by Luigi Pirandello
\nTranslation: R.A. Locusteanu<\/p>\n
Stage version and artistic direction: Alexandru Colpacci<\/strong> Alexandru Colpacci, the director of the memorable play that was the highlight of the 1978-1979 season, defined the show "Tonight is Improvisation" as a form of "collective confession." Indeed, the show allows the actors to show their own profession on stage, through a hallucinatory game in which theater is analyzed in its intimacy.<\/p>\n Right from the entrance to the hall, the audience discovers the actors in front of the curtain while they are doing their hair, putting on their make-up, in a word \u2013 doing everything that usually happens away from the eyes of the world. Thus, the first part of the show introduces the audience to the laboratory of theatrical creation, makes them co-authors of a whole series of experiments. The show, far from being the finished product we are used to, but the actors and the director are still groping their way. Modalities of psychological theatre, of folk theatre, of circus show, of pantomime, of oneiric theatre, of absurd theatre are tried. The tensions between the actors and the director Hinkfuss raise questions such as: who is the author of the show? What takes precedence in the acting construction? The text or the director's instructions? To what extent and how should the fusion of the actor and the character occur?<\/p>\n The second part of the play explores how the actors are totally subordinate to their characters and how art becomes life. The actors lose their own identity and end up faithfully embodying the members of the La Croce family or the group of officers. It is the only position in which they become truly authentic. Thus, the spectator is presented with the drama of Mommina, who is forced to marry, but in the new commitment finds a slow but certain death, caused by the morbid jealousy of her husband, Rico Verri.<\/p>\n Of course, this conflict is just a pretext and the "improvisation" mentioned in the title is just a convention to ingeniously illustrate the winding path from the pre-existing form represented by the dramatic text to the finished theatrical work.<\/p>\n Distribution:<\/p>\n Director Hinkfuss:\u00a0 Liviu Rozorea<\/strong> Technical director: Marioara Goina Show distinguished with: \u00a0<\/p>","protected":false},"excerpt":{"rendered":" de Luigi Pirandello Traducerea: R.A.Locusteanu Versiunea scenic\u0103 \u015fi regia artistic\u0103:\u00a0 Alexandru Colpacci Scenografia:\u00a0 arh.Dan Jitianu Asisten\u0163\u0103 scenografie:\u00a0 Ligia Naghel, Dan Costinescu, Maria Ha\u0163eganu Muzica \u015fi versurile:\u00a0 Nicu Alifantis Ilustra\u0163ia muzical\u0103:\u00a0 Cornel Pop Data premierei:\u00a0 2 noiembrie 1978 Alexandru Colpacci, regizorul memorabilei piese care a constituit momentul de v\u00e2rf al stagiunii 1978-1979, a definit spectacolul \u201eAst\u0103-sear\u0103 […]<\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"categorie-arhiva":[494],"class_list":["post-10132","arhiva","type-arhiva","status-publish","hentry","categorie-arhiva-unsorted"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t
\nScenography: architect Dan Jitianu<\/strong>
\nSet design assistant: Ligia Naghel, Dan Costinescu, Maria Ha\u0163eganu<\/strong>
\nMusic and lyrics: Nicu Alifantis <\/strong>
\nMusical illustration: Cornel Pop<\/strong>
\nPremiere date: November 2, 1978<\/p>\n
\nThe old comic actor (Whistles):\u00a0 Nicholas Thomas<\/strong>
\nMrs. Ignazia (character actress):\u00a0 Simona Constantinescu<\/strong>
\nLeading Actress (Mommina):\u00a0 Cristina Schiopu<\/strong>
\nThe main actor (Rico Verri):\u00a0 Mircea Constantinescu<\/strong>
\nTotina:\u00a0 Mariana Neagu<\/strong>
\nDesire:\u00a0 Mariana Vasile<\/strong>
\nNene:\u00a0 Ileana Iurciuc<\/strong>
\nPomarici:\u00a0 Laurian Jivan<\/strong>
\nNardi:\u00a0 Ion Abrudan<\/strong>
\nSarelli:\u00a0 Radu Vaida<\/strong>
\nCheekbones:\u00a0 Nicolae Barosan<\/strong>
\nMangini:\u00a0 Marcel Popa<\/strong>
\nSinger:\u00a0 Alla Tautu<\/strong>
\nA lady:\u00a0 Doina Url\u0103\u021beanu<\/strong>
\nOpera singer:\u00a0 Anca Miere Chiril\u0103<\/strong>
\nConsumers:\u00a0 Grig Schitcu, Eugen Harizomenov, Ion Martin<\/strong>
\nThe candy seller:\u00a0 Florence Manea<\/em>
\nA young man:\u00a0 Dimitrios Stefanidis<\/em>
\nChildren:\u00a0 Anca and Lioara Bradu<\/em><\/p>\n
\nPrompter: Dimitrios Stefanidis
\nLighting: Vasile Blejan
\nSound: Dorel Olea<\/p>\n
\n-ATM Award for scenography, 1978, (Dan Jitianu)
\n-the award for the most homogeneous band
\n-Female Performance Award (Cristina \u015echiopu)
\n-the male performance award (Liviu Rozorea) at the Festival of the Art of the Contemporary Actor in Dialogue with the Audience, 2nd edition, Satu Mare, 1979<\/p>\n