{"id":15149,"date":"2026-06-19T15:34:00","date_gmt":"2026-06-19T12:34:00","guid":{"rendered":"https:\/\/www.teatrulreginamaria.ro\/?p=15149"},"modified":"2026-06-19T15:35:33","modified_gmt":"2026-06-19T12:35:33","slug":"petitoarea-interviu-cu-regizorul-ion-sapdaru","status":"publish","type":"post","link":"https:\/\/www.teatrulreginamaria.ro\/en\/petitoarea-interviu-cu-regizorul-ion-sapdaru\/","title":{"rendered":"THE SUGGESTOR | Interview with director Ion Sapdaru"},"content":{"rendered":"

Born on August 4, 1961, in Doro\u021bcaia, Dub\u0103sari district, in the Transnistria region (Republic of Moldova), Ion Sapdaru built his artistic training between two important cultural spaces. He graduated from the Theater Institute in Chi\u0219in\u0103u (1979\u20131983), continued his studies at the prestigious VGIK Institute of Cinematography in Moscow (1985\u20131989), and later pursued a master's degree in directing in the Russian capital.<\/strong><\/p>\n\n\n\n

His artistic career combines theater and film acting with directing and dramaturgy. He is an actor and director at the "Vasile Alecsandri" National Theater in Ia\u0219i, but he has acted and directed on numerous important stages in Romania and the Republic of Moldova, including the Oradea Theater. In cinema, he has collaborated on representative productions of Romanian film, being awarded the Gopo Award in 2007 for the best actor<\/em>, for the role in the film Was it or wasn't it?<\/em>, directed by Corneliu Porumboiu. At the same time, his artistic vocation also manifested itself in the pedagogical field, working as a professor at the "George Enescu" University of Arts in Ia\u0219i.<\/strong><\/p>\n\n\n\n

On the occasion of the new production "The Suitor" that he is staging at the Regina Maria Theater, Ion Sapdaru agreed to give us a short interview, in which he tells us a little about his artistic background, the show, and the reunion with the Oradea troupe. <\/strong><\/p>\n\n\n\n\n\n\n\n

\"\"
Ion Sapdaru | foto: DeFoto<\/figcaption><\/figure>\n\n\n\n

Florina Dometi:<\/strong> Sunte\u021bi actor, regizor \u0219i dramaturg \u00een unele situa\u021bii. Sunt ipostaze diferite ale aceluia\u0219i artist. Cum reu\u0219i\u021bi s\u0103 le armoniza\u021bi \u0219i ce v\u0103 ofer\u0103 fiecare dintre ele?<\/em><\/p>\n\n\n\n

    <\/ol>\n\n\n\n

    Ion Sapdaru:<\/strong> Armonizarea este destul de dificil\u0103. Meseriile acestea fac parte din acela\u0219i domeniu, dar au o mul\u021bime de particularit\u0103\u021bi specifice. Ca actor, sunt mai jovial, mai dispus s\u0103 glumesc, s\u0103 fac giumbu\u0219lucuri, cum se spune. Ca regizor, sunt adeseori ursuz, greu de abordat, mereu m\u0103 \u00eendoiesc. C\u00e2nd scriu caut s\u0103 m\u0103 pun \u00een pielea personajelor, deseori citesc cu glas tare replicile ca s\u0103 v\u0103d dac\u0103 sunt valabile pentru jocul actoricesc. Problema cea mai dificil\u0103 este c\u0103 uneori toate aceste fa\u021bete ale meseriei noastre se \u00eent\u00e2mpl\u0103 s\u0103 existe \u00een unele proiecte\u00a0 concomitent.<\/p>\n\n\n\n

    FD: <\/strong>Piesa de teatru \u201ePe\u021bitoarea\u201d, pe care o monta\u021bi la Teatrul Regina Maria, porne\u0219te de la un text georgian semnat de A. Tsagareli \u0219i adaptat de dumneavoastr\u0103. Ce v-a inspirat la acest text \u00eenc\u00e2t a\u021bi considerat c\u0103 este nevoie de o revitalizare a lui \u0219i o deschidere spre alte spa\u021bii culturale?<\/em><\/p>\n\n\n\n

