{"id":10261,"date":"2012-06-13T06:52:38","date_gmt":"2012-06-13T06:52:38","guid":{"rendered":"https:\/\/teatrulreginamaria.ro\/2012\/06\/13\/si-cu-violoncelul-ce-facem\/"},"modified":"2012-06-13T06:52:38","modified_gmt":"2012-06-13T06:52:38","slug":"and-what-do-we-do-with-the-cello","status":"publish","type":"arhiva","link":"https:\/\/www.teatrulreginamaria.ro\/en\/arhiva\/si-cu-violoncelul-ce-facem\/","title":{"rendered":"And what do we do with the cello?"},"content":{"rendered":"

by Matei Visniec
\n<\/strong><\/p>\n

Artistic director: Petru Vutc\u0103r\u0103u <\/strong>
\nScenography: Sergiu Savin<\/strong>
\nPremiere date: December 19, 1995<\/p>\n

In a waiting room, where we do not know what awaits, three people try to cope with the lack of occupation, boredom and the passage of time. The fourth plays the cello, unperturbed, without stopping. If at first, his music arouses the interest of the others, this gradually turns into indifference, then even into exasperation, into the refusal to listen to the unknown singer shrouded in mystery. In the end, the instrumentalist will be forcibly evacuated, leaving behind the cello, awkward and useless. From here is born the leitmotif that will give the title of the play: "And what do we do with the cello?" enunciated almost obsessively towards the end. If at a first level, the theme of the incompatibility between art and the obtuseness of some individuals is approached, at another level, derived from the theater of the absurd, the play can be interpreted as a metaphor for the installation of a symptomatic state for contemporary man.<\/p>\n

Distribution:<\/p>\n

The man with the cello:\u00a0 Stefan Rado<\/strong>
\nThe man with the newspaper:\u00a0 Doru Firte<\/strong>
\nThe man with the stick:\u00a0 Petre Panait<\/strong>
\nThe veiled woman:\u00a0 Elvira Platon R\u00eembu<\/strong><\/p>\n

Technical director: Florin Popescu
\nPrompter: Florence Szabo
\nLights: Iosif Balogh
\nSound: Sorin Domide<\/p>\n

AWARDS:
\n-Award for the best performance at the National Drama Festival, Timi\u015foara, 1996
\n-Best Actor Award: Petre Panait
\n-Directing Award: Petru Vutc\u0103r\u0103u
\n-Scenography Award: Sergiu Savin
\n-Male Performance Award: Petre Panait, at the T\u00e2rgu-Mure\u015f Festival, 1996<\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>","protected":false},"excerpt":{"rendered":"

de\u00a0 Matei Vi\u015fniec Regia artistic\u0103:\u00a0 Petru Vutc\u0103r\u0103u Scenografia:\u00a0 Sergiu Savin Data premierei:\u00a0 19 decembrie 1995 \u00centr-o sal\u0103 de a\u015fteptare, \u00een care nu \u015ftim ce se a\u015fteapt\u0103, trei oameni \u00eencearc\u0103 s\u0103 fac\u0103 fa\u0163\u0103 lipsei de ocupa\u0163ie, plictiselii \u015fi trecerii timpului. Cel de-al patrulea c\u00e2nt\u0103 la violoncel, impertubabil, f\u0103r\u0103 oprire. Dac\u0103 la \u00eenceput, muzica sa st\u00e2rne\u015fte interesul […]<\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"categorie-arhiva":[494],"class_list":["post-10261","arhiva","type-arhiva","status-publish","hentry","categorie-arhiva-unsorted"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t