Set designer painter

Date of birth: February 4, 1957

Studies: "Nicolae Grigorescu" Academy of Fine Arts, Bucharest, class of 1983, specialization: scenography, class of Dan Jitianu

Since 1990 she has been a member of the Union of Visual Artists of Romania.

Since 1995 she has been a member of the International Union of Visual Artists.

Scenographic activity: Since 1985 he has been working as a scenographer at the Oradea Theater, he has created the scenography for over 60 shows in Oradea and as a guest at other theaters in Romania: Bucharest, Brșsov, Cluj-Napoca, Galați, Brăila, Târgu-Jiu, Sfântu-Gheorghe, Petroșani, Baia Mare, Satu Mare.

Iosif Vulcan Crew

• Scenography in MEDEA by Euripides, artistic direction Mihai Măniuțiu
• Set design in MARRIAGE BY COMPETITION by Carlo Goldoni, artistic direction Nicoleta Toia
• Scenography in THREE JOBENE by Miguel Mihura, artistic direction Sergiu Savin
• Scenography in THE ASSEMBLY OF WOMEN by Aristophanes, artistic direction Eugen Harizomenov
• Set design in AVENTURIERA by Emil Braghinski, artistic direction Sergiu Savin
• Set design in THE BARBER OF SEVILLE by Beaumarchais, artistic direction Alice Barb
• Set design in THE CHAMBERWATCHES by Jean Genet, artistic direction Florin Antoniu
• Scenography in THE HOUSE OF BERNARDA ALBA by Federico Garcia Lorca, artistic direction Irina Popescu-Boieru
• Scenography in WE ARE URGENTLY LOOKING FOR A COMMUNIST GRANDFATHER (THE MANDATE) by Nikolai Erdman, artistic direction by Cornel Mihalache
• Set design in AS YOU LIKE IT by William Shakespeare, artistic direction Alexandru Colpacci
• Set design in ON WOMEN'S SEX AS A BATTLEFIELD IN THE BOSNIAN WAR by Matei Vișniec, artistic direction Petru Vutcărău; Set design award at the 12th edition of the Short Theatre Week, Oradea, 1999
• Set design in CACTUS FLOWER by Barillet and Grédy, artistic direction by Farkas Stefan
• Set design in HEART OF A DOG by Mikhail Bulgakov, artistic direction Vitalii Lupașcu
• Scenography in THE DARKNESS OF THE DAY, THE LIGHT OF THE NIGHT by Aldo Nicolaj, artistic direction Sergiu Savin (Award for the ambiance of the show, at the 8th edition of the Short Theatre Week, Oradea, 1991)
• Set design in THE DIARY OF A MADMAN by NVGogol, artistic direction Anca Bradu; Set design award at the 10th edition of the Short Theatre Week, Oradea, 1995
• Scenography in THE MIRACULOUS CAREER (THE CAREER OF A PRISONER) by Tauno Yliruusi, artistic direction Eugen Țugulea
• Set design in PYGMALION by GB Shaw, artistic direction Eugen Harizomenov
• Scenography in COLD by Marin Sorescu, artistic direction Ion Ciubotaru
• Scenography in SÂNZIANA AND THE PEPELEA by Vasile Alecsandri, artistic direction Anca Bradu
• Scenography in THREE VENETIAN TWINS by Antonio Mattiuzzi aka Collalto, artistic direction Cristian Ioan
• Scenography in CLOSED DOORS by Jean-Paul Sartre, artistic direction Alina Hiristea
• Scenography in DREAM OF LOVE (DREAM OF DRYNESS) by Mircea Ștefănescu, artistic direction Zoe Anghel Stanca
• Set design in GOANA by Paul Ioachim, artistic direction by Sergiu Savin
• Sets and costumes in THE INTRUDER by Maurice Maeterlinck, artistic direction Mihai Măniuțiu
• Set design in DOM JUAN by Molière, artistic direction Radu Nichifor
• Scenography in the FANTASTIC AND SAD STORY OF CANDIDA ERÉNDIRA AND HER RUDE GRANDMOTHER, dramatization based on the short story by Gabriel García Márquez, artistic direction by Ion Sapdaru
• Scenography in THE HOLIDAY GAME by Mihail Sebastian, artistic direction by Radu Nichifor
• Scenography in MISUNDERSTANDING by Albert Camus, artistic direction Alina Hiristea
• Scenography in THE NIGHT OF JANUARY 16 by Ayn Rand, artistic direction Alexander Hausvater
• Scenography in DUST IN EYES by Eugène Labiche, artistic direction Alexandru Dabija
• Set design in THE CAVE PEOPLE by William Saroyan, artistic direction Emil Sauciuc
• Set design in AND THE MINISTERS TREADMILLS CROOKED by Ray Cooney, artistic direction Daniel Vulcu
• Set design in THE ONE WHO RECEIVES THE Clap by Leonid Andreev, artistic direction by Alexander Hausvater
• Set design in CARE PE CARE by August Strindberg, artistic direction Petru Vutcărău
• Scenography in SALON NO. 6 by AP Chekhov, artistic direction Petru Vutcărău
• Set design in COMEDY IN THE DARK by Peter Shaffer, artistic direction Cristian Ioan
• Scenography in BAREFOOT IN THE PARK by Neil Simon, artistic direction Sebastian Lupu
• Set design in THIS CHILD by Joel Pommerat, artistic direction Vlad Massaci
• Set design in ALL DEAD, ALL DEAD, adaptation of Mark Twain, artistic direction Petre Bokor
• Scenography in DOUBLE BOOKING by Ray Cooney, artistic direction Cristian Ioan
• Scenography in LA GRANDE MAGIA by Eduardo de Filippo, artistic direction Alexandru Colpacci
• The set in Fiddler on the Roof, by Sholom Aleichem, artistic direction by Korcsmaros Gyorgy
• The set design in THE PRODUCERS, by Mel Brooks, artistic direction Halasi Imre
• The set in THE DEER KING, after Carlo Gozzi, Artistic direction: Alexandru Colpacci
• Scenography of the show DOMNIȘOARA IULIA, by August Strindberg, directed by Alexandru Weinberger-Bara

