Monday: 2:00 PM-6:00 PM
Tuesday: 12:00 - 18:00
Wednesday: 10:00 - 14:00
Thursday: 12:00 - 18:00
Friday: 10:00 - 14:00
Saturday and Sunday: closed
The agency is also open one hour before the start of each show at the Great Hall, regardless of the day.
Monday: 2:00 PM - 6:00 PM
Tuesday: 12:00 - 18:00
Wednesday: 10:00 - 14:00
Thursday: 12:00 - 18:00
Friday: 10:00 - 14:00
Saturday and Sunday: closed
The agency is also open one hour before the start of each show at the Great Hall, regardless of the day.
Dr. Stockmann, the idealistic doctor of a spa resort in a generic town, makes a shocking discovery: the springs that attract thousands of tourists to his town are not curative, but dangerous to health. It's just that the "heart that pumps life itself" in this town brings both income and advantages for all members of the social pyramid. Stockmann thus embarks on a solitary fight to expose the truth in a world where economic interests prevail and the community often remains indifferent.
No script, no rehearsals, just pure energy and spontaneous creativity! Improvisation events bring freedom of expression and direct interaction with the audience to the forefront, transforming each performance into a unique and unrepeatable experience. Actors enter the game without prepared lines, building stories on the spot, inspired by the suggestions of the audience. Humor, emotion and surprise are the essential elements that define this type of show, offering a fresh and authentic dynamic. Whether you are a theater enthusiast or discovering improvisation for the first time, you will be part of a lively show, full of unexpected moments and sincere reactions. We invite you to experience theater differently – spontaneous, interactive and always surprising!
Coordinators: Eugen Neag and Alin Stanciu Improvisers: the actors of the Iosif Vulcan Troupe (sometimes some, sometimes others)
Show not recommended for people under 14 years old!
One of the masterpieces of silent cinema made by Charlie Chaplin is transformed into a lively and moving musical on the stage of the Regina Maria Theater.
The story is a simple one: Charlie Chaplin, a film director, while on the set giving a speech to his employees, learns some sad news. But this whole moment is interrupted by a kid, who is running from the police and asks the director to pretend to be his father. This is where the idea of a touching but humorous film starts, in which the protagonists are a poor glazier and an orphaned child, who go through all sorts of adventures together.
by David Lindsay-Abaire, directed by Vlad Cristache
In a parallel universe, everything is wonderful and things happen as they should. In this universe, a child runs after a dog, then returns to play in the living room.
In another universe, a collective butterfly effect is created where someone forgets an open door, someone answers the phone, someone is in a hurry and everyone, for a split second, does not anticipate what is about to happen… and the dog returns on its own. An accident occurs, an absurd accident, for which everyone and no one is to blame at the same time. And the healing process is a difficult one, which takes place on a personal and interpersonal level as well.
Rabbit Hole is a moving psychological drama, cleverly constructed around the idea of loss and the survival mechanisms people adopt in the slow process of healing. It is a warm story of acceptance, strength and transformation.
We are in a place that does not exist on the map. A small town, with people like everywhere else. Here we find a group of inhabitants who almost form a community, but not quite. Like everywhere else, some know each other, others not so much. In such an isolated, remote place, as if somewhere at the end of the world, the ordinary is shaken by people's feelings that are unleashed and come to the surface, manifesting themselves in the form of a ceaseless search for the acute need for closeness, for belonging. A longing that springs from and is fueled by their love, melancholy, loneliness or hope. A set of stories about the attachment, suffering and disappointment that we feel in interactions with others, in our attempts to be together.
"The Jungle Book" is part of the category of immortal stories. The adventures of Mowgli, the cub raised in the jungle by a pack of wolves, educated by the bear Baloo and protected by the skilled panther Bagheera, are ageless: the noble values he develops, such as loyalty, honor, courage, tradition, have the same meaning today, and the stories are addressed to both children and adults, with the depth and meaning that each age offers them.
"B-category goddesses" by Alexandra Felseghi, based on an idea by and directed by Andrei Măjeri, is a show-event that aims to bring on the same stage actresses from three cities and three different theaters, applauded in the geographical spaces in which they play, but less known outside of them: Elena Ivanca (actress of the "Lucian Blaga" National Theater in Cluj-Napoca), Ioana Dragoș Gajdó (actress of the "Regina Maria" Theater in Oradea), Silvia Luca (actress of the "Mihai Eminescu" Theater in Botoșani).
The premiere took place on September 22, 23 and 24, in Bucharest, at creart/TEATRELLI – the initiator of the project and the main producer, the show then being played, in turn, in all the co-producing theaters, respectively at the National Theater Cluj-Napoca, the "Regina Maria" Theater Oradea and the "Mihai Eminescu" Theater Botoșani.
"Cactus Flower" is one of those comedies that never goes out of style. Romantic, humorous and spicy, the comedy has been successfully played both on stage and in cinema, the first screen version being rewarded with an Oscar, a nomination at the Bafta Awards and an award and four nominations at the Golden Globes..
