{"id":9512,"date":"2012-06-06T16:08:58","date_gmt":"2012-06-06T16:08:58","guid":{"rendered":"https:\/\/teatrulreginamaria.ro\/2012\/06\/06\/koteles-panait-camelia\/"},"modified":"2012-06-06T16:08:58","modified_gmt":"2012-06-06T16:08:58","slug":"koteles-panait-camelia","status":"publish","type":"arhiva","link":"https:\/\/www.teatrulreginamaria.ro\/en\/arhiva\/koteles-panait-camelia\/","title":{"rendered":"K\u00f6teles Panait, Camelia"},"content":{"rendered":"

Set designer painter<\/p>\n

Date and place of birth: 29.03.1973, Beiu\u015f<\/p>\n

Studies: "Ion Andreescu" Academy of Arts, Cluj-Napoca - Painting Department, 1997, prof. Andor K\u0151m\u00edves, Nicolae Man<\/p>\n

Camelia K\u00f6teles Panait came to the Oradea Theatre in 1999, and worked as a set designer for only two seasons. At first, she assisted set designer Vioara Bara on the show \u201cDespre sexul femeii\u2026\u201d by Matei Vi\u015fniec, directed by Petru Vutc\u0103r\u0103u. Her drawings, very careful sketches and serious documentation have also entitled other directors to collaborate with her. If in the shows \u201cBun\u0103 seara domnule Wilde\u201d (by Oscar Wilde) or \u201cSlug\u0103 la doi st\u0103p\u0103ndi\u201d (by Carlo Goldoni) the sets were thoroughly related to the subject, in full harmony with the director\u2019s vision, in \u201cGai\u0163ele\u201d (by Al. Kiri\u0163escu) it seems that she also accepted some ideas imposed by the director, in total disagreement with his ideas about the well-known comedy. An untimely, forced modernization seemed \u201can artificial graft\u201d, lacking precisely the comic element. It has even been stated that the director imposed a Chekhovian over-theme on the comedy. <\/em><\/p>\n

<\/p>\n

In fact, misunderstandings between set designers and directors often lead to underperforming shows, so that, many times, a set designer is unfairly judged exclusively for the finished set design, when it would be fair to analyze the proposed sketches as well. However, it seems that better communication worked between her and Alina Hiristea at the show "Delirium in two, in three, in as many as you want" (by Eugen Ionescu) - a show in which young people from all walks of life met. This is probably why the set designer was so uninhibited, the decor and costumes expressing the artist's personality better.\u00a0<\/em>Painting actually occupies the first place in her activity. She has exhibited several times, successfully.\u00a0<\/em>Today she is a painting teacher at the Art High School in Oradea.<\/em><\/p>\n

(Presentation by Eugen \u0162ugulea)<\/em><\/p>\n

Artistic sheet \u2013 Oradea State Theatre<\/strong><\/p>\n