{"id":13171,"date":"2025-01-13T12:00:00","date_gmt":"2025-01-13T10:00:00","guid":{"rendered":"https:\/\/www.teatrulreginamaria.ro\/?p=13171"},"modified":"2025-04-22T11:39:52","modified_gmt":"2025-04-22T08:39:52","slug":"a-nep-ellensege-szinte-valasztojog","status":"publish","type":"post","link":"https:\/\/www.teatrulreginamaria.ro\/hu\/un-inamic-al-poporului-aproape-o-franciza\/","title":{"rendered":"A N\u00c9P ELLENS\u00c9GE \u2013 Majdnem egy franchise"},"content":{"rendered":"<p class=\"wp-block-paragraph\">A sz\u00f6veg innen sz\u00e1rmazik <a href=\"https:\/\/www.contributors.ro\/premiere-la-teatrul-regina-maria-din-oradea\/\" title=\"\">Contributors.ro<\/a> \/ szerz\u0151: Mircea Morariu<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2014-ben, a Nemzetk\u00f6zi Sz\u00ednh\u00e1zi Fesztiv\u00e1l egyik kiad\u00e1s\u00e1nak k\u00edn\u00e1lat\u00e1ban&nbsp;<em>Interferenci\u00e1k,<\/em>&nbsp;A Kolozsv\u00e1ri \u00c1llami Magyar Sz\u00ednh\u00e1z \u00e9s igazgat\u00f3ja, Tompa G\u00e1bor szervez\u00e9s\u00e9ben a darabbal egybek\u00f6t\u00f6tt el\u0151ad\u00e1s jelent meg.&nbsp;<em>A n\u00e9p ellens\u00e9ge<\/em>&nbsp;Henrik Ibsen \u00e1ltal rendezett, a n\u00e9met rendez\u0151, Thomas Ostermeier neve egy\u00e1ltal\u00e1n nem volt ismeretlen a rom\u00e1n k\u00f6z\u00f6ns\u00e9g sz\u00e1m\u00e1ra.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Valami arr\u00f3l is tudott volt, hogy&nbsp;<em>N\u00f3ra,<\/em>&nbsp;\u00e9s k\u00f6r\u00fclbel\u00fcl&nbsp;<em>Hamlet<\/em>Ez ut\u00f3bbi a Fesztiv\u00e1l egyik kiad\u00e1sa alkalm\u00e1b\u00f3l \u00e9rkezett hozz\u00e1nk.&nbsp;<em>Shakespeare&nbsp;<\/em>&nbsp;Emil Boroghin\u0103 alkot\u00e1sa a Nemzeti Sz\u00ednh\u00e1zban&nbsp;<em>Marin Sorescu&nbsp;<\/em>Craiov\u00e1b\u00f3l. Az is k\u00f6ztudott volt, hogy Ostermeier szenved\u00e9lyesen rajongott Ibsen dr\u00e1mairodalm\u00e1\u00e9rt. A dr\u00e1m\u00e1t teljes eg\u00e9sz\u00e9ben sz\u00ednpadra \u00e1ll\u00edtotta, \u00e9s jelent\u0151s oldalakat szentelt neki k\u00f6nyv\u00e9ben.&nbsp;<em>Sz\u00ednh\u00e1z \u00e9s f\u00e9lelem<\/em>&nbsp;amely 2016-ban rom\u00e1nul is megjelenik a gy\u0171jtem\u00e9nyben&nbsp;<em>Yorick<\/em>&nbsp; bukaresti kiad\u00f3k&nbsp;<em>Nemira<\/em>A k\u00f6nyv 2024-es \u00fajrakiad\u00e1s\u00e1t k\u00e9t m\u00e1sik, a rendez\u0151nek dedik\u00e1lt k\u00f6nyv eg\u00e9sz\u00edti ki.&nbsp;<em>Schaub\u00fchne<\/em>, amely szint\u00e9n megjelent a&nbsp;<em>Nemira&nbsp;&nbsp;<\/em>(<em>Thomas Ostermeier Sz\u00ednh\u00e1za<\/em>), a m\u00e1sik (<em>Ostermeier a sz\u00ednfalak m\u00f6g\u00f6tt<\/em>) a Kultur\u00e1lis Alap\u00edtv\u00e1nyn\u00e1l&nbsp;<em>Camil Petrescu<\/em>Szint\u00e9n 2024-ben Ostermeier a Nemzeti Sz\u00ednh\u00e1z sz\u00ednpad\u00e1n l\u00e9pett fel.