by Lucian Blaga
\nAbsolute premiere<\/p>\n
Artistic director: Tudor Chiril\u0103<\/strong> An expressionist piece, with strong psychoanalytic and philosophical accents, "Ivanca" has as protagonists four fragments of human individuality: The Father - hypostasis of primary energy; Ivanca - manifestation of the same vital cosmic elan; the painter Luca - embodiment of the Apollonian, but also crushed by obsessions, and his friend, Dinu, who shares his orientations, but tempers his destructive impulses. The greatest fear of the painter Luca is that of not killing, followed by the terror of the passage of time, embodied by the absurd mechanism of a clock in the house. His refuge is the sublimated painting of Byzantine angels and archangels, through which the artist hopes to capture a fragment of holiness, of divinity. With Ivanca's arrival at the house, Luca senses that something bad will happen, because the "old fires" buried in the flesh revive in the presence of his living and stirring body. The tension accumulated in the painter's consciousness will spill out through the affirmation of the unconscious, in the hallucinatory scene of the visit of the ten ancestors. The ten "tenants of pleasures" suggest the repression of instinct, of the pleasure that demands to be fulfilled through Ivanca's female body. This pleasure, however, will be experienced by the Father, who loves "goddesses and servants, without distinction, as at the age of puberty" even in old age. After the moment of madness experienced upon learning of this fact, Luca admits the futility of his attempt to control his blood and the inability to be only a "pure spirit", conscience and morality. Liberation is not long in coming: loneliness no longer attracts Luca, but joy, life, friendship, he is now able to wear his halo of sainthood among people.<\/p>\n Distribution:<\/p>\n Luke:\u00a0 Dorin Presecan<\/strong> Technical director: Eugenia Popa AWARDS: \u00a0<\/p>\n \u00a0<\/p>","protected":false},"excerpt":{"rendered":" de\u00a0 Lucian Blaga Premier\u0103 absolut\u0103 Regia artistic\u0103:\u00a0 Tudor Chiril\u0103 Scenografia:\u00a0 Claudiu M\u0103rgineanu Ilustra\u0163ia muzical\u0103:\u00a0 Claudiu Frunz\u0103, Iosif Trendler, Oana Mereu\u0163\u0103 Data premierei:\u00a0 27 aprilie 1991 Pies\u0103 de factur\u0103 expresionist\u0103, cu puternice accente psihanalitice \u0219i filozofice, \u201eIvanca\u201d are ca protagoni\u0219ti patru fr\u00e2nturi de individualitate uman\u0103: Tat\u0103l \u2013 ipostaziere a energiei primare; Ivanca \u2013 manifestare a aceluia\u0219i […]<\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"categorie-arhiva":[494],"class_list":["post-10229","arhiva","type-arhiva","status-publish","hentry","categorie-arhiva-unsorted"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t
\nScenography: Claudiu M\u0103rgineanu<\/strong>
\nMusical illustration: Claudiu Frunz\u0103, Iosif Trendler, Oana Mereu\u0163\u0103<\/strong>
\nPremiere date: April 27, 1991<\/p>\n
\nIvanka:\u00a0 Oana Mereuta<\/strong>
\nFather:\u00a0 Ion Tomorrow<\/strong>
\nDinu:\u00a0 Doru Firte<\/strong>
\nThe maid: Mariana Vasile<\/strong>
\nDreamed figures:\u00a0 Petre Panait, Daniel Vulcu, Tiberiu Covaci<\/strong><\/p>\n
\nPrompter: Florence Szabo
\nLights: Balogh Iosif
\nSound: Sorin Domide<\/p>\n
\n\u2013Second Prize for the performance and Tudor Chiril\u0103: the award for directing, at the 8th edition of the Short Theatre Week, Oradea, 1991<\/p>\n