Set designer painter

Date and place of birth: 21.04.1924, Dej, Cluj County

Studies: "Ion Andreescu" Institute of Fine Arts, Cluj

She began her career at the Cluj-Napoca National Theatre, from where she came in 1957, together with the actor Kozma Lajos, employed at the Hungarian section of the Oradea Theatre. A good professional, both as a set designer and, especially, as a costume designer, she has done an intense and prodigious job, creating the set design for no less than fifty-seven shows in the twenty-two seasons, impressive figures for a set designer, in addition to collaborations with other theatres in the country. Her creative file illustrates not only the number, but also the difficulty and complexity of some of the productions, for which she was awarded prizes at several national events of the genre. She has also exhibited graphic and painting works in several exhibitions, personal or group.

(Presentation by Eugen Ţugulea)

Artistic sheet – Oradea State Theatre

• Costumes for THE DESERTER by Mihail Sorbul, 1957, directed by Gróf Ladislau
• Costumes for THE LAST TIME by Mihail Sebastian, 1961, directed by Ion Deloreanu
• Costumes for THE MASK OF NEPTUNE by Grinevici-Pantelimon, 1957, directed by Dan Alecsandrescu Alecsandrescu
• Costumes for OCHIUL BABEI by George Vasilescu after Ion Creangă, 1959, dir. Dan Alecsandrescu
• Costumes for THE FOREST by A.N.O.strovski, 1960, dir. Dan Alecsandrescu
• Set design in THE STORY OF THE GOLDEN FOREST by Valentin Avrigeanu, 1958, directed by Radu Penciulescu
• Set design for UNCLE VANEA by A.P. Chekhov, 1959, dir. Dan Alecsandrescu
• Costumes at CEI DIN DANGAARD by Martin Andersen Nexö, 1962, director Ion Deloreanu
• Costumes for THERE, AWAY by Mircea Ştefănescu, 1958, dir. Dan Alecsandrescu
• Costumes for COSTACHE AND THE INNER LIFE by Paul Everac, 1962, directed by Valeriu Grama
• Costumes for THE DICTATOR by Al. Kiriţescu, 1975, directed by Sergiu Savin
• Costumes for THE FRIED GIRL by Andrei Uspenski, 1961, directed by Valeriu Grama
• Costumes for THE PURPLE FLOWER by Brausevici-Karnauhova, 1964, directed by Szombati Gille Otto
• Costumes for HORIA by Mihail Davidoglu, 1964, directed by Ion Deloreanu
• Costumes for LIUBOV IAROVAIA by K. Treniov, 1959, directed by Dan Alecsandrescu
• Costumes for IT SEEMS ROMANTIC by Radu Cosaşu, 1962, dir. Andrei Brădeanu
• Costumes for THE RUINED LAMB by Aurel Baranga, 1958, directed by Valeriu Grama
• Costumes for THE WISH OF THE HEARTS by Radu Theodoru, 1960, directed by Dan Alecsandrescu
• Eliza Popescu Costumes for NOTA ZERO LA WEAR by Virgil Stoenescu and Octavian Sava, 1959, directed by Ion Marinescu
• Costumes for A MONTH OF COMFORT by Ştefan Iureş and Ben Dumitrescu, 1961, directed by Ion Marinescu
• Costumes for PEOPLE AND SHADOWS by Ştefan Berciu, 1963, directed by Valeriu Grama
• Costumes for PASSACAGLIA by Titus Popovici, 1960, directed by Dan Alecsandrescu
• Costumes for THE LAUGHTER OF THE EARTH by Radu Ţenţulescu, 1961, directed by Dorel Urlăţeanu
• Costumes for THE RECIPE FOR HAPPINESS by Aurel Baranga, 1957, directed by Dorel Urlăţeanu
• Costumes for THE LAST TRAIN by Eugen Mirea and György Kovács, 1961, dir. Dan Alecsandrescu
• Costumes for JOURNALISTS by Al.Mirodan, 1959, directed by Dan Alecsandrescu
• Scenography for LIVING IN THE HEART OF A BURNED EVOLUTION (Lyrics by Nicolae Labiş), 1969, directed by Ion Abrudan
• Scenography for ALINĂ-TE DOR, ALINĂ – 1970, directed by Corneliu Zdrehuş
• Scenography for SUNSET by B.Şt.Delavrancea, 1971, directed by Nicoleta Toia
• Set design for THIS IS LIFE, 1977, directed by Ion Mâinea
• Set design for SICK OF MANY LONGINGS, 1973, directed by Anca Miere Chirilă
• Scenography for KALEIDOSCOPE SATIRIC, 1968, directed by Gheorghe Musceleanu
• Scenography for CHIRIŢA IN THE PROVINCE by Vasile Alecsandri, 1969, directed by Dorel Urlăţeanu
• Set design for THE MATCH GIRL by Angel Cârstea after Hans Christian Andersen, 1975, d. Eugen Ţugulea
• Scenography for FORGET-A-MILE FLOWER by Valentin Avrigeanu, 1967, directed by Valeriu Grama
• Scenography at GÂLCEVILE DIN CHIOGGIA by Carlo Goldoni, 1974, directed by Farkas Ştefan
• Set design for THE HEIDELBERG OF OLD TIME by Wilhelm Meyer-Förster, 1969, directed by Szombati Gille Otto
• Set design for HOP AND US IN A MAGAZINE, 1974, directed by Dorel Urlăţeanu
• Set design for MADAME SANS-GÊNE by Victorien Sardou and E. Moreau, 1979, director Szombati Gille Otto
• Scenography for MIHAI VITEAZUL. THE MONKS by Octav Dessila, 1965, dir. Ion Deloreanu
• Set design for DEATH OF A SELLER by Arthur Miller, 1970, directed by Szombati Gille Otto
• Set design for WHITE NIGHTS by Mircea Bradu, 1975, directed by Zoe Anghel Stanca
• Set design for THE MARRIAGE OF FIGARO by Beaumarchais, 1961, directed by Dan Alecsandrescu
• Set design for THE MAN WITH THE PACKAGE by G.Ciprian, 1957. directed by Ion Dinescu
• Set design for PLAY STRINDBERG by Friedrich Dürrenmatt, 1974, director Szombati Gille Otto
• Set design for THE SEVENTH COMMANDMENT: STEALING A LESSER by Dario Fo, 1977, dir. Sergiu Savin
• Scenography for UNFINISHED STORY by Alecu Popovici, 1971, directed by Dorel Urlăţeanu
• Set design for RHESOS (THE THRACIAN KING) by Euripides, 1979, directed by Sergiu Savin
• Scenography for SÂNZIANA AND THE PEPELEA by Vasile Alecsandri, 1977, directed by Sergiu Savin
• Scenography for WE ARE INDEPENDENT AND SOVEREIGN, 1977, directed by Eugen Ţugulea
• Set design for EVERYTHING IN THE GARDEN by Edward Albee, 1971, d. Marietta Sadova
• Scenography for THE FOX AND THE GRAPES by Guilherme Figueiredo, 1971, director Szombati Gille Otto
• Scenography at Bălcescu, beginning of the calendars, 1973, directed by Dorel Urlățeanu
• Set design for GAIŢELE by Al.Kiriţescu, 1965, directed by Valeriu Grama
• Set design for DOG REVOLT by Herman Wouk, 1973, director Szombati Gille Otto
• Set design for OUR UNCLE FROM JAMAICA by Dan Tărchilă, 1972, dir. Mihai Raicu
• Costumes for MUSICAL AND SATIRIC GIFTS, 1963, directed by Ladislau Gróf