&nbsp;<em>IL Caragiale<\/em>&nbsp;a sz\u00edndarab&nbsp;<em>Hedda Gabler<\/em>.<\/p>\n\n\n\n<!--more-->\n\n\n\n<p class=\"wp-block-paragraph\">De t\u00e9rj\u00fcnk vissza 2014-hez \u00e9s a m\u0171sorhoz...&nbsp;<em>A n\u00e9p ellens\u00e9ge<\/em>&nbsp;-t\u00f3l&nbsp;<em>Schaub<\/em><em>\u00fc<\/em><em>hmm.<\/em>\u201eEz egy nagyon ban\u00e1lis, nagyon egyszer\u0171 darab, sztereotip karakterekkel\u201d \u2013 mondta Ostermeier Ionu\u021b Sociunak adott interj\u00faj\u00e1ban.<em>H\u00e9tv\u00e9gi igazs\u00e1g<\/em>&nbsp;2014. december 5-\u00e9n, p\u00e9nteken. De mindkett\u0151ben&nbsp;<em>A n\u00e9p ellens\u00e9ge<\/em>&nbsp;valamint Ibsen m\u00e1s darabjaiban is,&nbsp;<em>menyasszony<\/em>&nbsp;C\u00cdMZETT&nbsp;<em>A t\u00e1rsadalom pill\u00e9rei,<\/em>&nbsp;p\u00e9ld\u00e1ul sokat besz\u00e9lnek a p\u00e9nzr\u0151l, \u00e9s a p\u00e9nz mindig aktu\u00e1lis t\u00e9ma. Lehets\u00e9ges lehet\u0151s\u00e9gk\u00e9nt egy el\u0151ad\u00e1sra&nbsp;<em>A n\u00e9p ellens\u00e9ge<\/em>&nbsp;hogy megments\u00e9k a banalit\u00e1st\u00f3l. \u201e\u00c9rdekel annak a t\u00e9nynek a felid\u00e9z\u00e9se, hogy a mai t\u00e1rsadalom a 19. sz\u00e1zad v\u00e9gi polg\u00e1ri t\u00e1rsadalom \u00fagynevezett ide\u00e1ljaib\u00f3l t\u00e1pl\u00e1lkozik. Az olyan \u00e9rt\u00e9kek, mint a csal\u00e1d, a j\u00f3l\u00e9t, a boldogs\u00e1g, ma vizsg\u00e1lat n\u00e9lk\u00fcl ker\u00fclnek napvil\u00e1gra, miut\u00e1n az 1960-as \u00e9vekben t\u00f6r\u00e9st szenvedtek. Szerintem abszol\u00fat botr\u00e1nyos, hogy az emberek ennyire kritik\u00e1tlanul viszonyulnak a t\u00e1rsadalmi \u00e9let ezen elemeihez\u201d \u2013 mondta a rendez\u0151 Raluc\u0103 R\u0103dulescunak adott interj\u00faban.&nbsp;<em>R\u00e1di\u00f3<\/em>&nbsp;<em>Rom\u00e1niai Kultur\u00e1lis<\/em>&nbsp;ami t\u00f6red\u00e9kesen a magazinban is olvashat\u00f3 volt&nbsp;<em>Yorick<\/em>&nbsp;2014. december 1-j\u00e9t\u0151l, h\u00e9tf\u0151t\u0151l.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201eSz\u00e1momra elengedhetetlen, hogy a klasszikusok sz\u00f6vegeit m\u00f3dos\u00edts\u00e1k\u201d \u2013 tette hozz\u00e1 Ostermeier. Mi\u00e9rt? Mert, ahogy ugyanaz a Thomas Ostermeier mondta a Sylvie Chalet-nek adott interj\u00faj\u00e1ban, amely interj\u00fa a k\u00f6nyv l\u00e9nyeg\u00e9t alkotja.