{"id":10242,"date":"2012-06-12T14:20:14","date_gmt":"2012-06-12T14:20:14","guid":{"rendered":"https:\/\/teatrulreginamaria.ro\/2012\/06\/12\/trei-gemeni-venetieni\/"},"modified":"2012-06-12T14:20:14","modified_gmt":"2012-06-12T14:20:14","slug":"venetian-triplets","status":"publish","type":"arhiva","link":"https:\/\/www.teatrulreginamaria.ro\/en\/arhiva\/trei-gemeni-venetieni\/","title":{"rendered":"Venetian triplets"},"content":{"rendered":"

Comedy by Antonio Mattiuzzi called Collalto
\nTranslation: David Esrig
\n<\/strong><\/p>\n

Stage adaptation and artistic direction: Cristian Ioan<\/strong>
\nScenography: Vioara Bar<\/strong>A
\nPremiere date: March 6, 1993<\/p>\n

The play performed at the State Theatre of Oradea is an adaptation of the classic comedy written by Collalto to the condition of the Romanian emigrant in the West. The time of the action and the identity of the characters are radically transformed: in the Parisian inn the Italians do not meet (as in Collalto's comedy) and we are no longer in the middle of the 18th century. The events take place in March 1993, in a car cemetery in Paris, transformed into a night asylum and run by a group of Romanians with at least dubious identities. As Dumitru Chiril\u0103 notes in "Familia" (no. 3\/March 1993), "these Romanians stranded in Paris belong to a category of desperate people whom the revolution dislocated, set in motion and threw into circumstances conducive to the perversion of character. More or less venal businessmen, but all of very small caliber, pimps, prostitutes, etc., make up the context in which the three twins evolve and in which their entanglements are consumed." The three Venetian brothers become \u021aane from Bra\u0219ov, \u021aane the sailor from Sulina and \u021aane from Buz\u0103u. They have nothing in common except physical resemblance, differing from the point of view of characters and destinies. Beyond the comic situation created by the constant confusion of the three by the rest of the characters, the play also has a sad undertone, investigating the weakness of human nature which, out of a natural desire for happiness, goes astray on the path to it, out of excess, haste, and disorientation.<\/p>\n

Distribution:<\/p>\n

Tane from Bra\u015fov, Tane the sailor from Sulina, Tane from Buz\u0103u:\u00a0 Daniel Vulcu<\/strong>
\nAngelica:\u00a0 Mariana Presecan<\/strong>
\nGregory:\u00a0 Nicolae Barosan<\/strong>
\nCatherine:\u00a0 Ileana Iurciuc<\/strong>
\nPetrica:\u00a0 Petre Panait<\/strong>
\nGet rid of:\u00a0 Tiberiu Covaci<\/strong>
\nArgentine:\u00a0 Mariana Neagu, Elvira Platon<\/strong>
\nThe Commissioner:\u00a0 Eugen Harizomenov, Ion Ruscut<\/strong>
\nPoliceman:\u00a0 Ion Abrudan\u00a0<\/strong>
\nBoy 1:\u00a0 George Voinese<\/strong>
\nBoy 2:\u00a0\u00a0 Ion Ruscut<\/strong>
\nIn figuration:\u00a0 Olivia Steer, Adela Br\u00e2nzas, Cristina Nicu, Mirela Br\u00e2nzas, Laura Cret<\/em><\/p>\n

Technical director: Eugenia Popa
\nPrompter: Adriana Nica
\nLighting: Iosif Balogh, Laviniu Goron
\nMusical illustration and sound design: Sorin Domide<\/p>","protected":false},"excerpt":{"rendered":"

Comedie de Antonio Mattiuzzi\u00a0 zis Collalto Traducerea: David Esrig Adaptarea scenic\u0103 \u015fi regia\u00a0 artistic\u0103:\u00a0 Cristian Ioan Scenografia:\u00a0 Vioara Bara Data premierei:\u00a0 6 martie 1993 Piesa jucat\u0103 la Teatrul de Stat din Oradea este o adaptare a comediei clasice scrise de Collalto la condi\u021bia rom\u00e2nului emigrat \u00een Occident. Timpul ac\u021biunii \u0219i identitatea personajelor sunt transformate radical: […]<\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"categorie-arhiva":[494],"class_list":["post-10242","arhiva","type-arhiva","status-publish","hentry","categorie-arhiva-unsorted"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t