{"id":10315,"date":"2012-06-14T10:35:16","date_gmt":"2012-06-14T10:35:16","guid":{"rendered":"https:\/\/teatrulreginamaria.ro\/2012\/06\/14\/asteptandu-l-pe-godot\/"},"modified":"2012-06-14T10:35:16","modified_gmt":"2012-06-14T10:35:16","slug":"waiting-for-godot","status":"publish","type":"arhiva","link":"https:\/\/www.teatrulreginamaria.ro\/en\/arhiva\/asteptandu-l-pe-godot\/","title":{"rendered":"Waiting for Godot"},"content":{"rendered":"

<\/strong>by Samuel Beckett
\nTranslation: Gellu Naum<\/p>\n

Artistic direction and musical illustration: Emil Sauciuc<\/strong>
\nScenography: Oana Cernea and Emil Sauciuc<\/strong>
\nPremiere date: 14.01.2005<\/p>\n

In the 2005-2006 season, the "Iosif Vulcan" troupe of the Oradea State Theatre staged for the first time Samuel Beckett's well-known play, "Waiting for Godot". In a space that could be located anywhere, two beggars, Vladimir and Estragon, discuss, argue, reconcile, have thoughts of suicide, then enter into conversation with two other bizarre characters, Pozzo and Lucky, master and servant. The two form an indestructible couple, united to each other by fear, hatred, pity, but also by the power of habit. What is surprising in this play is the fact that nothing happens while Gogo and Didi wait for Godot, who will save the whole situation. However, Godot is characterized only by his absence, although his messenger repeatedly promises that his master will come the next day. Even though the essential imagery is Christian, the symbols and the pessimism of the philosophy contained in the play speak of man's loneliness, and his alienation. Time passes at different speeds for the protagonists, but the only visible evolution is the tree's leafing out.<\/p>\n

Compared to the original text, the details of clothing, set design and movement in the show emphasize the concern for the dehumanization and robotization of man. Estragon, Vladimir, Pozzo and Lucky wear microprocessors and often behave like creatures beyond the human sphere. The cold, devastated setting contributes to the creation of an apocalyptic atmosphere, in which terror, uncertainty, boredom and moral pain are above all in the empty universe.<\/p>\n

Distribution:<\/p>\n

Tarragon:\u00a0 Petre Ghimbasan<\/strong>
\nVladimir:\u00a0 Richard Balint<\/strong>
\nWell:\u00a0 Sebastian Wolf<\/strong>
\nLucky:\u00a0 Tiberiu Covaci<\/strong>
\nThe boy:\u00a0 Pavel Sirghi<\/strong><\/p>","protected":false},"excerpt":{"rendered":"

de Samuel Beckett Traducerea:\u00a0 Gellu Naum Regia artistic\u0103 \u015fi ilustra\u0163ia muzical\u0103:\u00a0 Emil Sauciuc Scenografia:\u00a0 Oana Cernea \u015fi Emil Sauciuc Data premierei:\u00a0 14.01.2005 \u00cen stagiunea 2005-2006, trupa \u201eIosif Vulcan” a Teatrului de Stat din Oradea a pus \u00een scen\u0103 pentru prima oar\u0103 cunoscuta pies\u0103 a lui Samuel Beckett, \u201eA\u015ftept\u00e2ndu-l pe Godot”. \u00centr-un spa\u0163iu care ar putea […]<\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"categorie-arhiva":[494],"class_list":["post-10315","arhiva","type-arhiva","status-publish","hentry","categorie-arhiva-unsorted"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t