The play “Cruelty and Tenderness” is a contemporary reinterpretation of Sophocles’ “The Trachineans,” by Martin Crimp, which updates the ancient Greek tragedy and puts it in relation to the political climate of today’s world. Sophocles’ character, Deianeira, thus becomes, in Crimp’s reinterpretation, Amelia, the wife of a general. Housed in a temporary house near an international airport, as she receives more information about the general’s war activities, she devises a plan to bring him home. Her love for him becomes clouded by doubt and hatred when she learns that her high-ranking husband has initiated a military attack on a strategic city not only for political but also sentimental reasons.
A strange transaction is about to take place. The ad has been distributed and a candidate has already emerged who seems to meet the most important conditions mentioned. No one knows exactly how to proceed in a situation like this, but attempts are being made to work out the details so that all parties involved are satisfied. The chances that everything will go according to plan are high, if the emotional aspect and the complications that can arise with competition are not taken into account.
Georges (Răzvan Vicoveanu) and Jeannot (Richard Balint) are a charming middle-aged gay couple. The former is the manager and the latter the star performer of a flamboyant drag club in Saint-Tropez. After twenty years of blissful extramarital bliss, the two face the toughest challenge of their relationship yet: meeting the parents of their son's fiancée.
They both decide the best approach is to hide their sexual identities, along with their flamboyant personalities, when their ultra-conservative, anti-gay future in-laws come to visit. This comical scenario sets off a stunning French farce.
Musical, moving, captivating and astonishing, the show "Colivia Nebunelor" is a comic masterpiece about love and preconceptions.
"last it is a piece of life, lived real and without restraint, without modesty. Mimi's plays do not spare you, longing. Everything is raw, authentic and true. It is a show about dreaming and about helplessness, about the desire to succeed, to go somewhere more into the light. I chose the text because it is a tough text, because I believe in the truth, even if it revolts us and is difficult to digest. Our characters are captive in a world and in a time that passes in vain. They are as we are, both bad and beautiful, you judge them, but you also pity them. We all dream of a better life, we all dream of being happy and, depending on the situation we find ourselves in, we are willing or not to make compromises.” (Denisa Irina Vlad)
Until Death Do Us Part (Liselotte and the Month of May) is a show in which humor is intertwined with tragedy. Liselotte, a lonely girl who is looking for her chosen one, manages to go through situations that are as unpredictable as they are comical. He, the Chosen One, puts on the colorful coat of the playful, ending in the sobriety of a master of ceremonies' tuxedo... the ceremony of marriage or death?
Nicolas is a teenager who is going through a problematic phase. Since the family context is not too happy either, the parents are divorced, and the father has started another family, the fight to overcome the critical moment falls on the parents one by one. When the mother becomes overwhelmed by the situation, the father takes over the mission and tries to help his son. Oscillating between helplessness, love, rebellion, guilt, his own traumas and fears, the effort to restore the emotional chaos into which the boy has fallen proves to be more difficult than expected. In all the desperation of the situation, he makes choices that will have unexpected consequences for everyone.
"The Son" is a family drama that realistically deals with a sensitive subject: teenage depression and the suffering experienced by all those who face such a problem.
We could say that everything that is about to happen is because of a piece of roasted pumpkin!
A piece of pumpkin that Toffolo, a boatman eager to get married, gives to Lucietta, who, although engaged to Titta Nane, flirts with him only out of boredom and to tease her younger friend Checca. The other girls in the group join in and a whole mess breaks out, in which the men are then involved as soon as they return from fishing.
Each of the girls has their own perspective on the episode, and this only deepens the misunderstandings. The Italian village of Chioggia is thus divided into two rival groups and quarrels fueled by jealousy and frustration begin. The comedy is intensified by the deputy Isidoro, the Venetian official who tries to restore order among the inhabitants of Chioggia.
The story imagined by Giuseppe Berto is inspired by Concerto for oboe and string orchestra in D minor by the Venetian composer Alessandro Marcello, long erroneously attributed to Antonio Vivaldi and then to Benedetto Marcello, and is a romantic drama, which is consumed under the mysterious and thanatic patronage of Venice. The plot is focused on the confrontation of emotions, memories, reproaches and desires of two characters, a He and a She, who meet again after a long time on the platform of a train station in Venice and gradually discover, that despite the suffering they have caused each other, love has not died. But time is against them.
In the cast, you will be able to see again the actors Sebastian Lupu and Mirela Niță Lupu playing together, who give even greater depth to the characters, bringing in addition to their acting contribution, which for building such penetrating roles require stage maturity and depth, also that of life, as they are in turn a couple in everyday life. At the same time, the choice of this text was not at all accidental and marks, somewhat in a mirror, the celebration of 25 years of career on the Oradea theater stage.
The Regina Maria Theater invites you to the premiere of the show "Eva Heyman". A shocking one-woman show, based on the diary of the little Jewish girl from Oradea, who meets her tragic end in the Auschwitz camp. The show captures Eva's events, thoughts, and feelings over a period of several months, just before she is deported. An authentic testimony about the tragedy of a child and a people!
"Monsters don't exist unless we create them! We need people to believe in them."
The show is an adaptation, the text being brought up to the speed of information transfer we use now. Only one character has retained his pedantry, only he is aware of this and refuses to simplify, because he believes that the power of the word has beauty.
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