&nbsp;<em>Tam\u00e1s<\/em>&nbsp;<em>Ostermeier,<\/em>&nbsp;2004-ben jelent meg a sorozatban<em>&nbsp;<strong>\u00f3vatos&nbsp;<\/strong><\/em>&nbsp;a temesv\u00e1ri \u201eMihai Eminescu\u201d Nemzeti Sz\u00ednh\u00e1z el\u0151ad\u00e1s\u00e1ban: \u201ea sz\u00ednrevitel abban a pillanatban kezd\u0151dik, amikor \u00f6tletem t\u00e1mad, hogy mi lehet a mai \u00e9let\u00fcnk k\u00f6z\u00f6tti kapcsolat.\u201d Vagy: \u201eEgy \u00faj darab sz\u00ednrevitel\u00e9t az motiv\u00e1lja \u2013 mondja a rendez\u0151 az \u00fajonnan megjelent sz\u00f6vegekkel kapcsolatban \u2013, hogy az az er\u0151 rejlik benne, hogy el\u00e9nk t\u00e1r egy olyan vil\u00e1got, karaktereket, k\u00e9rd\u00e9seket, amelyek m\u00e9g nem tal\u00e1lt\u00e1k meg a hely\u00fcket a sz\u00ednpadon.\u201d&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Thomas Ostermeier nagy \u00e9rdeme, hogy alkotott&nbsp;<em>A n\u00e9p ellens\u00e9ge&nbsp;<\/em>hogy \u00faj darabnak t\u0171nj\u00f6n. Ma \u00edrt\u00e1k. Egy rendk\u00edv\u00fcl kort\u00e1rs darab. \u00c9s az az el\u0151ad\u00e1s, amit t\u00edz \u00e9vvel ezel\u0151tt l\u00e1ttam, egy \u00e9l\u00e9nk, izgalmas volt, egy olyan el\u0151ad\u00e1s, ahol az emberek szabadon, hangosan \u00e9s f\u00e9ktelen\u00fcl nevetnek, egyes szerepl\u0151k vagy helyzetek nevets\u00e9gess\u00e9ge pedig a mindennapi nevets\u00e9gess\u00e9g\u00fcnk.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ostermeier \u00e9s a dr\u00e1ma\u00edr\u00f3, a sz\u00f3 n\u00e9met \u00e9rtelm\u00e9ben, Florian Borchmeyer, n\u00e9h\u00e1ny v\u00e1ltoztat\u00e1st eszk\u00f6z\u00f6lt a sz\u00f6vegen. Felfriss\u00edtett\u00e9k, napjainkba hozt\u00e1k, cs\u00f6kkentett\u00e9k a szerepl\u0151k sz\u00e1m\u00e1t. Stockmann balneol\u00f3gus doktor csal\u00e1dja egy \u00faj kort\u00e1rs csal\u00e1d. Egy fiatal csal\u00e1d, el\u0151\u00edt\u00e9letek n\u00e9lk\u00fcl, csak egy gyermekkel \u00e9s azzal a csecsem\u0151vel. Egy gyermekkel, akihez a fiatal orvos \u00e9s feles\u00e9ge csak most kezdtek hozz\u00e1szokni, \u00e9s aki n\u00e9ha m\u00e9g kellemetlen\u00fcl is \u00e9rinti \u0151ket.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Egy bizonyos pontig, vagyis eg\u00e9szen a v\u00e9g\u00e9ig, amikor egy \u201ehat\u00e1rozatlans\u00e1g\u201d t\u00f6rt\u00e9nik, mint egy k\u00e9ssz\u00far\u00e1s, \u00fagy \u00e9reztem&nbsp;<em>&nbsp;teljes arccal<\/em>&nbsp;minden n\u00e9z\u0151 \u00e1ltal, egy hat\u00e1rozatlans\u00e1g, amely al\u00e1h\u00fazza azt a kort\u00e1rs \u00e9s sz\u00e1munkra, a mai Rom\u00e1ni\u00e1ban \u00e9l\u0151k sz\u00e1m\u00e1ra oly ismer\u0151s gondolatot, hogy minden alku t\u00e1rgya, mindennek \u00e1ra van, minden \u201emegoldhat\u00f3\u201d, hogy semmi sem v\u00e9gleges, \u00e9s hogy a