    I.S.:<\/strong> \u00cen primul r\u00e2nd, este un text cu toate ingredientele unui vodevil excelent. Personaje spumoase, ingenios construite, situa\u021bii de un comic irezistibil, o poveste luminoas\u0103 despre dragoste, dulcile noastre p\u0103cate, \u00een fine, un material bogat \u0219i generos din punct de vedere teatral.<\/p>\n\n\n\n

    FD: <\/strong>A\u021bi optat s\u0103 merge\u021bi pe o canava inspirat\u0103 din Commedia dell\u2019arte, o re\u021bet\u0103 veche, dar de un umor \u0219i o ironie social\u0103 fantastic\u0103, pe care a\u021bi transpus-o \u00eentr-un limbaj mai modern, renun\u021b\u00e2nd \u00een primul r\u00e2nd la masc\u0103. Ce v-a determinat s\u0103 face\u021bi aceast\u0103 alegere \u0219i cum crede\u021bi c\u0103 se raporteaz\u0103 publicul contemporan la conven\u021biile acestui tip de teatru?<\/em><\/p>\n\n\n\n

    I.S.:<\/strong> Spectacolul e mai cur\u00e2nd un fel de final al perioadei Comediei dell\u2019arte \u0219i de trecere spre marile comedii ale lui Goldoni \u0219i Gozzi. Am f\u0103cut un exerci\u021biu literar \u00een sensul acesta, \u00eembin\u00e2nd tehnici din Comedia dell\u2019arte \u0219i dramaturgia italian\u0103 modern\u0103. M-a fascinat ideea unui astfel de mix flamboiant.<\/p>\n\n\n\n

    FD.<\/strong>: <\/em><\/strong>Nu monta\u021bi pentru prima oar\u0103 acest titlu \u0219i, de fiecare dat\u0103 c\u00e2nd a\u021bi f\u0103cut-o, a avut succes la public. Care sunt nuan\u021bele noi pe care le g\u0103si\u021bi cu fiecare revizitare \u0219i de ce considera\u021bi c\u0103 este necesar s\u0103 v\u0103 re\u00eentorce\u021bi la acest text, \u0219tiind c\u0103 ave\u021bi \u00een repertoriu deja un num\u0103r impresionant de titluri?<\/em><\/p>\n\n\n\n

    I.S.:<\/strong> Varianta de la Teatrul Regina Maria este redactat\u0103 \u0219i \u00eembog\u0103\u021bit\u0103 cu noi scene, chiar \u0219i personaje. E ca o bijuterie pe care, dup\u0103 p\u0103rerea mea, am reu\u0219it, \u00een sf\u00e2r\u0219it, s-o \u0219lefuiesc cum am \u0219tiut mai bine, d\u00e2ndu-i adev\u0103rata str\u0103lucire. Cred c\u0103 a fost un proces de lucru \u00een care am putut s\u0103 ne bucur\u0103m to\u021bi deopotriv\u0103. \u0218i actorii, \u0219i cei care ne-au ajutat (scenograful, coregraful, muzican\u021bii, tehnicienii), \u0219i, evident, cel mai mult m-am bucurat eu \u00eensumi.<\/p>\n\n\n\n

    FD.<\/strong>: Fiind \u0219i actor, cum v\u0103 influen\u021beaz\u0103 aceast\u0103 experien\u021b\u0103 felul \u00een care conduce\u021bi repeti\u021biile? Sunte\u021bi un regizor care ofer\u0103 solu\u021bii sau unul care prefer\u0103 s\u0103 le descopere \u00eempreun\u0103 cu actorii?<\/em><\/p>\n\n\n\n

