by Slawomir Mro\u017eek
\nNational premiere<\/p>\n
Translation and artistic direction: Alexandru Colpacci<\/strong> The play "The Slaughterhouse" is built around the opposition between the pleasures of life (symbolized by the Violinist's attraction to the Flutist) and sublimation through art. The protagonist, a Violinist in search of the affirmation of his genius, retains deep down a childhood experience; he lives under the domination of his mother, an intelligent, experienced woman who is aware of this, but who fears that her son, now an adult, will no longer belong to her alone. The only means of keeping him close is art. The play evolves on the shifting terrain where eroticism and motherhood confront each other.<\/p>\n The contemporary plot is grafted with elements borrowed from the theater of the absurd and even from surrealism. Through its ideological complexity, the play invites reflection on the nature and functions of art, on the search for identity, on modern dreams and fears, on human freedom and dignity. In the end, what disturbs us more deeply: the roars of sacrificed animals or the sweet, divine sounds of a Mozart concert?<\/p>\n Distribution:<\/p>\n Parent:\u00a0 Simona Constantinescu<\/strong> Technical director: Eugenia Popa de Slawomir Mro\u017eek Premier\u0103 pe \u0163ar\u0103 Traducerea \u015fi regia artistic\u0103: Alexandru Colpacci Scenografia:\u00a0 Emilia Jivanov Ilustra\u0163ia muzical\u0103:\u00a0 Delia \u015eerban Mi\u015fcare de scen\u0103:\u00a0 Francisc Valkay Data premierei:\u00a0 24 septembrie 1991 Piesa \u201eAbatorul\u201d se construie\u0219te \u00een jurul opozi\u021biei dintre pl\u0103cerile vie\u021bii (simbolizat\u0103 de atrac\u021bia Violonistului fa\u021b\u0103 de Flautist\u0103) \u0219i sublimarea prin art\u0103. Protagonistul, Violonist \u00een c\u0103utarea afirm\u0103rii […]<\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"categorie-arhiva":[494],"class_list":["post-10233","arhiva","type-arhiva","status-publish","hentry","categorie-arhiva-unsorted"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t
\nScenography: Emilia Jivanov<\/strong>
\nMusical illustration: Delia \u015eerban<\/strong>
\nStage movement: Francisc Valkay<\/strong>
\nPremiere date: September 24, 1991<\/p>\n
\nThe flutist:\u00a0 Mariana Presecan<\/strong>
\nThe violinist:\u00a0 Daniel Vulcu<\/strong>
\nPaganini and the Butcher:\u00a0 Tiberiu Covaci<\/strong>
\nPhilharmonic Director:\u00a0 Ion Abrudan<\/strong>
\nGoalkeeper:\u00a0 Ion Ruscut<\/strong>
\nButcher:\u00a0 Ioan Munteanu, Alexandru Luca, Sorin Precup, Florin Tripa, Florin Stan<\/em>
\nThe child:\u00a0 Dorin Presecan Jr.<\/em><\/p>\n
\nPrompter: Florence Szabo
\nLighting: Vasile Blejan, Iosif Balogh, Laviniu Goron
\nSound: Sorin Domide<\/p>","protected":false},"excerpt":{"rendered":"