Comedy in four acts by A.P. Chekhov
\nTranslation: Elisabeta Pop and Laurian Oniga<\/p>\n
Directed by: Laurian Oniga<\/strong> At the end of the 19th century, May settles smoothly in Russia, on the estate of the brothers Leonid Andreevich Gaev and Lyubov Andreevna Ranevskaya, who have just returned from Paris after a five-year absence. The cherry blossoms remind them of their childhood; everything seems the same as then and yet, nothing is as before. In Paris, Ranevskaya has squandered her share of the inheritance on fashionable expenses with an anonymous lover, and the estate no longer brings them as much income as before. The merchant Ermolai Alexeevich Lopakhin informs them that the only way to pay off their debts and ensure the family's survival is to sell the entire estate in order to build villas, in the spirit of the economic and social transformations that announce the establishment of a new historical era. Nostalgic and absorbed by their attachment to the orchard, the two brothers at first categorically refuse to sell it. However, the precarious material situation of the entire family will leave them no other option. Lopakhin will buy the estate at auction, fully experiencing the satisfaction of being the owner of the place where he grew up, but where his grandfather and father had been slaves. Torn between the joy of this symbolic revenge and the sadness of losing dear places and people, he destroys the orchard, where everyone's dreams are buried, with each muffled blow of the axe.<\/p>\n Beyond this narrative thread, Chekhov's play is more than the simple story of the sale of a huge orchard, a house and a children's room. With the sale of the orchard, an allegory of the passing of time, the act of disappearance of a once all-powerful society is signed. Moreover, what happens, in the case of definitive departures, to the memories of those who leave? How can the past and the present of our lives be reconciled? How can we find the strength to leave without dying, as the well-known French saying goes?<\/p>\n Distribution:<\/p>\n Lyubov Andreevna Ranevskaya:\u00a0 Simona Constantinescu<\/strong> Technical director: M\u0103rioara Goina Comedie \u00een patru acte de A.P.Cehov Traducerea: Elisabeta Pop \u015fi Laurian Oniga Regia:\u00a0 Laurian Oniga Scenografia:\u00a0 Gy\u00f6ngyi \u00dajv\u00e1rossy Kerekes Data premierei:\u00a0 22 martie 1990 La sf\u00e2r\u0219it de secol al XIX-lea, luna mai se instaleaz\u0103 lin \u00een Rusia, pe proprietatea fra\u021bilor Leonid Andreevici Gaev \u0219i Liubov Andreevna Ranevskaia, proasp\u0103t \u00eentoars\u0103 de la Paris, dup\u0103 o absen\u021b\u0103 […]<\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"categorie-arhiva":[494],"class_list":["post-10223","arhiva","type-arhiva","status-publish","hentry","categorie-arhiva-unsorted"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t
\nScenography: Gy\u00f6ngyi \u00dajv\u00e1rossy Kerekes<\/strong>
\nPremiere date: March 22, 1990<\/p>\n
\nAnya, her daughter:\u00a0 Mariana Presecan<\/strong>
\nVaria, her adopted daughter:\u00a0 Mariana Vasile<\/strong>
\nLeonid Andreevich Gaev, her brother:\u00a0 Ion Abrudan<\/strong>
\nErmolai Alexeevich Lopakhin, merchant:\u00a0 Petre Panait\u00a0<\/strong>
\nPiotr Sergeevich Trofimov, student:\u00a0 Doru Firte<\/strong>
\nBoris Borisovich Simeonov-Pi\u015fcik, landlord:\u00a0 Marcel Popa<\/strong>
\nCharlotte Ivanovna, governess:\u00a0 Alla Tautu<\/strong>
\nSemyon Panteleevich Epikhodov, accountant:\u00a0 Stefan Mares<\/strong>
\nDuniasha:\u00a0 Ileana Iurciuc<\/strong>
\nFirs, lackey:\u00a0 Nicholas Thomas<\/strong>
\nIa\u015fa, lackey:\u00a0 Emil Sauciuc<\/strong>
\nA passerby:\u00a0 Ion Ruscut<\/strong><\/p>\n
\nPrompter: Iuliana Murea, Zeina Druica
\nLighting: Vasile Blejan, Iosif Balogh, Ioan Munteanu
\nMusical illustration and sound design: Valentin Bodonea<\/p>","protected":false},"excerpt":{"rendered":"