Arcadia Crew

• Scenography in (HAPPY) HOLIDAYS

Personal exhibitions

• 1986 – Oradea
• 1989 – Bucharest
• 1990 – Cluj-Napoca, Oradea
• 1996 – Oradea
• 1997 – Bucharest, Sibiu
• 2003 – Kosice, Slovakia
• 2004 – Przemysl – Poland
• 2007 – Oradea

Group exhibitions (selection)

• 1985-1992 – “Atelier 35” Group from Oradea (over 20 exhibitions in the country)
• 1985-2005 – Local, national and young painters' salons in Romania

International exhibitions (selection)

• 1986 – Rome – Italy
• 1990 – Szombathely – Hungary
• 1992 – Lisbon – Portugal
• 1994 – Venice – Italy
• 1995 – Geldrop – Netherlands
• 1999 – Budapest – Hungary
• 2000 – Hameenlinna – Finland
• 2003 – Painting Triennial – itinerant, Przemysl – Poland, Debretin – Hungary, Ukraine, Oradea-Romania
• 2003 – Debrecen Hungary,
• 2005 – Debrecen Hungary
• 2009 – Painting Triennial – Przemysl – Poland, itinerant, Hungary, Ukraine, Romania

Creative camps Malnitz (Austria), Geldrop (Netherlands), Przemysl (Poland), Nicolae Bălcescu, Râmnicu Valcea, Tescani, Bradişor, Sângiorgi de Mureş, Rimetea, Şuncuiuş. Pedagogical activity:

• 1994-1999 – Fashion design teacher at the „Francisc Hubic” School of Arts, Oradea
• 1999-2005 – Associate Professor at the Department of Fashion Design at the Oradea Academy of Arts

Awards and nominations

• 1989 – “Atelier 35” Award, painting
• 1991 – Awards for scenography at the Oradea National Short Theatre Festival
• 1995 – Awards for scenography at the Oradea National Short Theatre Festival
• 1998 – Awards for scenography at the Oradea National Short Theatre Festival
• 1995 – UNITER Award, for the best show “Two Venetian Twins” by Carlo Goldoni, artistic direction Vlad Mugur
• 2000 – Union of Visual Artists Award for scenography
• 2002 – “Elvira Godeanu” Scenography Award, Târgu Jiu
• 2003 – Ukrainian Painting Prize at the Silver Square Painting Triennial, Poland
• 2004 – Nomination for the Oradea Excellence Award
• 2010 – Diploma of Excellence Oradea
• 2011 – Scenography Award at the Short Theatre Festival, Oradea (for "The House of Bernardei Alba", by Frederico Garcia Lorca, artistic direction Sorin Militaru)
• 2012 – Nomination for the UNITER Award (for „Fiddler on the Roof”, by Sholom Aleichem, artistic direction Korcsmaros Gyorgy)
• 2012 – Nomination for Best Set Design – „Fiddler on the Roof”, by Sholom Aleichem, artistic direction Korcsmaros Gyorgy, ATELIER International Theatre Festival – Baia Mare