Details coming soon!

„"Uncle Vanya" tells us about how people move on, sometimes clumsily, sometimes with unexpected certainty, searching for meaning and a trace of love in days that seem to repeat themselves endlessly. A warm, deeply human and equally timely show, in which a smile appears exactly when you least expect it.

The show "„I never understood how the air feels when you're gone.”" is inspired by the poetic universe of Ana Blandiana and combines two central themes of her poetry: love and death, starting from the image of the couple. This is reincarnated in an androgynous form, then reduced to two, to finally dissolve into eternity and regain itself through poetry.

With: Anda Tamasanu and Ciprian Ciuciu
Collective direction
Coordinating: Florina Dometi
Video art: Ciprian Ciuciu
Video: Ramona Nemes
Music: Khaleea/Alexandra Koszeghi

Technical director: Diana Sîrghi
Sound: Olimpiu Domide
Lights: Sorin Precup
Cabin attendants: Liana Domide, Florica Căvescu
Makeup/Hairstylist: Dana Dragoiu
Props: Argentina Fodor
Stage technicians: Cristian Segărceanu, Cristian Domide, Nicolae Segărceanu, Dragoș Crosman, Sorin Mudura

The show is part of the TRM Poetry program.

Show recommended for people over 12 years old!
Premiere date: March 27, 2026, Transilvania Hall

The domestic comfort of two couples is disrupted by a petty suspicion and a hastily improvised alibi. The lie, told to save face, quickly gets out of control and draws a third couple, completely strangers to the conflict in which they find themselves caught, into an absurd game.

The situation reaches its climax in a common space, where the characters end up sharing the same table and the same decor, but without sharing the same reality. Each couple lives their own version of the truth, and the overlapping of these parallel realities generates an irresistible comic tension and constant suspense.

How the other half loves is a sparkling comedy about the erosion of relationships, poor communication and the often ridiculous efforts we make to maintain an impeccable image of married life. With a subtle British humor and a dizzying pace, the show invites the audience to look, as if through a keyhole, at a domestic disaster constructed with precision and irony.

„"Tenderness", by Alfredo Sanzol, is a romantic comedy with echoes of Shakespearean opera, which transforms the "war of the sexes" into a humorous game. Beyond satires on patriarchy, resentment and the desire for control, the show speaks of the fragility of people in the face of love and the imperfect but necessary possibility of reconciliation.

Inspired by the matrimonial advertisements of the time, the series of humorous sketches "Tanța și Costel" was a resounding success, becoming a benchmark of the Romanian comic couple, both on stage and on television. The show brings together, in the form of a scenic puzzle, a series of scenes that follow with humor and irony the conjugal life of the two, from the decision to get married to the conflicts, tense or deliciously comical situations of living together. Tanța and Costel are ordinary people, with flaws, clumsy language, desires and dreams, captured in a comic mirror that exaggerates traits and situations to reveal both the differences between the spouses and the love that, however flimsy, remains the essence of their relationship.

The Awakening follows the story of Amalia, a 16-year-old student at a prestigious high school, caught between the need for validation, the pressure to perform, and the invisible violence of the online environment. The announcement of her qualification for the national stage of the Romanian Olympiad sparks an avalanche of reactions, but not on the high school page, but in the unmoderated and uncontrollable parts of the internet – culminating in a compromising image that begins to circulate among her classmates and on the city's gossip pages.

„"Doru Frunză is 59 years old and is a vatman by profession. But a banal picture of a fish turns him into an internet phenomenon, after he wins a challenge launched by Meta founder Mark Zuckerberg. His life takes a spectacular turn: he becomes the subject of news, memes and a national hero. But what is going to happen to vatman Frunză, after he was propelled into social media trends and televisions hunted his every move for prime time?

„This play can be called a classic psychotherapeutic drama. In cinema and popular culture, especially in TV series, there are many successful examples of this genre – but in theater, almost none. The story of a doctor and his patient (or, as in this case, a female patient) almost always goes beyond the boundaries of medical practice, addressing a much wider range of problems – not only personal, but also social, historical and even philosophical. From the very beginning, we leave the audience free to know how the story will end. We do not turn Arthur Miller's narrative into a detective novel. We simply observe how events unfolded. We invite the audience to follow the nuances and deeply human character of the characters.” – Timofey Kuliabin

„"Life is not reduced to the contrasts between black and white, but is infinitely more nuanced. We all have a trace of conscience, a trace of goodness; no one is deeply good or deeply evil. I would like this truth to emerge from the show."”

by Andrew Bovell | translation: Vlad Bălan

We all need a safe space, where we know we can return when life doesn't go the way we wanted it to. A place of our own, where we can protect ourselves and where things remain intact, as we've always known them. But what happens when we find that personal shelter crumbling due to a weakness we didn't know about or chose to ignore?

Rosie, the youngest of the Price family, is on a trip through Europe on her gap year and is forced to return home to find her balance. Here, she is welcomed by the whole family and, for a moment, everything seems unchanged: the father, who takes care of the rose garden, the mother, who has a solution for everything, Ben, who can't seem to maintain a relationship, Mark, who has always been the more withdrawn brother and Pip, who seems to live a happy life with her husband and two children. However, this image is just an illusion that is about to disappear when the unspoken things between them come to the surface, and the relational balance that proves fragile is put to the test.

A story with people, anime, and even angels. With laughter, with tears... a mix of comedy, drama, and lyricism.

"This text is a manual on the rise of dictatorship in society, meticulously exemplifying the tropes of tyranny, a landscape play about dictators disguised as saviors. Richard, a prodigious criminal, narcissistic and violent, unleashes a mechanism of terror. Thus, the non-hero becomes, for a time, a leader. As now, perhaps in a hundred or a thousand years, Richard will continue to appear before the spectators, explaining to them step by step the forms of corruption in their own reality. And the spectators will watch with bated breath all the facts they have been warned about and will do nothing. They will promise themselves, perhaps, that the slippages they are experiencing will not be repeated. This is why we chose to imagine a scenic universe with no temporal definition.

No script, no rehearsals, just pure energy and spontaneous creativity! Improvisation events bring freedom of expression and direct interaction with the audience to the forefront, transforming each performance into a unique and unrepeatable experience. Actors enter the game without prepared lines, building stories on the spot, inspired by the suggestions of the audience. Humor, emotion and surprise are the essential elements that define this type of show, offering a fresh and authentic dynamic. Whether you are a theater enthusiast or discovering improvisation for the first time, you will be part of a lively show, full of unexpected moments and sincere reactions. We invite you to experience theater differently – spontaneous, interactive and always surprising!

Coordinators: Eugen Neag and Alin Stanciu
Improvisers: the actors of the Iosif Vulcan Troupe (sometimes some, sometimes others)

Show not recommended for people under 14 years old!