Set designer painter
Date and place of birth: 17.08.1958, Târgu Mureş
Studies: "Ion Andreescu" Institute of Fine Arts, Cluj-Napoca, 1983
Co-opted from among the local artists to create the set design for the show "A Funeral Party" by Pierre Chesnot, she remained in the theater for more than five seasons, creating ten complete sets (set and costumes), and only the costumes for two other premieres. She had a scenic sense and fantasy, which she capitalized on in the productions she signed. She suddenly disappeared from the poster, appearing in the artistic world only as a graphic painter, and, more recently, a specialized teacher at the Art High School in Oradea.
(Presentation by Eugen Ţugulea)
Artistic sheet – Oradea State Theatre
- Costumes for A FUNERAL PARTY by Pierre Chesnot, 1989, directed by Laurian Oniga
- Scenography for THE CHERRY ORCHARD by A.P. Chekhov, 1990, dir. Laurian Oniga
- Costumes for NO DAY WITHOUT LOVE (LIFTING) by Pierre Chesnot, 1990, dir. Szombati Gille Otto
- Set design for BETWEEN FOUR EYES (FACE TO THE WHOLE WORLD) by Alexandr Ghelman, 1991, dir. Cornel Mihalache
- Set design for ONLY BUTTERFLIES ARE FREE by Leonard Gershe, 1992, dir. Szombati Gille Otto
- Set design for A CHRISTMAS STORY by Silvia Kerim after Charles Dickens, 1992, dir. Rodica Radu
- Set design for A YANKEE IN KING ARTHUR'S COURT by Mark Twain, 1993, d.Eugen Harizomenov
- Set design for THE THIEVES' BALL by Jean Anouilh, 1993, dir. Louise Dănceanu
- Scenography for ACROSS THE SEVEN SEAS AND SEVEN… FAIRYTALES by Gheorghe Stana, 1994, dir. Gheorghe Stana
- Set design in THE CHAIRS by Eugen Ionescu, 1995, dir. Emil Gaju
- Scenography for D-ALE CARNIVALULUI by ILCaragiale, 1995, directed by Sorana Coroamă Stanca
- Set design for DONA JUANA by Anca Visdei, 1995, director Emil Gaju
