Leonid Andreev coup\u00e9 show<\/p>\n
Artistic direction: Sergiu Savin<\/strong> In the two short plays that make up the coup\u00e9 show "The Horse in the Senate. The Beautiful Sabines", the Russian writer Leonid Andreev took up themes or moments from ancient history, dramatically reworking them and giving them new connotations. The historical episode of the abduction of the Sabines to populate the newly founded city of Rome becomes a good pretext for ironic references and satirical appreciations of human nature in general. The vaudeville "The Horse in the Senate" starts from the story told by Suetonius in "The Lives of the 12 Caesars", according to which the eccentric Roman emperor Caligula treated his horse Incitatus with at least strange honors: "He had made him a marble stable, an ivory manger, purple harness, a necklace of precious stones, servants and luxurious furniture." The culmination of this behavior \u2013 conferring the rank of Senator on the animal, transforms Andreev's play into a political pamphlet, exposing the flattering and servile attitude towards the powerful.<\/p>\n THE HORSE IN THE SENATE<\/strong> Distribution: THE BEAUTIFUL SABINES<\/strong> Adapted from the play "The Abduction of the Sabines", written by Leonid Andreev in 1911, the show proposed by the "Iosif Vulcan" Troupe brings to the fore a series of aspects of immediate reality, mentioned with surprising sincerity and openness: the problems of Romanians in Italy, the global economic crisis, omnipresent corruption, the obsession with physical appearance, fashion shows, the media's pursuit of sensationalism.<\/p>\n The historical episode of the abduction of the Sabine women by the Romans in order to populate the newly founded city of Rome functions only as a pretext to create an engaging, lively comedy, full of gags and inspired jokes, in which the confrontation between women and men or the claims of respectability acquire an ironic allure. Thus, the women are lured with wallets, jewelry and perfumes and look for a handsome, intelligent, rich, virile, obedient, refined and loving man; unable to find all these in a single man, they choose several, one for each quality. The men are quite inefficient, ridiculous and, paradoxically, subordinate to the women they have abducted.<\/p>\n The play is structured in two scenes: the first takes place in the Roman camp, which is trying to reach an agreement with the Sabine women; the second takes place in the Sabine camp, a year and a half later, and depicts the honest preparations of the husbands for the great confrontation through which they hope to recover their lost women. Both worlds are populated by characters symptomatic of contemporary society, types easily recognizable both around us and perhaps in each of us.<\/p>\n Distribution: Technical director: M\u0103rioara Goina Spectacol-coup\u00e9 Leonid Andreev Regia artistic\u0103:\u00a0 Sergiu Savin Scenografia:\u00a0 Epaminonda Tiotiu Data premierei:\u00a0 12 iunie 1982 \u00cen cele dou\u0103 piese scurte care formeaz\u0103 spectacolul-coup\u00e9 \u201eCalul \u00een Senat. Frumoasele sabine\u201d, scriitorul rus Leonid Andreev a preluat teme sau momente din istoria antic\u0103, prelucr\u00e2ndu-le dramatic \u015fi conferindu-le noi conota\u0163ii. Episodul istoric al r\u0103pirii sabinelor pentru a popula proasp\u0103t […]<\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"categorie-arhiva":[494],"class_list":["post-10158","arhiva","type-arhiva","status-publish","hentry","categorie-arhiva-unsorted"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t
\nScenography: Epaminonda Tiotiu<\/strong>
\nPremiere date: June 12, 1982<\/p>\n
\nVaudeville in one act from the history of Rome
\nTranslation: Mircea Ciobanu<\/p>\n
\nFirst Senator:\u00a0 John Martin<\/strong>
\nSecond Senator:\u00a0 Marcel Popa<\/strong>
\nThird senator:\u00a0 Nicolae Barosan<\/strong>
\nMarcus:\u00a0 Eugen Harizomenov<\/strong>
\nHalf a senator:\u00a0 Laurian Jivan<\/strong>
\nAgrippa:\u00a0 Marcel Seg\u0103rceanu<\/strong>
\nTitus:\u00a0 Nicholas Thomas<\/strong>
\nMarcellus:\u00a0 Ion Tomorrow<\/strong>
\nMenenius:\u00a0 Peter the Deacon<\/strong>
\nFirst consul:\u00a0\u00a0 Eugen Tugulea<\/strong>
\nSecond consul:\u00a0 Ion Abrudan<\/strong>
\nCaligula:\u00a0 Emil Sauciuc<\/strong>
\nPriscus:\u00a0 Tiberiu Covaci<\/strong><\/p>\n
\nTranslation: Tatiana Nicolescu<\/p>\n
\nScipio:\u00a0 Ion Tomorrow<\/strong>
\nA bold novel:\u00a0 Tiberiu Covaci<\/strong>
\nPaul:\u00a0 Emil Sauciuc<\/strong>
\nRomans:\u00a0 Ion Abrudan, Nicolae Barosan, Marcel Popa, Marcel Seg\u0103rceanu<\/strong>
\nCleopatra:\u00a0 Cristina Schiopu<\/strong>
\nProsepin:\u00a0 Mariana Neagu<\/strong>
\nVeronica:\u00a0 Anca Miere Chiril\u0103<\/strong>
\nSabine:\u00a0 Alla Tautu, Simona Constantinescu, Aurora Leonte, Mariana Vasile<\/strong>
\nSabines:\u00a0 Eugen Tugulea, Ion Martin<\/strong>
\nMarch:\u00a0 Eugen Harizomenov<\/strong>
\nThe teacher:\u00a0 Laurian Jivan<\/strong>
\nProserpine's husband:\u00a0 Nicholas Thomas<\/strong>
\nOther Sabines:\u00a0 Eugen Tugulea, Ion Martin<\/strong><\/p>\n
\nPrompter: Florence Szabo
\nLights: Iosif Balogh
\nSound: Dorel Olea<\/p>","protected":false},"excerpt":{"rendered":"