{"id":14118,"date":"2025-10-26T15:00:00","date_gmt":"2025-10-26T13:00:00","guid":{"rendered":"https:\/\/www.teatrulreginamaria.ro\/?p=14118"},"modified":"2026-06-03T12:25:45","modified_gmt":"2026-06-03T09:25:45","slug":"carnival-tiles-a-carnival-of-the-present-in-the-vision-of-vlad-trifas","status":"publish","type":"post","link":"https:\/\/www.teatrulreginamaria.ro\/en\/dale-carnavalului-un-caragiale-al-prezentului-in-viziunea-lui-vlad-trifas\/","title":{"rendered":"\u201e"From the Carnival" \u2013 a Caragiale of the present, in the vision of Vlad Trifa\u0219"},"content":{"rendered":"

text taken from bookhub.ro<\/a> \/ author: Bianca Ioana Lavinia Cazan (12th grade, CN "BP Hasdeu" Buzau)<\/p>\n\n\n\n

The evening I saw the show D'ale carnavalului, directed by Vlad Trifa\u0219, was one of those theatrical experiences that completely takes you out of your daily routine. Far from a simple retelling of the classic text, Trifa\u0219 manages to reinvent it, bringing it into the present through subtle but meaningful means.<\/p>\n\n\n\n\n\n\n\n

Vlad Trifa\u0219 joins the ranks of directors who understood that theater must not only preserve, but also reflect the reality of the moment. Thus, Caragiale becomes a mirror of today's world, in which morals, hypocrisies, and social contradictions are found almost unchanged.<\/p>\n\n\n\n

The set design surprises with its details and authenticity: the two-level setting, dominated by the inscription "Nae Girimea's Hairdresser", faithfully reproduces the atmosphere of the slum, but subtly modernizes it through intense colors, industrial lights and elements that refer to the contemporary urban periphery. The scenic space seems alive, full of life, improvisation and irony. In this almost suffocating setting, the characters move alertly, as if in a carousel of intrigues and love farces.<\/p>\n\n\n\n

One of the most interesting moments of the show seemed to me to be the interpretation of the character Iordache, played in transvestite. The director's choice brings a new perspective on his character, transforming him into a symbol of the ambiguity and role-playing that defines Caragiale's universe.<\/p>\n\n\n\n

The audience reacted enthusiastically, laughing at every joke, but also sighing slightly when the parody got too close to reality. There was a genuine connection between the audience and the stage, the kind of lively and sincere attention that cannot be forced.<\/p>\n\n\n\n

Personally, I left the theater with the feeling of having witnessed a living Caragiale, reinvented, but at the same time faithful to his ironic spirit. The show's strong point is, without a doubt, the director's ability to modernize without destroying the essence.<\/p>\n\n\n\n

Overall, Vlad Trifa\u0219's performance is proof that classical theater can be reinvented. Through elaborate scenography, coherent interpretation, and a modern directorial vision, Trifa\u0219 offers a Caragiale that is close to today's audience, as current and relevant as it was a century ago.<\/p>","protected":false},"excerpt":{"rendered":"

text preluat de pe bookhub.ro \/ autoare: Bianca Ioana Lavinia Cazan (clasa a XII-a, C.N. \u201eB.P. Ha\u0219deu\u201d Buz\u0103u) Seara \u00een care am v\u0103zut spectacolul D\u2019ale carnavalului, \u00een regia lui Vlad Trifa\u0219, a fost una dintre acele experien\u021be teatrale care te scot complet din cotidian. Departe de o simpl\u0103 reluare a textului clasic, Trifa\u0219 reu\u0219e\u0219te s\u0103-l […]<\/p>\n","protected":false},"author":1,"featured_media":13711,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[213],"tags":[],"class_list":["post-14118","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aparitii-media"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t