{"id":9489,"date":"2012-06-06T15:04:57","date_gmt":"2012-06-06T15:04:57","guid":{"rendered":"https:\/\/teatrulreginamaria.ro\/2012\/06\/06\/firte-doru\/"},"modified":"2012-06-06T15:04:57","modified_gmt":"2012-06-06T15:04:57","slug":"i-miss-you","status":"publish","type":"arhiva","link":"https:\/\/www.teatrulreginamaria.ro\/en\/arhiva\/firte-doru\/","title":{"rendered":"Goodbye, Doru"},"content":{"rendered":"

Actor<\/p>\n

Date and place of birth: 10.03.1961, Ulmeni<\/p>\n

Studies: Institute of Theater and Cinematography "ILCaragiale" Bucharest, 1988, class of the prestigious artist Olga Tudorache.<\/p>\n

Assigned to Oradea, Doru F\u00eerte played, from the beginning, important, main or large-scale roles: Mihai Dabija (the young rebel "with problems" in the show "Midnight Waltz" by Viorel Cacoveanu) or Teofil ("The Room Next Door" by Paul Everac), Cis ("The Secret of the Posket Family" by Arthur W. Pinero) - roles perfectly suited to the young actor's age.\u00a0<\/em>A graduate of an oboe high school class, Doru F\u00eerte demonstrates a certain sensitivity, often thinking of his characters in their musical note. At least three roles in his career have recommended him for the priority of having given life to them, the actor-musician: the role of Don Baker in "Only Butterflies Are Free" by Leonard Gershe, El - in "The Venetian Anonymous" by Giuseppe Berto and Mozart himself in Amadeus by Peter Shaffer (in the reprise of the show), a masterpiece signed by Alexandru Darie.<\/em><\/p>\n

<\/p>\n

Doru F\u00eerte interprets with aplomb, but also with great pleasure in the game, serious, dramatic roles: Dragomir in "The Scourge" by IL Caragiale, the Man with the Newspaper in "...And What Do We Do with the Cello?" by Matei Vi\u015fniec, Garcin in "Closed Doors" by Jean-Paul Sartre, King Ignatius in "Ivona, Princess of Burgundy" by Witold Gombrowicz, Trofimov in "The Cherry Orchard" by AP Chekhov, giving relief to the characters and highlighting with intelligence and his own creative capacity, their personality: "The character must be alive, credible, easy to "decode"".<\/em><\/p>\n

Doru F\u00eerte is rather an actor eager to know everything about the character he plays and, above all, to be fully convinced of the coherence of the director's vision: "The directors with whom I have done good things - he confesses, in the interview published in the volume "Theatre from the inside, the theatre behind the scenes" by Elisabeta Pop - are the ones who treated me as a creator and not as a performer". This is why he gave the true measure of his talent, especially when the directors convinced him. This happened in the performances of directors Cornel Mihalache (Anatoli in "C\u0103ut\u0103m urgent ginere communist" by Nikolai Erdman), Petru Vutc\u0103r\u0103u ("...And what do we do with the cello?" by Matei Vi\u015fniec), Alexandru Darie ("Amadeus" by Peter Shaffer), Mihai M\u0103niu\u0163iu ("Electra" after Sophocles and Euripides or "Shoah. Primo Levi's version"), Alexandru Colpacci (Orlando in "Cum v\u0103 place" by William Shakespeare).<\/em><\/p>\n

He made two delicious compositions worth remembering, in two well-known Caragiale characters: Jup\u00e2n Dumitrache in "O noapte furtunoa\u015fa" and Iancu Pampon in "D'ale carnavalului".<\/em><\/p>\n

He is currently in Italy with his wife. He has given up his profession for a while for strictly financial reasons, but we are convinced that he will soon return to his "first love.".<\/em><\/p>\n

(Presentation by Elisabeta Pop)<\/em><\/p>\n

Artistic sheet \u2013 Oradea State Theatre<\/strong><\/p>\n