{"id":5353,"date":"2023-04-03T08:57:41","date_gmt":"2023-04-03T08:57:41","guid":{"rendered":"https:\/\/teatrulreginamaria.ro\/2023\/04\/03\/ultimii-mircea-morariu-contributors\/"},"modified":"2023-04-03T08:57:41","modified_gmt":"2023-04-03T08:57:41","slug":"the-latest-mircea-morariu-contributors","status":"publish","type":"post","link":"https:\/\/www.teatrulreginamaria.ro\/en\/ultimii-mircea-morariu-contributors\/","title":{"rendered":"LATEST \u2013 Mircea Morariu (Contributors)"},"content":{"rendered":"

Text author: Mircea Morariu
Taken from: contributors.ro<\/a><\/p>\n

Mimi Br\u0103nescu is an actor by profession. More of a film actor than a theater or television actor. But above all, at least in the public's consciousness, he is the screenwriter of the sitcom Las Fierbin\u021bi. Mimi Br\u0103nescu is also an industrious author of plays. Plays that are not necessarily supported by action, but by lines. Savory, intelligent, that provoke laughter without being even a single vulgar moment. The Oradea public was able to see this almost two years ago when the playwright himself descended on the local Regina Maria Theater as a director. He did it to stage his own writing called Genul acustativ. They can also see it in the current season when the new theater, Transylvania, is playing Mimi Br\u0103nescu's The Last Ones. A kind of Home to Dad and especially a kind of Country Life, in a different way.<\/p>\n

<\/p>\n

Ultimii has nothing of the romanticism of the Roman Com\u0103ne\u0219tenilor. Just as the only female character in the play, Lumini\u021ba, does not resemble the delicate Sa\u0219a at all. The woman has to fight with the imposture of her husband, a certain Lulu, and with the various whims of her father-in-law. An invalid named Ic\u0103. In Ultimii, Lumini\u021ba is, in Caragiale's words, violent and without manners, she very often and with great conviction scolds her husband and keeps threatening to leave. To leave the marital home. Which is, as I said, somewhere, at her father's, that is, her father-in-law's, home, in a village somewhat forgotten by the world, but which nevertheless has a train station. It could not be otherwise since Mimi Br\u0103nescu was born and it seems that she spends her days in Lehliu Gar\u0103. That is, exactly where, about fifty years ago, Ion B\u0103ie\u0219u made Tan\u021ba and Costel meet, after they had discovered at the train station in Medgidia that love is a big thing.<\/p>\n

So, Lulu is an artist by nature. Or so she wants to seem. She's a DJ and a guitarist, but she lives mostly off the money sent from abroad by Lumini\u021ba's sister. Lulu has been working on her life's work for about a year. Which turns out to be just a poor remix of a famous Eric Clapton song. Layla. Marcu, the older brother, reveals the lie to Lumini\u021ba. And that's where it all begins. That is, an endless series of revelations about all four characters in the song. And after all the things have been said, after the dust and the powder have settled on the traditional family x-rayed in its contemporaneity by Mimi Br\u0103nescu, Marcu and Lumini\u021ba take their beautiful little steps. Lumini\u021ba seems to have decided to divorce. Not for nothing, but Eric Clapton also abandoned his wife in the exact year he composed Layla. And yet Lumini\u021ba turns around. She's not her husband Eric Clapton, nor is she of the caliber of the artist's wife.<\/p>\n

The latter are playing in Oradea, directed by Denisa Irina Vlad. An actress tempted, perhaps, by the miracle of directing. Whose voluptuousness she proves that she knows how to savor both professionally and in moderation. Denisa Irina Vlad understood the message or, rather, the essence of the play. It is not for nothing that the show she directed begins with musical accompaniment of the flute and continues to the sound of The Penguin and manele. In addition, Denisa Vlad has put together an excellent cast. And so it is that we (re)discover Pavel S\u00eerghi playing a talkative old man ravaged by all the diseases in the world. Sorin Ionescu plays Marcu with determination. The apparently serious man, abandoned, the poor one, by an unfaithful wife. Later we find out that the first culprit of infidelity was Marcu himself. The character's universe collapses. Marcu's mask falls. Lumini\u021ba is played impetuously, that is, as it should be, with nerve, pasty, by Giorgiana Coman. Denisa Vlad herself plays her in much the same way. With force. It is not at all excluded that in this case we have proof of Victor Ion Popa's words about the actor-director.<\/p>\n

The great revelation of the show, however, is the young David Constantinescu. Absolutely excellent in Lulu. Master of the role, dynamic, with a strength that I didn't even suspect some time ago when I saw him in Explosiv. I hope that from now on he will be given roles to match. Alin Stanciu also plays the same role. An experienced actor with a defined position in the troupe. His Lulu is more boyish, more southern, without guns in his belt. And that's good.<\/p>\n

Queen Maria Theater in Oradea
THE MARGINALS<\/a> by Mimi Branescu<\/p>\n

Directed by: Denisa Irina Vlad<\/a>
Scenography: R\u0103zvan Chendrean
Musical adaptation: Ovidiu Iloc
Lyrics: George Dometi<\/p>\n

With: Pavel Sirghi<\/a> (Ica), Sorin Ionescu<\/a> (Mark), David Constantinescu<\/a>\/Alin Stanciu<\/a>, (Lulu), Giorgiana Coman<\/a>\/Denisa Vlad (Lumini\u021ba)<\/p>","protected":false},"excerpt":{"rendered":"

Autor text: Mircea MorariuPreluat de pe: contributors.ro Mimi Br\u0103nescu e de profesie actor. Mai degrab\u0103 de film dec\u00e2t de teatru sau de televiziune. E \u00eens\u0103 mai presus de toate, cel pu\u021bin \u00een con\u0219tiin\u021ba publicului, scenaristul sitcomului Las Fierbin\u021bi. Mimi Br\u0103nescu e \u0219i un autor industrios de piese de teatru. Piese care se sus\u021bin nu neap\u0103rat […]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[213],"tags":[],"class_list":["post-5353","post","type-post","status-publish","format-standard","hentry","category-aparitii-media"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t