h\u00e1toldal b\u00e1rmikor az ellenkez\u0151j\u00e9v\u00e9 v\u00e1lhat, vagyis a v\u00e1g\u00e1s legk\u00f6vetkezetesebb r\u00e9sz\u00e9ben Stockmann az igazs\u00e1goss\u00e1g fanatikusa volt. De egy\u00e1ltal\u00e1n nem volt, abszol\u00fat egy\u00e1ltal\u00e1n nem volt hideg fanatikus, embers\u00e9gess\u00e9g nyoma n\u00e9lk\u00fcl. Nem az volt, amit \u201e\u00f6tletkarakternek\u201d nevezn\u00e9nek. Nem volt megfoghatatlan kem\u00e9ny\u00edt\u0151. Egy\u00e1ltal\u00e1n nem. Stockmann, a feles\u00e9ge \u00e9s a bar\u00e1tja, Billing, elektronikus zen\u00e9t hallgattak, szerett\u00e9k a rockot, k\u00fcl\u00f6n\u00f6sen szerett\u00e9k David Bowie-t, akinek a dal\u00e1t&nbsp;<em>V\u00e1ltoz\u00e1sok<\/em>&nbsp;volt a m\u0171sor zenei vez\u00e9rmot\u00edvuma. A h\u00e1rom tagnak volt egy zenekara is, amely folyamatosan pr\u00f3b\u00e1lt, \u00e9s a Stockmann csal\u00e1d bab\u00e1ja megzavarta \u0151ket a pr\u00f3b\u00e1ik sor\u00e1n. \u0150k...&nbsp;&nbsp;<em>dzsesszrajong\u00f3<\/em>, ahogy ma mondj\u00e1k. Nem is lehetne vil\u00e1gosabb. Stockmann doktor, ak\u00e1rcsak a feles\u00e9ge, ak\u00e1rcsak a nagyon fiatal \u00e9s l\u00e1tsz\u00f3lag nonkonformista Billing, soha nem voltak abban az \u00fagynevezett helyzetben,&nbsp;<em>kieg\u00e9sz\u00edt\u0151 eloszl\u00e1s<\/em>&nbsp;a testv\u00e9r\u00e9vel \u2013 \u00f6nkorm\u00e1nyzati tan\u00e1csossal, aki az \u00e1t\u00edr\u00e1s sor\u00e1n a v\u00e1ros polg\u00e1rmestere lett, megfelel\u0151en \u00f6lt\u00f6zve, \u00f6lt\u00f6nyben \u00e9s nyakkend\u0151ben, az orvos\u00e9. De&nbsp;<em>kontraszt\u00edv eloszl\u00e1s<\/em>, egy\u00e9rtelm\u0171en ellent\u00e9tes. Egy antit\u00e9zis, amely arra v\u00e1r, hogy egy szikra botr\u00e1nny\u00e1 v\u00e1ljon. A fiatalok term\u00e9szetes adotts\u00e1gai ellenzik&nbsp;<em>modoross\u00e1g&nbsp;<\/em>A \u201esajt\u00f3emberek\u201d, Hovstad \u00e9s Asklaksen voltak&nbsp;<em>tranzit karakterek,&nbsp;<\/em>\u201eazok, akik megv\u00e1ltoznak\u201d od\u00e1ig, hogy a cikk \u2013 bomba, k\u00f6rnyezetszennyez\u00e9s elleni k\u00fczdelem, orvos \u2013 n\u00e9pszer\u0171s\u00edt\u0151ib\u0151l v\u00e9g\u00fcl az er\u0151szakos Stockmann-ellenes t\u00fcntet\u00e9s \u00e9l\u00e9re ker\u00fclnek. Egy kulcsjelenet, amelyben Christophe Gawenda, a szerep akkori el\u0151ad\u00f3ja (a darab szerepl\u0151g\u00e1rd\u00e1ja az id\u0151k sor\u00e1n t\u00f6bbsz\u00f6r is v\u00e1ltozott), \u2013 \u00fagymond \u2013 Jean-Pierre Richard modellj\u00e9t k\u00f6vette, aki egy l\u00e9tez\u00e9s\u00e9r\u0151l besz\u00e9lt\u2026&nbsp;<em>kaz\u00e1n karakter&nbsp;<\/em>Balzac reg\u00e9nyeiben,&nbsp;<em>egy kaz\u00e1nsz\u00edn\u00e9sz.