M\u0171v\u00e9szeti vezet\u0151<\/p>\n
Sz\u00fclet\u00e9si id\u0151 \u00e9s hely: 1959.06.14., Bukarest<\/p>\n
Tanulm\u00e1nyok: Sz\u00ednh\u00e1z- \u00e9s Filmm\u0171v\u00e9szeti Int\u00e9zet "ILCaragiale" Bukarest, 1983, Dinu Cernescu professzor oszt\u00e1lya<\/p>\n
A j\u00f3l ismert sz\u00ednh\u00e1zi \u00e9s filmsz\u00edn\u00e9sz, Iurie Darie \u00e9s a sz\u00edn\u00e9szn\u0151, Consuela Ro\u015fu fia.<\/p>\n
Alexandru Darie \u2013 Ducu, ahogy a sz\u00ednh\u00e1zi vil\u00e1gban h\u00edvj\u00e1k \u2013 az 1983\/1984-es \u00e9vad elej\u00e9n ker\u00fclt a nagyv\u00e1radi \u00c1llami Sz\u00ednh\u00e1zba, k\u00f6zvetlen\u00fcl azut\u00e1n, hogy elv\u00e9gezte a bukaresti IATC rendez\u0151i tansz\u00e9k\u00e9t. Deb\u00fct\u00e1l\u00e1s\u00e1t kellemetlens\u00e9gek \u00e9s botr\u00e1nyok jellemezt\u00e9k, amelyeket a p\u00e1rtf\u00f3rumok cenz\u00far\u00e1zni pr\u00f3b\u00e1ltak az el\u0151ad\u00e1s\u00e1val. Ez a \u201eJolly Joker\u201d c\u00edm\u0171 darab. Tudor Popescu v\u00edgj\u00e1t\u00e9ka val\u00f3j\u00e1ban egy \u00e1d\u00e1z szat\u00edra az \u00fagynevezett \u201et\u00f6bboldal\u00faan fejlett\u201d szocialista t\u00e1rsadalomr\u00f3l, egy olyan t\u00e1rsadalomr\u00f3l, amelyet al\u00e1\u00e1sott a n\u00e9lk\u00fcl\u00f6z\u00e9s, a szeg\u00e9nys\u00e9g, a korrupci\u00f3, a hazugs\u00e1gok, egy olyan t\u00e1rsadalomr\u00f3l, amelyben az emberek f\u00e9ltek ny\u00edltan kinyilv\u00e1n\u00edtani a v\u00e9lem\u00e9ny\u00fcket, att\u00f3l f\u00e9ltek, hogy folyamatosan k\u00f6vetik \u0151ket, az \u201e\u00e9ber\u201d Securitate \u00e1ltal fizetett emberek, hogy ir\u00e1ny\u00edtj\u00e1k \u0151ket stb. A sz\u00ednh\u00e1z m\u00e1r \u00e1tesett valami hasonl\u00f3n Marin Sorescu \u201eCasa evantai\u201d c\u00edm\u0171 darabj\u00e1val. Ez\u00fattal a nagyon fiatal rendez\u0151nek siker\u00fclt maximaliz\u00e1lnia a szatirikus sz\u00f6veg vesz\u00e9lyess\u00e9g\u00e9t.<\/em><\/p>\n <\/p>\n \u00cen fabrica despre care era vorba \u00een pies\u0103, toate merg anapoda, unde se fur\u0103, se minte, se ascunde realitatea c\u00e2nd apare \u015feful cel mare, unul de la control, c\u0103ruia la sosire i se pune un covor ro\u015fu \u2013 m\u0103 rog, la \u201esugestiile\u201d ideologilor de partid, a fost \u00eenlocuit cu unul de alt\u0103 culoare \u2013 dar, oricum, publicul a \u00een\u0163eles cine era \u015fefu!). Fabrica, da, devine locul \u00een care nimeni nu se mai poate descurca dac\u0103 se comport\u0103 normal, dec\u00e2t descurc\u0103re\u0163ul de profesie, Jolly Joker, care de fapt, nu are prea multe scrupule, fiindc\u0103 trebuie s\u0103 adopte pozi\u0163ii cameleonice adesea obediente, ca s\u0103 se descurce \u00een vai, \u00eenc\u00e2lcitele situa\u0163ii. Metafora se dezv\u0103luia cui voia s\u0103 \u00een\u0163eleag\u0103: fabrica era, de fapt, Rom\u00e2nia cu tot r\u0103ul, cu mizeria material\u0103 \u015fi moral\u0103, pe care oamenii nu le mai suportau. Nimeni nu prevedea c\u0103 peste cinci ani avea s\u0103 vin\u0103 eliberarea…<\/em><\/p>\n Personajele spectacolului lui Alexandru Darie erau caricaturi jalnice ale rom\u00e2nilor, nevoi\u0163i s\u0103 rosteasc\u0103 lozinci \u00een care de mult nu mai credea nimeni, s\u0103 \u00eendure foame, s\u0103 le fie team\u0103 s\u0103 spun\u0103 ce g\u00e2ndesc \u015fi, mai ales, s\u0103 asiste