    I.S.:<\/strong> Toate variantele sunt bune atunci c\u00e2nd ajungi la un rezultat bun. Desigur, trebuie s\u0103 ofer actorilor solu\u021bii valabile pentru pl\u0103m\u0103direa personajului, dar ideile (g\u0103selni\u021bele) care apar \u00een timpul repeti\u021biilor sunt binevenite \u0219i foarte pre\u021bioase. C\u00e2nd actorul aduce o nuan\u021b\u0103 nou\u0103 personajului, eu sunt extrem de fericit \u0219i deschis s-o accept.<\/p>\n\n\n\n

    FD:<\/strong> <\/strong>C\u0103 tot am pomenit de repertoriul dumneavoastr\u0103 ca regizor, nu monta\u021bi prima oar\u0103 la Oradea. Cum a fost re\u00eent\u00e2lnirea cu actorii \u0219i echipa Teatrului Regina Maria?<\/em><\/p>\n\n\n\n

    Revederea a fost emo\u021bionant\u0103. Am g\u0103sit o trup\u0103 ambi\u021bioas\u0103, cu c\u00e2teva succese r\u0103sun\u0103toare la activ. Vechii mei prieteni actori, cu care am lucrat c\u00e2ndva cu mare bucurie, au fost \u0219i de data aceasta extrem de profi, extrem de inimo\u0219i. Cei noi pentru mine, pe care i-am cunoscut acum, sunt la fel de talenta\u021bi \u0219i deschi\u0219i c\u0103tre performan\u021b\u0103.<\/p>\n\n\n\n

    FD: <\/strong>\u201ePe\u021bitoarea\u201d este un vodevil, un text comic, plin de energie \u0219i vitalitate. Dincolo de r\u00e2s \u0219i bun\u0103 dispozi\u021bie, exist\u0103 un mesaj cu care v-a\u021bi dori s\u0103 ias\u0103 spectatorii dup\u0103 ce v\u0103d \u201ePe\u021bitoarea\u201d?<\/em><\/p>\n\n\n\n

    Mesajul e simplu: bucura\u021bi-v\u0103 de via\u021b\u0103<\/strong>! Lorenzzo de\u2019 Medici (Magnificul) spunea \u00een \u201eCanzona di Bacco\u201d:<\/p>\n\n\n\n

    Quant\u2019\u00e8 bella giovinezza,
    Che si fugge tuttavia!
    Chi vuol esser lieto, sia:
    Di domani non c\u2019\u00e8 certezza.<\/p>\n\n\n\n

    Celebra\u021bi tinere\u021bea \u0219i bucuriile vie\u021bii; nu uita\u021bi de efemeritatea timpului.<\/p>\n\n\n\n

    FD: <\/strong>La final, v\u0103 propun o provocare pe care o adresez tuturor invita\u021bilor mei: care este \u00eentrebarea pe care v-a\u021bi fi dorit s\u0103 o primi\u021bi \u00eentr-un interviu \u0219i care \u00eenc\u0103 nu v-a fost adresat\u0103? \u0218i, desigur, care ar fi r\u0103spunsul?<\/em><\/p>\n\n\n\n

    I.S.:<\/strong> Sunte\u021bi fericit, domnule Sapdaru? …<\/p>","protected":false},"excerpt":{"rendered":"

    N\u0103scut la 4 august 1961, \u00een Doro\u021bcaia, raionul Dub\u0103sari, \u00een regiunea Transnistriei (Republica Moldova), Ion Sapdaru \u0219i-a construit formarea artistic\u0103 \u00eentre dou\u0103 importante spa\u021bii culturale. A absolvit Institutul de Teatru din Chi\u0219in\u0103u (1979\u20131983), \u0219i-a continuat studiile la prestigiosul Institut de Cinematografie VGIK din Moscova (1985\u20131989), iar ulterior a urmat un masterat de regie \u00een capitala […]<\/p>\n","protected":false},"author":9,"featured_media":15171,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[213,41],"tags":[],"class_list":["post-15149","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aparitii-media","category-noutati"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t