&nbsp;<\/em>A p\u00f3diumr\u00f3l tartott besz\u00e9de t\u00fczes volt, a karaktere Gelu Ruscanu egyfajta altereg\u00f3j\u00e1nak t\u0171nt. Azon az est\u00e9n, amikor l\u00e1ttam az el\u0151ad\u00e1st, a k\u00f6z\u00f6ns\u00e9g meggy\u0151z\u0151d\u00f6tt Stockmannr\u00f3l \u00e9s szavair\u00f3l, az interakt\u00edv jelenetben t\u00f6bbs\u00e9g\u00e9ben r\u00e1 \u201eszavaztak\u201d, m\u00e9g ha az \u201e\u00e9rvek\u201d tekintet\u00e9ben kiss\u00e9 f\u00e9l\u00e9nkebbnek is bizonyultak. B\u00e1r az \u201e\u00fcgyre\u201d, a \u201eVerespataki-\u00fcgyre\u201d val\u00f3 utal\u00e1sok nem voltak hi\u00e1nyosak.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">R\u00e9szletesen \u00e9rt\u00e9keltem a m\u0171sort.&nbsp;<em>Schaub\u00fchne<\/em>&nbsp;mert az, amelyet Radu Iacoban rendez\u0151 2024-ben k\u00e9sz\u00edtett, Tudor Prodan gy\u00f6ny\u00f6r\u0171 \u00e9s j\u00f3l \u00e1tgondolt d\u00edszletei k\u00f6z\u00f6tt, a Sz\u00ednh\u00e1z sz\u00ednpad\u00e1n&nbsp;<em>M\u00e1ria kir\u00e1lyn\u0151<\/em>&nbsp;Nagyv\u00e1radr\u00f3l sz\u00e1rmazik, nagyon hasonl\u00edt r\u00e1. Szinte m\u00e1r franchise-unk van. Radu Iacoban a Thomas Ostermeier \u00e9s Florian Borchmeyer egy\u00fcttm\u0171k\u00f6d\u00e9s\u00e9ben javasolt sz\u00f6vegv\u00e1ltozatot r\u00e9szes\u00edtette el\u0151nyben, azonban ehhez folyamodott,&nbsp;<em>balszerencse<\/em>, Duncan MacMillan angol ford\u00edt\u00e1s\u00e1ra. Sz\u00e1momra rejtett okokb\u00f3l a c\u00edmet v\u00e1lasztotta&nbsp;<em>A n\u00e9p ellens\u00e9ge.<\/em>&nbsp;A rendez\u0151 k\u00e9t v\u00e1ltoztat\u00e1st eszk\u00f6z\u00f6lt a szerepl\u0151k nem\u00e9t illet\u0151en. Mr. Aslaksen h\u00f6lgy lett, akit Gabriela Codrea hat\u00e1rozott hangnemben alak\u00edtott. Dr. Stockmann feles\u00e9g\u00e9nek apja gonosz funkci\u00f3it az anyj\u00e1ra ruh\u00e1zta \u00e1t. Akit Elvira R\u00eembu egy rendk\u00edv\u00fcl sz\u00ednes Claire Zachanassiant alak\u00edt, aki h\u00edvatlanul l\u00e1togatta meg, gy\u0171l\u00f6li vej\u00e9t, megveti \u0151t, g\u00fanyolja, amikor csak teheti, v\u00e9g\u00fcl lehetetlen helyzetbe hozva \u0151t. Az el\u0151ad\u00e1s sz\u00e1nd\u00e9kosan nem rendelkezik egy\u00e9rtelm\u0171 befejez\u00e9ssel. Ez az\u00e9rt van, mert \u2013 a modellhez hasonl\u00f3an \u2013 h\u00e1zi feladatot k\u00edv\u00e1n adni a n\u00e9z\u0151nek. \u00cdgy hangs\u00falyozva az el\u0151ad\u00e1s el\u0151ad\u00e1s-vita jelleg\u00e9t.