\u00a0<\/p>\n
Comedy in three acts by ILCaragiale<\/p>\n
Artistic director: Valeriu Moisescu<\/strong> The plot of the comedy, located "in a carnival, in Bucharest", is woven around two love triangles, which have a point of intersection in the figure of the "gallant barber": Cr\u0103c\u0103nel - Mi\u021ba Baston - Nae Girimea and Pampon - Didina Mazu - Nae Girimea. The conflict is triggered by the frantic search undertaken by Pampon and Cr\u0103c\u0103nel ("the lovers of the purse") to discover the "lover of the heart" who caused "a case of double translation". In parallel, Mi\u021ba, with her "sinister" impulses, wants to take revenge on the unfaithful barber to whom she was "the noodle", but also on Didina, the "infamous" who secretly stole her lover. These intentions give a convoluted course to the action, which goes from confusion to confusion and from surprise to surprise, which makes Iordache, Nae's journeyman, exclaim: "Beautiful carnival!" Imbroglio-<\/em>The events are enhanced by the unexpected entrances of Catindat, by the masks and carnival costumes that the heroes change, as well as by the inspiration of Iordache, a worthy successor to the valet from classical comedy, who unravels and tangles the threads of the complicated carnival story.<\/p>\n Distribution:<\/p>\n Nae Girimea:\u00a0 George Pintilescu<\/strong> Technical director: Dalma Simionescu<\/p>","protected":false},"excerpt":{"rendered":" \u00a0 Comedie \u00een trei acte de\u00a0 I.L.Caragiale Regia artistic\u0103:\u00a0 Valeriu Moisescu Scenografia:\u00a0 \u015etefan Hablinschi (Teatrul \u201e\u0162\u0103nd\u0103ric\u0103\u201d Bucure\u015fti) Aranjamente muzicale:\u00a0 Mihai Vasilescu Coregrafia:\u00a0 Ilona T\u00f3th Kov\u00e1cs Data premierei:\u00a0 31 decembrie 1959 Intriga comediei, localizat\u0103 \u201e\u00eentr-un carnaval, \u00een Bucure\u0219ti\u201d, se \u021bese \u00een jurul a dou\u0103 triunghiuri amoroase, ce au un punct de interesec\u021bie figura \u201eb\u0103rbierului galant\u201d: Cr\u0103c\u0103nel […]<\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_acf_changed":false},"categorie-arhiva":[494],"class_list":["post-9987","arhiva","type-arhiva","status-publish","hentry","categorie-arhiva-unsorted"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t
\nScenography: \u015etefan Hablinschi <\/strong>(Theatre "T\u0103nd\u0103ric\u0103" Bucharest)
\nMusical arrangements: Mihai Vasilescu<\/strong>
\nChoreography: Ilona T\u00f3th Kov\u00e1cs<\/strong>
\nPremiere date: December 31, 1959<\/p>\n
\nIancu Pampon:\u00a0 John the Baptist<\/strong>
\nMache Razachescu:\u00a0 George V. George<\/strong>
\nA note from perception:\u00a0 Radu Reisel\u00a0<\/strong>
\nIordache:\u00a0 Jean Sandulescu\u00a0<\/strong>
\nAn ipsistat:\u00a0 Marcel Seg\u0103rceanu<\/strong>
\nDidina Mazu:\u00a0 Simona Constantinescu<\/strong>
\nMita Baston:\u00a0 Liana Simionescu<\/strong>
\nA waiter:\u00a0 Ilie Iliescu<\/strong>
\nA mask:\u00a0 Doina Ioja Vasiu<\/strong>
\nMasks, audience, night sergeants.<\/p>\n