Comedy in two parts by Moli\u00e8re
\nTranslation: Alexandru Kiri\u0163escu<\/p>\n
Artistic director: Radu Nichifor <\/strong> Adopting the formula of "theater within a theater", the Oradea show is a collection of different theatrical styles, borrowing, one after another, elements from Greek tragedy, commedia dell'arte, popular theater, Elizabethan and French classicism, Asian and Chekhovian theater. Through these different eras and spaces, the story of the libertine seducer Dom Juan is woven, who sees beauty everywhere and does not want to do injustice to women by loving only one of them. Dona Elvira, Charlotte and Mathurine are just a few of the long line of women who believed in the sincerity of the charming Dom Juan's vows of love.<\/p>\n The cheerful, youthful tone of the beginning fades throughout the play, to give way to the strange, cynical and, in the end, even tragic. Act III presents the meeting between Dom Juan and a poor man who has withdrawn into the wilderness of the forest to pray. Dom Juan does not hesitate to address a challenge to the divinity and tries to pervert the poor man, offering him a gold ludovic in exchange for insults. The forest is also the space where Dom Juan's fate seems to change. Elvira's brothers, Dom Alonso and Dom Carlos, seek to avenge the shame experienced by their sister and give the adventurer one day's respite before punishing him with death.<\/p>\n The mixture of realism and the miraculous is particularly felt in Act IV, when, after the episode of the creditor Dimanche, the Statue of the Commander himself appears at Dom Juan's table, whom Dom Juan had mockingly invited to join him. Act V depicts Dom Juan's false repentance, who plays this comedy in front of Dom Alonso, remaining imperturbable, insensitive to all the signs of evil. Moving away from the original text, the Oradea production proposes, in a postmodernist style, a series of possible endings, the most striking of which highlights the probable transformation of Sganarelle into a future Dom Juan. Thus, the myth lives on.<\/p>\n Distribution:<\/p>\n Dom Juan:\u00a0 Petre Panait<\/strong> Technical director: Ofelia F\u00eerte \u00a0<\/p>","protected":false},"excerpt":{"rendered":" Comedie \u00een dou\u0103 p\u0103r\u0163i de Moli\u00e8re Traducerea:\u00a0 Alexandru Kiri\u0163escu Regia artistic\u0103:\u00a0 Radu Nichifor Scenografia:\u00a0 Vioara Bara Asistent scenografie:\u00a0 Marinela As\u0103voaie Coloana sonor\u0103:\u00a0 Florian Chelu, Mircea L\u00e1szl\u00f3 Horv\u00e1th Coregrafia:\u00a0 Victoria Bucun Data premierei:\u00a0 februarie 2002 Adopt\u00e2nd formula \u201eteatrului \u00een teatru\u201d, spectacolul or\u0103dean se constituie ca o colec\u021bie a diferitelor stiluri teatrale, \u00eemprumut\u00e2nd, r\u00e2nd pe r\u00e2nd, elemente […]<\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"categorie-arhiva":[494],"class_list":["post-10299","arhiva","type-arhiva","status-publish","hentry","categorie-arhiva-unsorted"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t
\nScenography: Vioara Bara <\/strong>
\nSet design assistant: Marinela As\u0103voaie <\/strong>
\nSoundtrack: Florian Chelu, Mircea L\u00e1szl\u00f3 Horv\u00e1th <\/strong>
\nChoreography: Victoria Bucun<\/strong>
\nPremiere date: February 2002<\/p>\n
\nSganarelle:\u00a0 Richard Balint<\/strong>
\nGuzman:\u00a0 Ileana Iurciuc<\/strong>
\nDon Carlos:\u00a0 George Voinese<\/strong>
\nDon Alonso:\u00a0 Alexander Rusu<\/strong>
\nDon Louis:\u00a0 Marcel Popa<\/strong>
\nA beggar:\u00a0 Serban Borda<\/strong>
\nPierrot:\u00a0 Sebastian Wolf<\/strong>
\nDom Juan's servants:\u00a0 Petre Ghimbasan, Andrian Locovei, Igor Lungu<\/strong>
\nSunday:\u00a0 Doru Firte<\/strong>
\nHarlequin:\u00a0 Petre Ghimbasan<\/strong>
\nDona Elvira:\u00a0 Mariana Presecan<\/strong>
\nCharlotte:\u00a0 Serban Borda<\/strong>
\nMathurine:\u00a0 Sorin Ciofu<\/strong>
\nThe commander:\u00a0 Dorin Presecan<\/strong>
\nDeath:\u00a0 Angela Tanko<\/strong>
\nMimi:\u00a0 Serban Borda, Pavel Sarghi<\/strong>
\nNuns:\u00a0 Linda Gy\u00f6rgy, Zentania Lupse, Mihaela Gherdan<\/em>
\nElvira's Suite:\u00a0 Petre Ghimbasan, Andrian Locovei<\/strong>
\nAunt Simonette:\u00a0 Ion Ruscut<\/strong>
\nSimonetta's grandchildren:\u00a0 Petre Ghimbasan, Andrian Locovei, Igor Lungu, Mihaela Gherdan, Corina Cernea,<\/strong> Linda Gy\u00f6rgy, Zentania Lupse<\/em>
\nDon Alonso's Suite:\u00a0 Petre Ghimbasan, Andrian Locovei, Igor Lungu<\/strong>
\nChoir:\u00a0 Simona Nica, Mona Erhan, Corina Cernea, Andrian Locovei, Igor Lungu, Petre Ghimb\u0103\u015fan, Mihaela Gherdan,<\/strong> Linda Gy\u00f6rgy, Zentania Lupse<\/em>
\nCommander's Suite:\u00a0 Simona Nica, Mona Erhan, Corina Cernea,<\/strong> Adrian Marian, Adrian Surducan<\/em><\/p>\n
\nPrompter: Iuliana Chelu
\nLights: Iosif Balogh, Sorin Precup, L\u00e1szl\u00f3 Attila Ol\u00e1h
\nSound: Cristian Seg\u0103rceanu<\/p>\n