{"id":10368,"date":"2017-10-01T00:00:42","date_gmt":"2017-10-01T00:00:42","guid":{"rendered":"https:\/\/teatrulreginamaria.ro\/2017\/10\/01\/cabaretul-dada\/"},"modified":"2017-10-01T00:00:42","modified_gmt":"2017-10-01T00:00:42","slug":"the-dada-cabaret","status":"publish","type":"arhiva","link":"https:\/\/www.teatrulreginamaria.ro\/en\/arhiva\/cabaretul-dada\/","title":{"rendered":"DADA CABARETTE*"},"content":{"rendered":"

Piesa<\/strong> de teatru \u201eCabaretul Dada\u201d surprinde atmosfera tulblur\u0103toare a secolului al XX-lea, perioada \u00een care a luat na\u015ftere mi\u015fcarea artistic\u0103 Dada ca reac\u0163ie \u00eempotriva primei conflagra\u0163ii mondiale, aprofund\u00e2nd \u00een special latura politic\u0103 a Dadaismului: M-am l\u0103sat incitat s\u0103 scriu aceast\u0103 pies\u0103 interesat fiind aproape mai mult de dadaismul politic dec\u00e2t cel literar-artistic […]
\n<\/em>Piesa mea de teatru este \u00een acela\u015fi timp o anchet\u0103 pe urmele unui concept misterios \u015fi o \u00eencercare de a demonstra c\u0103 dadaismul s-a prelungit \u00een aventura comunist\u0103. Faptul c\u0103 Lenin a locuit la Z\u00fcrich, chiar pe aceea\u015fi strad\u0103 unde se afla Cabaretul Voltaire \u015fi chiar \u00een s\u0103pt\u0103m\u00e2nile c\u00e2nd s-a n\u0103scut mi\u015fcarea Dada, este o imens\u0103 ironie a istoriei. Scriitorul francez Dominique Noguez a dedicat o \u00eentreag\u0103 carte acestei\u00a0 „coinciden\u0163e” \u015fi m\u0103rturisesc c\u0103 m-am hr\u0103nit mult din supozi\u0163iile sale plas\u00e2ndu-l pe Lenin \u00een piesa mea. Da, cred c\u0103 Lenin, f\u0103r\u0103 s\u0103 vrea, a fost un dadaist. Poate c\u0103 a luat de la Cabaretul Voltaire, unde se pare c\u0103 a fost v\u0103zut cel pu\u0163in o dat\u0103, un virus ireversibil, pe care l-a transmis apoi \u00eentregii familii de revolu\u0163ionari, astfel \u00eenc\u00e2t, p\u00e2n\u0103 la urm\u0103, acestor oameni le-a ie\u015fit totul pe dos (\u015fi cu o sut\u0103 de milioane de mor\u0163i ca pre\u0163 uman al experien\u0163ei lor).<\/em><\/p>\n

S\u0103 nu ne \u00eentrist\u0103m \u00eens\u0103. Piesa mea este o comedie despre un secol tragic. R\u00e2sul dadaist mi se pare a fi un instrument de \u00een\u0163elegere a modului \u00een care avanseaz\u0103 istoria (un pas \u00eenainte, doi pa\u015fi \u00eenapoi) precum \u015fi a manierei \u00een care se apropie \u015fi se \u00eendep\u0103rteaz\u0103 omul de ceea ce ar trebui el s\u0103 fie el cu adev\u0103rat.” (Matei Vi\u015fniec)<\/em><\/p>\n

Spectacolul<\/strong> poart\u0103 semn\u0103tura regizoral\u0103 a or\u0103dencei Anca Bradu \u015fi propune un concept absolut spectaculos, \u00een care lumea cabaretului, a r\u0103zboiului \u015fi a revolu\u0163iei se \u00eembin\u0103 teatral pe ritmuri \u015fi rime Dada. R\u0103zboiul \u015fi teroarea iscat\u0103 \u00een epoc\u0103 de schimb\u0103rile de paradigm\u0103 (at\u00e2t sociale, c\u00e2t \u015fi culturale) sunt surprinse \u00eentr-o not\u0103 tragi-comic\u0103 \u015fi dinamic\u0103. Spectacolul va avea dou\u0103 efecte contrare asupra publicului: amuzamentul prin muzic\u0103, dans, m\u0103\u015fti, absurdul situa\u0163iilor, dar \u015fi con\u015ftientizarea consecin\u0163elor pe care Primului R\u0103zboi Mondial le-a avut asupra fiec\u0103rui aspect al umanit\u0103\u021bii.<\/p>\n