neputincio\u015fi la cultivarea cu bun\u0103 \u015ftiin\u0163\u0103 a nonvalorilor (aluziile la analfabeta Elena Ceau\u015fescu, devenit\u0103 doctor \u00een chimie, \u015fi a pre\u015fedintelui Nicolae Ceu\u015fescu, g\u00e2ngav \u015fi b\u00e2lb\u00e2it, care d\u0103dea tuturor \u015fi tot timpul \u201eindica\u0163ii pre\u0163ioase\u201d, a activi\u015ftilor obedien\u0163i, care propagau cu neru\u015finare o ideologie fals\u0103, complet str\u0103in\u0103 de realitatea \u00een care tr\u0103iam, \u015fi care, a\u015fa cum observa un cronicar, era din ce \u00een ce mai… kafkian\u0103.<\/em><\/p>\n Regizorul, inteligent, cultivat, cu un ascu\u0163it spirit critic, atent la cum se tr\u0103ie\u015fte \u00een Rom\u00e2nia anilor \u201980, a reu\u015fit ceva, ce nici autorul \u2013 Tudor Popescu \u2013 nu visase: situa\u0163iile aparent banale, realiste, au devenit, prin hiperbolizare, extrem de periculoase, aluziile \u2013 transparente. Spectacolul era \u015focant din punct de vedere politic, de aici \u015fi necazurile Teatrului, interzicerea lui (dup\u0103 prezen\u0163a la Gala comediei de la Gala\u0163i, unde a avut un succes fulminant de public) \u015fi un \u00eentreg cortegiu de scandaluri. Cu certitudine, s-au remarcat absolut to\u0163i actorii, personajele lor fiind conving\u0103toare, unele greu de uitat: Cristian \u015eofron (t\u00e2n\u0103rul actor \u2013 mascota regizorului \u2013 care a venit odat\u0103 cu Darie \u015fi Maria Miu, \u015fi a plecat tot a\u015fa), Nicolae Toma, Ion M\u00e2inea, Eugen \u0162ugulea, Daniel Vulcu, Eugen Harizomenov, Alla T\u0103utu, Anca Miere Chiril\u0103, Ion Abrudan, Tiberiu Covaci, Nicolae Barosan etc.<\/em><\/p>\n Regizorul a semnat apoi \u015fi un interesant spectacol cu o pies\u0103 scurt\u0103, \u201eS\u0103pt\u0103m\u00e2na luminat\u0103\u201dde Mihai S\u0103ulescu (fiindc\u0103 nu se accepta acest titlu oarecum religios, spectacolul s-a intitulat \u201ePor\u0163ile\u201d. El a fost prezentat la edi\u0163ia a IV-a a S\u0103pt\u0103m\u00e2nii teatrului scurt, \u00een coup\u00e9 cu \u201eApa\u201d de Dumitru Solomon (regia apar\u0163in\u00e2nd lui Victor Ioan Frunz\u0103). Spectacolul lui Darie a fost unul controversat \u2013 \u00eencep\u00e2nd cu varianta, cu versiunea scenic\u0103 propus\u0103, dar \u015fi cu viziunea regizoral\u0103.<\/em><\/p>\n \u201eAmadeus\u201d (1986) de Peter Shaffer a constituit momentul de v\u00e2rf al prezen\u0163ei la Oradea a t\u00e2n\u0103rului regizor. Colaborarea sa permanent\u0103 cu Maria Miu la toate spectacolele de la Oradea a fost, \u015fi de data aceasta, de bun augur. Scenografia acestui spectacol a fost una cu adev\u0103rat excep\u0163ional\u0103. Spectacolul a fost fascinant, lucrat cu aten\u0163ie, cu nuan\u0163e fine, rafinate, nelipsit nici el de aluzii la realitatea rom\u00e2neasc\u0103 \u015fi la conduc\u0103torii ei (idei pre\u0163ioase: arti\u015ftii care mor de foame, mediocrii cu \u015fanse mari de existen\u0163\u0103 \u00een societate, prezen\u0163a malefic\u0103 a celor ce decid soarta unei na\u0163iuni, condi\u0163ia artistului \u00eentr-o societate dezechilibrat\u0103, etc. Regizorul a vizualizat admirabil scriitura de valoare a lui Shaffer, iar actorii, ei bine, actorii au fost surprinz\u0103tori, capabili s\u0103 declan\u015feze mari emo\u0163ii \u00een spectatori: Ion M\u00e2inea (Salieri) \u2013 \u201erolul unei \u00eentregi cariere de artist\u201d, Cristian \u015eofron a creat \u201econ brio\u201d rolul genialului Mozart.