Comedy by Alexandru Kiri\u0163escu<\/p>\n
Artistic direction and soundtrack: Ion Ciubotaru<\/strong> The comedy "The Hawks" is part of the so-called "Bourgeois Trilogy" by Alexandru Kiri\u021bescu and depicts, throughout the three acts, the avatars of the Duduleanu clan, embodied by the three "hawks" (Aneta, Zoia and Lena), as well as the next generation. The very brief plot is outlined by the advances that Wanda Serafim makes to conquer Mircea, Margareta Aldea's husband. Miserly, rapacious, the three old women give the impression that they could live as long as the world. The death of Margareta, daughter and granddaughter who committed suicide with laudanum does not shake their appetite, nor the pleasure of gossiping endlessly, playing cards and tactically drinking coffee. Distribution:<\/p>\n Aneta Duduleanu:\u00a0 Mariana Vasile<\/strong> Technical director: Florin Popescu Comedie de Alexandru Kiri\u0163escu Regia artistic\u0103 \u015fi coloana sonor\u0103:\u00a0 Ion Ciubotaru Asistent regie:\u00a0 Ion Abrudan Scenografia:\u00a0 Camelia K\u00f6teles Panait Asistent scenografie:\u00a0 Oana Cernea Data premierei:\u00a0 9 noiembrie 2000 Comedia \u201eGai\u021bele\u201d face parte din a\u0219a-numita \u201eTrilogie burghez\u0103\u201d a lui Alexandru Kiri\u021bescu \u0219i \u00eenf\u0103\u021bi\u0219eaz\u0103, de-a lungul celor trei acte, avatarurile clanului Duduleanu, \u00eentruchipat de cele trei \u201egai\u021be\u201d […]<\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"categorie-arhiva":[494],"class_list":["post-10290","arhiva","type-arhiva","status-publish","hentry","categorie-arhiva-unsorted"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t
\nAssistant director: Ion Abrudan<\/strong>
\nScenography: Camelia K\u00f6teles Panait<\/strong>
\nSet design assistant: Oana Cernea<\/strong>
\nPremiere date: November 9, 2000<\/p>\n
\nThe focus of the work, however, lies in sketching the cruel face of the provincial world. The rhythm of the play is born outside any evolutionary line from the permanent tension of the dialogue, from the gratuitous display of malice, from the provocation, the abruptness and the irritation of the discussion partner. All the characters are (and label each other) "mad", "exalted" and "monsters" in an atmosphere of general ferocity, in which each wants the other's "life, body, breath, all the blood of the heart". As Ion Vartic (Analytical Dictionary of Romanian Literary Works) states, "deceiving through their realistic appearances, the characters, in their mechanical, played, simulated furies, in reality resemble Jarry's Ubu\u015ft\u00ee creatures". The comedy "Gai\u021bele" thus becomes one of the most modern Romanian theatrical experiences.<\/p>\n
\nWanda Seraphim:\u00a0 Mariana Presecan<\/strong>
\nMargareta Aldea:\u00a0 Elvira Platon R\u00eembu<\/strong>
\nColette Duduleanu:\u00a0 Ileana Iurciuc<\/strong>
\nMiss:\u00a0 Mona Erhan, Simona Nica<\/strong>
\nLena:\u00a0 Simona Constantinescu<\/strong>
\nZoia Duduleanu:\u00a0 Mariana Neagu<\/strong>
\nZamfira:\u00a0 Angela Tanko<\/strong>
\nMircea Aldea:\u00a0 Dorin Presecan<\/strong>
\nGeorges Duduleanu:\u00a0 Tiberiu Covaci<\/strong>
\nIanache Duduleanu:\u00a0 Ion Abrudan<\/strong>
\nThe man with the axe:\u00a0 Nicholas Thomas<\/strong><\/p>\n
\nPrompter: Florence Szabo
\nLights: Iosif Balogh, Sorin Precup, L\u00e1szl\u00f3 Attila Ol\u00e1h
\nSound: Sorin Domide<\/p>","protected":false},"excerpt":{"rendered":"