Distribu\u0163ia:<\/strong><\/p>\n

Tristan Tzara: Richard Balint<\/strong>
\nDoamna Dada: Ioana Drago\u0219 Gajdo
\n<\/strong>Domnul Dada: \u0218erban Borda
\n<\/strong>Emmy Hennings: Angela Tanko
\n<\/strong>Sophie Tauber-Arp: Gabriela Codrea
\n<\/strong>Hugo Ball: Mirela Lupu
\n<\/strong>Marcel Iancu: Sebastian Lupu
\n<\/strong>Jean Arp: Sorin Ionescu
\n<\/strong>Lenin: Pavel S\u00eerghi<\/strong>
\n<\/strong>Stalin: George Voinese
\n<\/strong>Ludmila Spiru, Ravina Solomon: Mihaela Gherdan \/ Georgia C\u0103pr\u0103rin
\n<\/strong>Prezentatoarea TV: Alina Leonte<\/strong>
\n<\/strong>Asistent Lenin, Axinte Rotaru, Lucian Micula: Emil Sauciuc
\n<\/strong>Artistul fotograf: Alin Stanciu
\n<\/strong>Iubita artistului fotograf: Anda T\u0103m\u0103\u0219anu
\n<\/strong>Alan Seeger:\u00a0George Dometi
\n<\/strong>Soldatul german: Andrei Sab\u0103u
\n<\/strong>Soldatul francez: Eugen Neag<\/strong>
\nApostu Vasile: Ciprian Ciuciu
\n<\/strong>Pisica neagr\u0103 – Zerbinetta: Denisa Vlad<\/strong><\/p>\n

Fete cabaret<\/span>: Anda T\u0103m\u0103\u015fanu, Mihaela Gherdan \/ Georgia C\u0103pr\u0103rin, Alina Leonte,\u00a0Denisa Vlad<\/strong><\/p>\n

Grupul b\u0103tr\u00e2nilor<\/span>: \u015eerban Borda, Ioana Drago\u015f Gajdo, Angela Tanko, Gabriela Codrea, Mirela Lupu, Sebastian Lupu, Sorin Ionescu, Anda T\u0103m\u0103\u015fanu, Mihaela Gherdan \/ Georgia C\u0103pr\u0103rin, Alina Leonte, Denisa Vlad, Emil Sauciuc, Alin Stanciu, George Dometi, Andrei Sab\u0103u<\/strong><\/p>\n

Solda\u0163i:<\/span> Alin Stanciu, George Dometi, Andrei Sab\u0103u, Ciprian Ciuciu, Eugen Neag<\/strong><\/p>\n

Revolu\u0163ionari:<\/span> Anda T\u0103m\u0103\u015fanu, Mihaela Gherdan \/ Georgia C\u0103pr\u0103rin, Alina Leonte, Denisa Vlad, Emil Sauciuc, Alin Stanciu, George Dometi, Andrei Sab\u0103u, Eugen Neag<\/strong><\/p>\n

Orchestra:\u00a0Zsolt\u00a0 Luk\u00e1cs\u00a0 (Saxofon, Clarinet),\u00a0Albert K\u00e1roly Sz\u00e1vuly (Trombon),\u00a0Varady Henrietta (Pian),\u00a0Marius\u00a0 Bulzan (Percu\u0163ie),\u00a0K\u00e1lm\u00e1n Nagy (Vioar\u0103),\u00a0Lorant\u00a0 Veres (Contrabas)<\/strong><\/p>\n

Regia artistic\u0103 \u0219i adaptarea textului: Anca Bradu
\n<\/strong>Costume: Andra B\u0103dulescu Vi\u0219niec
\n<\/strong>Decor: Doru P\u0103curaru
\n<\/strong>Coregrafia: M\u0103lina Andrei
\n<\/strong>Muzica: Ovidiu Iloc
\nLight Design: Lucian Moga<\/strong><\/p>\n

Data premierei: 23 octombrie 2016<\/p>\n

Durata: 1h 50′ f\u0103r\u0103 pauz\u0103<\/p>\n

*Spectacol nerecomandat persoanelor sub 16 ani!<\/p>\n

Festivaluri:<\/strong><\/p>\n