<\/em><\/p>\n Ultimul spectacol semnat de Alexandru Darie la Oradea a fost \u201eZece hohote de r\u00e2s\u201d de Tudor Popescu. El m\u0103rturisea, \u00een caietul-program al spectacolului, cum din \u201etextul-magm\u0103, cu structur\u0103 liber\u0103, format din pastile dramatice, legate printr-un comperaj \u2013 de fapt o pies\u0103 despre noi, despre teatru\u201d \u2013 \u00eencet-\u00eencet a devenit un fel de scenariu de commedia dell\u2019arte\u201d. A dorit s\u0103 fac\u0103 un spectacol despre \u201efor\u0163a teribil\u0103 a teatrului\u201d. \u015ei a reu\u015fit, zicem noi, mult mai mult, a f\u0103cut un spectacol socotit de-a dreptul periculos \u015fi subversiv de c\u0103tre politrucii prezen\u0163i la vizionare (ceea ce era, \u00een parte, chiar adev\u0103rat). Spectacolul a fost interzis \u015fi, cu t\u0103ieturi serioase impuse, a ie\u015fit \u00een premier\u0103 de-abia \u00een decembrie 1987. \u00cen spatele \u201ehohotelor de r\u00e2s\u201d se puteau lesne \u201eciti\u201d accentele grave, adesea caustice ale spectacolului.<\/em><\/p>\n Valentin Silvestru a scris despre spectacol c\u0103 a fost conceput \u201epe mai multe planuri\u201d, av\u00e2nd o structur\u0103 polimorfic\u0103 ce poten\u0163eaz\u0103 comedia\u201d, \u201e\u00eentreaga montare admirabil orchestrat\u0103 de Alexandru Darie, \u00eentr-un registru neostentativ pe toate gamele umorului \u2013 de la comicul buf la \u015farja groas\u0103, de la schi\u0163\u0103 la caricatur\u0103… cu o fin\u0103 dozare \u00een simultaneitatea scenic\u0103, \u00eenc\u00e2t reliefurile se poten\u0163eaz\u0103 reciproc, vizeaz\u0103 intransigent dezafectarea resorturilor con\u015ftiin\u0163ei, denun\u0163\u00e2nd-o senin, alert, f\u0103r\u0103 posomor\u00e2re\u201d.<\/em><\/p>\n Alexandru Darie a regizat at\u00e2t \u00een \u0163ar\u0103, c\u00e2t \u015fi \u00een str\u0103in\u0103tate (Marea Britanie, S.U.A., Japonia, Germania). Din 2006 este directorul Teatrului Bulandra din Bucure\u015fti. \u00cen prim\u0103vara anului 2009 a fost reales \u00een func\u0163ia de pre\u015fedinte al Uniunii Teatrelor din Europa (fondat\u0103 de Giorgio Strehler).<\/em><\/p>\n (Elisabeta Pop el\u0151ad\u00e1sa)<\/em><\/p>\n M\u0171v\u00e9szeti lap \u2013 Nagyv\u00e1radi \u00c1llami Sz\u00ednh\u00e1z<\/strong><\/p>\n \u00a0<\/p>","protected":false},"excerpt":{"rendered":" Regizor artistic Data \u015fi locul na\u015fterii: 14.06.1959, Bucure\u015fti Studii:\u00a0Institutul de Art\u0103 Teatral\u0103 \u015fi Cinematografic\u0103 \u201eI.L.Caragiale\u201d Bucure\u015fti, 1983, clasa prof.Dinu Cernescu Este fiul cunoscutului actor de teatru \u015fi film Iurie Darie \u015fi al actri\u0163ei Consuela Ro\u015fu. Alexandru Darie \u2013 Ducu, cum i se spune \u00een lumea teatrului \u2013 a venit la Teatrul de Stat din Oradea […]<\/p>\n","protected":false},"featured_media":191,"template":"","meta":{"_acf_changed":false},"categorie-arhiva":[492],"class_list":["post-9478","arhiva","type-arhiva","status-publish","has-post-thumbnail","hentry","categorie-arhiva-arhiva-actori-trupa-iosif-vulcan"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n