Play in three acts by Paul Everac<\/p>\n
Artistic director: Ion Mainea<\/strong> Subtitled "Essay on Personality", the play "The Room Next Door" is dedicated to a meditation on the premises and ways of preserving human existence, but also on the forms of its perversion, on truth and mystification in individual and social existence.<\/p>\n The pivotal character of the drama is biologist Pavel Cristian \u2013 an uncompromising, sincere, selfless character, representing steadfastness in principles, consistency in ideals. He is the tenant of the room next door, which the members of the Bondoc family (Marcel, his wife, Alina and daughter, Mira) want to occupy, opportunists, philistines, chameleons, people of momentary relationships, speculators of the conjuncture; each is convinced that only in that room and only when they occupy it will they be able to fully realize themselves. As Natalia Stancu observes in \u201eSc\u00e2nteia\u201d of January 28, 1977, the \u201eroom next door\u201d becomes a metaphor, suggesting, in turn: the prevalence of material ideals, the space of man\u2019s initial purity, the space of authentic living, etc. For Mihai Gafi\u021ba (vol. "Three Pieces - Essay"), "the next room is a repository of our pure representation of life, a permanent reservoir of trust in the world and its great, known or still mysterious laws."\u201e<\/p>\n Distribution:<\/p>\n Marcel Bondoc:\u00a0 Ion Tomorrow<\/strong> Technical director: M\u0103rioara Goina Pies\u0103 \u00een trei acte de Paul Everac Regia artistic\u0103:\u00a0 Ion M\u00e2inea Scenografia: I. G\u00e9za\u00a0 B\u00edr\u00f3 Ilustra\u0163ia muzical\u0103:\u00a0 Gheorghe Hausmann Data premierei:\u00a0 11 octombrie 1988 Subintitulat\u0103 \u201eEseu despre personalitate\u201d, piesa \u201eCamera de al\u0103turi\u201d este consacrat\u0103 unei medita\u021bii despre premizele \u0219i c\u0103ile conserv\u0103rii existen\u021bei umane, dar \u0219i despre formele pervertirii ei, despre adev\u0103r \u0219i mistificare \u00een existen\u021ba […]<\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"categorie-arhiva":[494],"class_list":["post-10211","arhiva","type-arhiva","status-publish","hentry","categorie-arhiva-unsorted"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t
\nScenography:<\/strong> I. Geza<\/strong>\u00a0 B\u00edr\u00f3 <\/strong>
\nMusical illustration: Gheorghe Hausmann<\/strong>
\nPremiere date: October 11, 1988<\/p>\n
\nAlina Bondoc:\u00a0 Simona Constantinescu<\/strong>
\nMira Bondoc:\u00a0 Ileana Iurciuc<\/strong>
\nTeofil Hotaranu:\u00a0 Doru Firte<\/strong>
\nPavel Christian:\u00a0 Eugen Harizomenov<\/strong>
\nSonia Cristian:\u00a0 Mariana Vasile<\/strong>
\nBenjamin Flavius:\u00a0 Ion Abrudan<\/strong>
\nStoleru's salary:\u00a0 Mariana Neagu<\/strong>
\nOn the violin:\u00a0 Eta Sz\u00e9ll Patka<\/em><\/p>\n
\nPrompter: Florence Szabo
\nLights: Iosif Balogh
\nSound: Valentin Bodonea<\/p>","protected":false},"excerpt":{"rendered":"