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Stockmann doktor (nos, egy\u00e9rtelm\u0171en R\u0103zvan Vicoveanu alak\u00edtja, akit m\u00e1r a besz\u00e9d pillanat\u00e1ban is kiv\u00e1l\u00f3an alak\u00edt, apr\u00f3, felhaszn\u00e1l\u00f3i jelleg\u0171 akcentusokkal, m\u00e9g akkor is, ha nincs a rendelkez\u00e9s\u00e9re tribunus, aki \u00e1t tud alakulni egy h\u0171t\u0151szekr\u00e9nny\u00e9, amib\u0151l az orvos kivett egy s\u00f6rt, ahogy az a n\u00e9met sorozatban t\u00f6rt\u00e9nt), tov\u00e1bbi kontrasztot alkot testv\u00e9r\u00e9vel, a polg\u00e1rmesterrel. Akinek manipulat\u00edv er\u00e9nyeit Richard Balint sokoldal\u00fa \u00e9s intenz\u00edv sz\u00edn\u00e9szi j\u00e1t\u00e9ka apr\u00f3l\u00e9kosan felt\u00e1rja. Akire Peter Stockmann szerepe t\u00f6k\u00e9letesen illik. A k\u00e9t f\u00e9rfi egyre nyersebb\u00e9 v\u00e1l\u00f3 tal\u00e1lkoz\u00e1sai jelentik a sorozat maxim\u00e1lis \u00e9rdekl\u0151d\u00e9s\u00e9nek pontj\u00e1t. Alina Leonte k\u00f6nnyed\u00e9n alak\u00edtja Katharin\u00e1t, Tudor Manea (Billing) egy sikeres fiatal gonosztev\u0151, sokoldal\u00fas\u00e1g\u00e1ban bizonyos m\u00e9rt\u00e9kig szimpatikus, m\u00edg Alin Stanciu a bottal b\u00edr\u00f3 gonosztev\u0151. V\u00e9g\u00fcl Lucian Cremeneanu j\u00f3l v\u00e9gzi a dolg\u00e1t a moder\u00e1tor szerep\u00e9ben.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lett volna munka a ritmuson, ami az \u00e1ltalam l\u00e1tott el\u0151ad\u00e1sban nem eg\u00e9szen \u00fagy alakult, ahogy kellett volna, \u00e9s az inton\u00e1ci\u00f3kon is kellett volna dolgozni. F\u0151leg az elej\u00e9n. Tal\u00e1n Tudor Manea \u00e9s Alin Stanciu t\u00fal irgalmasak, amikor v\u00f6dr\u00f6kkel vizet \u00e9s koszt dob\u00e1lnak koll\u00e9g\u00e1jukra, R\u0103zvan Vicoveanura. De, bocs\u00e1nat, van oka annak, hogy a sz\u00ednh\u00e1zban szuggeszti\u00f3 van.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>","protected":false},"excerpt":{"rendered":"<p>Text preluat de pe Contributors.ro \/ autor: Mircea Morariu \u00cen anul 2014, atunci c\u00e2nd \u00een oferta de spectacole a unei edi\u021bii a Festivalului Interna\u021bional de Teatru&nbsp;Interferen\u021be,&nbsp;organizat de Teatrul Maghiar de Stat din Cluj-Napoca \u0219i de directorul lui, Tompa G\u00e1bor , ap\u0103rea spectacolul cu piesa&nbsp;Un du\u0219man al poporului&nbsp;de Henrik Ibsen, numele regizorului german Thomas Ostermeier nu [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[213],"tags":[],"class_list":["post-13171","post","type-post","status-publish","format-standard","hentry","category-aparitii-media"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO Pro 5.0.4 - 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