{"id":9447,"date":"2012-04-09T08:42:58","date_gmt":"2012-04-09T08:42:58","guid":{"rendered":"https:\/\/teatrulreginamaria.ro\/2012\/04\/09\/antoniu-florin\/"},"modified":"2012-04-09T08:42:58","modified_gmt":"2012-04-09T08:42:58","slug":"anthony-florin","status":"publish","type":"arhiva","link":"https:\/\/www.teatrulreginamaria.ro\/en\/arhiva\/antoniu-florin\/","title":{"rendered":"Antoniu, Florin"},"content":{"rendered":"

Artistic director<\/p>\n

Date and place of birth: 27.05.1965, Bucharest<\/p>\n

Studies: "ILCaragiale" University of Theatre Arts, Bucharest, 1998, class of C\u0103t\u0103lina Buzoianu<\/p>\n

The young Florin Antoniu came to the State Theatre of Oradea in 1998 \u2013 with the idea of putting into practice both his knowledge acquired in school and the talent of the Oradea troupe. However, something did not \u201ework out\u201d: perhaps a mismatch between his projects and the troupe\u2019s expectations. The option for the text \u201eExerci\u021bii de dic\u021bie pentru c\u00e2inii f\u0103r\u0103 st\u0103m\u0103t\u201d (diction exercises for stray dogs) by the young Dan Mihu (awarded the 2nd Prize of the Dramaturgy Competition organized by the Short Theatre Week festival, Oradea, 9th edition, 1993 \u2013 for the short play \u201eInfernul actelor formale\u201d) was, in principle, respectable. The show \u2013 also signed as a set designer, staged in the Studio hall, did not enjoy much success, proof of which is that it only had three performances. It was not seen by critics, so it did not benefit from any analysis, and was quickly forgotten.<\/em><\/p>\n

<\/p>\n

Interested in certain texts, as well as their style, value and dramatic structure, Florin Antoniu retranslated Jean Genet's play "The Chambermaids", which he staged, with Vioara Bara designing the set design (1998). Dumitru Chiril\u0103 noted in his review for Famila magazine "the crazy courage, stemming from youthful impetuosity more than from artistic responsibility".<\/em><\/p>\n

He also staged the show \u201eThe Nameless Star\u201d by Mihail Sebastian, also signing the set design. The chroniclers unanimously noted the actors\u201e effort to make the famous characters credible. Fortunately, they noted the exemplary performance of Mariana Vasile \u2013 a Miss Cucu who is hard to forget. Mircea Morariu wrote that \u201dthe main deficiency of the stage direction lies in the inability to create dramatic situations that would stimulate the actors.\u201e The show, in other words, had a hard time justifying its presence on the bill; its laudable intentions, unfortunately, only bore fruit to a small extent. It is clear that, not wanting to lie and deceive himself, the young man chose\u2026 freedom, leaving the Oradea theater. His motto, quoting Camus, was: \u201dFreedom is the right not to lie.\u201d<\/em><\/p>\n

(Presentation by Eugen \u0162ugulea)<\/em><\/p>\n

Artistic sheet \u2013 Oradea State Theatre<\/strong><\/p>\n