Set designer painter<\/p>\n
Date and place of birth: 25.09.1934, C\u0103peni<\/p>\n
Studies: "Ion Andreescu" Institute of Fine Arts, Cluj, 1960<\/p>\n
Valuable set designer and painter B\u00edr\u00f3 I.G\u00e9za was, for many years (1970-1991), a reliable collaborator of the directors with whom he worked at the two sections of the Oradea State Theatre. Both at the Hungarian and the Romanian sections, B\u00edr\u00f3 I.G\u00e9za constantly proposed scenographic solutions aimed at providing quick staging \u2013 either for travel and tours, or to not excessively charge the costs of the performances. The hired set designers, we admit, were always the first to be sacrificed, asked, in other words, to understand and \u201ego to savings\u201d.<\/em><\/p>\n <\/p>\n Usually, B\u00edr\u00f3 I.G\u00e9za only signed the sets, signing costumes only in a few cases. He was, what can be called, a kind of stage architect, thinking in spatial-artistic dimensions, with care for detail and building, more than once, models of great beauty. It is true that a play like "Invisible Epaulettes" by Silvia Andreescu and Theodor M\u0103nescu, "lacking artistic coherence", could not inspire him, on the other hand his fantasy was well highlighted in shows like: "A funeral party" by Pierre Chesnot, "A kidney stone" by Paul Everac. Together with Alexandru Colpacci they created an admirable show with Dumitru Solomon's play, "Diogenes the dog", the simplicity, the elegance, referring to the "strong area of ideas", the set contributing to the success of the show - one of Alexandru Colpacci's first valuable shows in Oradea. The beautiful and balanced decor of the show "The Ark of Good Hope" contributed to its success; during a tour in Bucharest, the show was praised by all the Romanian critics. The artistic success was everyone's: the author, the talented IDS\u00eerbu, the director Szombati Gille Otto, the set designer and all the performers, led by the emeritus artist Dorel Url\u0103\u0163eanu. He thought up a scenographic setting of a certain ingenuity, together with Sergiu Savin, for a difficult text, "The Duck's Head" by G. Ciprian. Another, metaphorical, humorous and of a certain efficiency, was the one for the children's show "Crystal Heart" by Lev Ustinov.<\/em><\/p>\n (Presentation by Eugen \u0162ugulea)<\/em><\/p>","protected":false},"excerpt":{"rendered":" Pictor scenograf Data \u015fi locul na\u015fterii: 25.09.1934, C\u0103peni Studii: Institul de Arte Plastice \u201eIon Andreescu\u201d Cluj, 1960 Scenograf \u015fi pictor valoros B\u00edr\u00f3 I.G\u00e9za a fost, ani buni (1970-1991), un colaborator de n\u0103dejde al regizorilor cu care a lucrat la cele dou\u0103 sec\u0163ii ale Teatrului de Stat Oradea. At\u00e2t la sec\u0163ia maghiar\u0103, c\u00e2t \u015fi la sec\u0163ia […]<\/p>\n","protected":false},"featured_media":136,"template":"","meta":{"_acf_changed":false},"categorie-arhiva":[492],"class_list":["post-9455","arhiva","type-arhiva","status-publish","has-post-thumbnail","hentry","categorie-arhiva-arhiva-actori-trupa-iosif-vulcan"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t