nFirefighter II:\u00a0 Laurian Jivan<\/strong>
\nFirefighter III:\u00a0 Theo Cojocaru, Mircea Constantinescu<\/strong>
\nThe speaker:\u00a0 Marcel Seg\u0103rceanu<\/strong>
\nThe master of ceremonies:\u00a0 Eugen Tugulea<\/strong>
\nZoo director:\u00a0 Nicholas Thomas\u00a0<\/strong>
\nThe teacher:\u00a0 Dorel Url\u0103\u021beanu emeritus artist<\/em><\/strong>
\nThe President:\u00a0 Jean Sandulescu\u00a0<\/strong>
\nShopkeepers, Newspaper Sellers and Nurses: Alla Tautu, Anca Miere Chiril\u0103, Doina Url\u0103\u0163eanu, Ana Popa, Mariana Neagu\u00a0<\/strong>
\nFlasher:\u00a0 Florence Manea<\/em><\/p>\n
\nPrompter: Gigi Gro\u015fanu
\nLighting: Vasile Blejan
\nSound: Dorel Olea<\/p>\n