{"id":10288,"date":"2012-06-13T08:35:17","date_gmt":"2012-06-13T08:35:17","guid":{"rendered":"https:\/\/teatrulreginamaria.ro\/2012\/06\/13\/usi-inchise-cu-usile-inchise\/"},"modified":"2012-06-13T08:35:17","modified_gmt":"2012-06-13T08:35:17","slug":"closed-doors-with-closed-doors","status":"publish","type":"arhiva","link":"https:\/\/www.teatrulreginamaria.ro\/en\/arhiva\/usi-inchise-cu-usile-inchise\/","title":{"rendered":"Closed doors (With closed doors)"},"content":{"rendered":"

by Jean-Paul Sartre
\n<\/strong><\/p>\n

Translation, adaptation, artistic direction and soundtrack: Alina Hiristea<\/strong>
\nScenography: Vioara Bara<\/strong>
\nSet design assistant: Oana Cernea<\/strong>
\nPremiere date: May 15, 2000<\/p>\n

Written at the end of the war, the play "Closed Doors" encompasses a series of theses that Sartre would later take up in fundamental works that reveal a writer who constantly rises up against traditional ways of thinking. The same is true of the play "Closed Doors", in which a narrow, closed space is imagined, from which there is no way out and relationships between people are extremely degraded. That space is Hell itself, organized as a true system of oppression, in which there is no need for executioners, torture devices or eternal fires; here, each soul is the executioner of other souls, through presence, through accusations and examinations of conscience: "The executioner is each of us for the other two") The characters who populate Hell are the reporter Garcin, the clerk Ines and the aristocrat Estelle, three natures that are sufficiently different to be unable to coexist in harmony. They will be forced to admit their own sins \u2013 adultery, infanticide, deceit, cowardice, malice, odious manipulation), illicit desires and unpleasant memories and to discover those of others, being forced to accept that one does not end up in Hell by chance: \u201eWe are among ourselves, among criminals.\u201d When the door of the elegant living room-cell opens, none of them dares to leave, because they have convinced themselves that they have nowhere else to go, the condemnation meaning to stay together forever, continuing to harass each other, to suspect each other, to lie to each other, to contradict their tastes and beliefs.<\/p>\n

So, contrary to popular belief, we don't need to go down to find ourselves in Hell. The full cruelty of Hell can be found in the most comfortable living rooms and in the company of the most presentable people, according to Sartre's conclusion that has become an aphorism: "Hell is others.".<\/p>\n

Distribution:<\/p>\n

Ines:\u00a0 Mariana Neagu<\/strong>
\nGarcin:\u00a0 Doru Firte<\/strong>
\nEstelle:\u00a0 Mariana Presecan<\/strong>
\nThe boy on duty:\u00a0 Andrian Locovei<\/strong><\/p>\n

Technical director: Ofelia F\u00eerte
\nPrompter: Florence Szabo
\nLights: Iosif Balogh, Sorin Precup, L\u00e1szl\u00f3 Attila Ol\u00e1h
\nSound: Sorin Domide<\/p>\n

\u00a0<\/p>","protected":false},"excerpt":{"rendered":"

de Jean-Paul Sartre Traducerea, adaptarea, regia artistic\u0103 \u015fi coloana sonor\u0103:\u00a0 Alina Hiristea Scenografia:\u00a0 Vioara Bara Asistent scenografie:\u00a0 Oana Cernea Data premierei:\u00a0 15 mai 2000 Scris\u0103 la sf\u00e2r\u015fitul r\u0103zboiului, piesa \u201eU\u015fi \u00eenchise\u201d \u00eenglobeaz\u0103 o serie de teze pe care Sartre avea s\u0103 le reia mai t\u00e2rziu \u00een opere fundamentale ce dezv\u0103luie un scriitor ce se ridic\u0103 […]<\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"categorie-arhiva":[494],"class_list":["post-10288","arhiva","type-arhiva","status-publish","hentry","categorie-arhiva-unsorted"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t