{"id":10321,"date":"2012-06-14T10:48:23","date_gmt":"2012-06-14T10:48:23","guid":{"rendered":"https:\/\/teatrulreginamaria.ro\/2012\/06\/14\/si-cu-violoncelul-ce-facem-2006\/"},"modified":"2012-06-14T10:48:23","modified_gmt":"2012-06-14T10:48:23","slug":"and-what-do-we-do-with-the-cello-2006","status":"publish","type":"arhiva","link":"https:\/\/www.teatrulreginamaria.ro\/en\/arhiva\/si-cu-violoncelul-ce-facem-2006\/","title":{"rendered":"And what do we do with the cello? (2006)"},"content":{"rendered":"

by Matei Visniec
\nArtistic director: Petre Vutc\u0103r\u0103u<\/strong>
\nPremiere date: 05.03.2006<\/p>\n

In a waiting room, where we do not know what awaits, three people try to cope with the lack of occupation, boredom and the passage of time. The fourth plays the cello, unperturbed, without stopping. If at first, his music arouses the interest of the others, this gradually turns into indifference, then even into exasperation, into the refusal to listen to the unknown singer shrouded in mystery. In the end, the instrumentalist will be forcibly evacuated, leaving behind the cello, awkward and useless. From here is born the leitmotif that will give the title of the play: "And what do we do with the cello?" enunciated almost obsessively towards the end. If at a first level, the theme of the incompatibility between art and the obtuseness of some individuals is approached, at another level, derived from the theater of the absurd, the play can be interpreted as a metaphor for the installation of a symptomatic state for contemporary man.<\/p>\n

Distribution:<\/p>\n

The man with the cello:\u00a0 Gheorghe Crisan<\/strong>
\nThe man with the newspaper:\u00a0 Doru Firte<\/strong>
\nThe man with the stick:\u00a0 Petre Panait<\/strong>
\nThe veiled woman:\u00a0 Elvira Platon R\u00eembu<\/strong><\/p>","protected":false},"excerpt":{"rendered":"

de\u00a0 Matei Vi\u015fniec Regia artistic\u0103 :\u00a0 Petre Vutc\u0103r\u0103u Data premierei:\u00a0 05.03.2006 \u00centr-o sal\u0103 de a\u015fteptare, \u00een care nu \u015ftim ce se a\u015fteapt\u0103, trei oameni \u00eencearc\u0103 s\u0103 fac\u0103 fa\u0163\u0103 lipsei de ocupa\u0163ie, plictiselii \u015fi trecerii timpului. Cel de-al patrulea c\u00e2nt\u0103 la violoncel, impertubabil, f\u0103r\u0103 oprire. Dac\u0103 la \u00eenceput, muzica sa st\u00e2rne\u015fte interesul celorlal\u0163i, acesta se transform\u0103 […]<\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"categorie-arhiva":[494],"class_list":["post-10321","arhiva","type-arhiva","status-publish","hentry","categorie-arhiva-unsorted"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t