by DRPopescu
\nAbsolute premiere<\/p>\n
Artistic direction and soundtrack: Ioan Ieremia<\/strong> A polyphonic and stirring spectacle due to the multitude of messages transmitted, "The Powder Mill" captures, in essence, a process of terrible spiritual struggle, projected against the historical backdrop of the peasant uprising led by Horia, Clo\u0219ca and Cri\u0219an. Gabor, the one who experiences the dilemmatic process, is "a character of Shakespearean strength, put in a position to develop and solve several great problems of humanity" (Valentin Ta\u0219cu in "Flac\u0103ra pentru minde, inim\u0103 \u0219i literatur\u0103", September 22, 1989). A former musician in Vienna, Gabor becomes an executioner in Deva, by force of circumstances, during the peasant uprising in Transylvania. The process of conscience begins when the victims are no longer the villains, but the peasants of the same blood as him, and the punishment is not dictated by Justice, but by absolute Power, embodied by the Austro-Hungarian Empire. Having reached an age of wisdom, Gabor reconsiders the essential moments of his life, an approach in which memories are selected (some becoming obsessions) and meanings are clarified. Thus, both his condition, as a social outcast, and the world forbidden to him, in which his love for Magda also falls, are increasingly clearly outlined. The dilemmas of conscience take place in the executioner's troubled dream, in which the victims rise from their graves, change their identities, and constantly mix with the real heroes. Confronted with himself, the executioner tries \u2013 without success \u2013 to duplicate himself, and then he devises something that no one has managed to do before him: to kill the thought (or the dream), a gesture equivalent to a self-execution, the only way to free himself from his victims, but also from himself.<\/p>\n Distribution:<\/p>\n Gabor:\u00a0 Ion Tomorrow<\/strong> Technical director: M\u0103rioara Goina \u00a0<\/p>","protected":false},"excerpt":{"rendered":" de D.R.Popescu Premier\u0103 absolut\u0103 Regia artistic\u0103 \u015fi coloana sonor\u0103:\u00a0 Ioan Ieremia Scenografia:\u00a0 Emilia Jivanov Data premierei:\u00a0 9 mai 1989 Spectacol polifonic \u0219i r\u0103scolitor datorit\u0103 multitudinii de mesaje transmise, \u201eMoara de pulbere\u201d surprinde, \u00een esen\u021b\u0103, un proces de teribil\u0103 zbatere sufleteasc\u0103, proiectat pe fundalul istoric al r\u0103scoalei \u021b\u0103r\u0103ne\u0219ti conduse de Horia, Clo\u0219ca \u0219i Cri\u0219an. Gabor, cel […]<\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"categorie-arhiva":[494],"class_list":["post-10215","arhiva","type-arhiva","status-publish","hentry","categorie-arhiva-unsorted"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t
\nScenography: Emilia Jivanov<\/strong>
\nPremiere date: May 9, 1989<\/p>\n
\nMagda:\u00a0 Miriam Cuibus<\/strong>
\nPopluhard:\u00a0\u00a0 Daniel Vulcu<\/strong>
\nWenceslas:\u00a0 Eugen Harizomenov<\/strong>
\nNovotny:\u00a0 Petre Panait<\/strong><\/p>\n
\nPrompter: Florence Szabo
\nLighting: Iosif Balogh, Mihai Constantin
\nSound: Stelian Panea<\/p>\n