by Matei Visniec<\/p>\n
Artistic direction and soundtrack: Petru Vutc\u0103r\u0103u<\/strong> \u201e"Time can only heal wounds that can be healed" could be the motto of a play in which human destiny is projected against the backdrop of a world torn apart by existential aberrations. It is about the war in Bosnia (or any other war), in which the horrors do not only mean bombings, mass graves, mutilated people, but also psychological dramas determined, among other things, by rape, transformed into an instrument and consequence of armed confrontation. Through concrete, earth-shattering images, the war is "transformed into a symbolic framework of everything that means the desecration of the individual, regardless of time and space." (Dumitru Chiril\u0103, article "Peste vitregiile momentului" in "Familia" no. 11-12\/1999).<\/p>\n Against this backdrop, the destinies of two women intertwine \u2013 Kate, an American psychiatrist working at a center for raped women, and Dora, one of the hundreds of victims. Their dialogue, impossible at first, gradually turns into a beautiful communion, as both try to understand the meaningless events around them. Around them gravitate the \u201eBalkan men\u201d, people who mimic human existence to hide their animal instincts, vulgarity, dirty and criminal deeds.<\/p>\n Through violence, but also through the humanity that shines through the actions and attitudes depicted, Vi\u015fniec's play transforms into an appeal to memory, creating images that have "the power to save, to engage, to remind that the urgency of our days is the fight against this historical oblivion." (Matei Vi\u015fniec, in the program of the show)<\/p>\n Distribution:<\/p>\n Dora:\u00a0 Elvira Platon R\u00eembu<\/strong> Technical director: Florin Popescu AWARDS: de Matei Vi\u015fniec Regia artistic\u0103 \u015fi coloana sonor\u0103:\u00a0 Petru Vutc\u0103r\u0103u Scenografia:\u00a0 Vioara Bara Asistent scenografie:\u00a0 Camelia K\u00f6teles Panait Data premierei:\u00a0 21 octombrie 1999 \u201eTimpul nu poate vindeca dec\u00e2t r\u0103nile vindecabile\u201d ar putea fi moto-ul unei piese \u00een care destinul uman este proiectat pe fundalul unei lumi sf\u00e2\u015fiate de abera\u0163ii existen\u0163iale. Este vorba despre r\u0103zboiul din […]<\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"categorie-arhiva":[494],"class_list":["post-10283","arhiva","type-arhiva","status-publish","hentry","categorie-arhiva-unsorted"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t
\nScenography: Vioara Bara<\/strong>
\nSet design assistant: Camelia K\u00f6teles Panait<\/strong>
\nPremiere date: October 21, 1999<\/p>\n
\nKate:\u00a0 Mariana Presecan<\/strong>
\nMen from the Balkans:\u00a0 Petre Panait, Dorin Presecan<\/strong><\/p>\n
\nPrompter: Florence Szabo
\nLighting: Iosif Balogh, Sorin Precup
\nSound: Sorin Domide<\/p>\n
\n\u2013 Scenography Award: Vioara Bara, at the 12th edition of the Short Theatre Week, Oradea, 1999<\/p>","protected":false},"excerpt":{"rendered":"