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TICKET AGENCY HOURS

Monday: 2:00 PM-6:00 PM
Tuesday: 12:00 - 18:00
Wednesday: 10:00 - 14:00
Thursday: 12:00 - 18:00
Friday: 10:00 - 14:00
Saturday and Sunday: closed
The agency is also open one hour before the start of each show at the Great Hall, regardless of the day.

TICKET AGENCY PROGRAM
Monday: 2:00 PM - 6:00 PM
Tuesday: 12:00 - 18:00
Wednesday: 10:00 - 14:00
Thursday: 12:00 - 18:00
Friday: 10:00 - 14:00
Saturday and Sunday: closed
The agency is also open one hour before the start of each show at the Great Hall, regardless of the day.
Queen Marie Theater Oradea

Author: Florina Dometi

Smiling elderly woman in a navy floral blouse sits in a chair at a social gathering, with an orange juice drink on the table nearby.

„"I never understood..." – a show inspired by the poetic universe of ANA BLANDIANA (by Elisabeta Pop)

Passionate poetry readers, two young actors – Anda Tămășanu and Ciprian Ciuciu – thought of bringing to the stage, with… dramatic means, some of Ana Blandiana’s poems, poems dedicated to her husband, the writer Romulus Rusan, on the ten years since his disappearance. A gift… Little said… some of the poems, because the script of the show sums up a generous poetic universe, the choice of poems bearing the imprint of the natural subjectivity of the performers. The two actors were joined by the literary secretaries Florina Dometi (coordinator), Ramona Nemeș (video) and the artist Khaleea/Alexandra Koszeghi (music). The videoart part is signed by Ciprian Ciuciu.

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TENDERNESS | Interview with director Mihai Gligan

Mihai Gligan is a theater director from Cluj-Napoca, a graduate of the Faculty of Theater and Film at UBB, where he completed both his bachelor's and master's degrees. His directorial debut took place with the show "The Marriage" by NV Gogol, staged at the Baia Mare Municipal Theater, a production distinguished at the Atelier 2022 International Theater Festival with the Special Jury Award for Direction and the Award for Set Design.

In the following years, he signed and co-signed several projects noted for their artistic coherence and favorable reception in the contemporary theatrical environment. His first collaboration with the Oradea theater brought him the position of assistant director for the show "Dețeptarea" by Doru Vatavlui, produced under the stage direction of Bobi Pricop, a collaboration that was later continued by staging the comedy "Tenderness", as director.

On the occasion of this new project, Mihai Gligan agreed to answer a few questions about the universe and mechanisms of the show "Tenderness".

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PRESS RELEASE | Tenderness

The Iosif Vulcan troupe of the Regina Maria Theater announces the premiere of the show "Tenderness" by Alfredo Sanzol, directed by Mihai Gligan, which will take place on Sunday, March 15, 2026, at 7:00 PM, at the Transilvania Hall.

Playwright, director and current director of the National Dramatic Center in Spain, Alfredo Sanzol (b. 1972) is one of the most important contemporary authors of Spanish theater. His writings are distinguished by humor, stylistic inventiveness and a constant interest in exploring new dramatic structures.

The play "Tenderness", one of his best-known writings, was awarded the Valle-Inclán Theater Award in 2018 and was adapted into a film in 2023, directed by Vicente Villanueva.

Constructed as a romantic comedy with Shakespearean echoes, the play transforms the conflict between the sexes into a game full of humor and imagination. A queen with magical powers causes a shipwreck to save her daughters from the empire of men and retreats with them to a deserted island, determined to found a republic of women. However, the plan is turned upside down when she discovers that the island is already inhabited by three men (a father and his two sons) who have chosen isolation to avoid the suffering caused by love. Faced with this unexpected situation, the two camps are forced to rethink their beliefs, and the laws of attraction begin to work in unpredictable directions.

Beyond the satirical dimension, the show talks about the fragility of people in the face of love, about the need for closeness and about the imperfect but necessary possibility of reconciliation.

The show is directed by Mihai Gligan, a director from Cluj-Napoca, a graduate of the Faculty of Theatre and Film at UBB. His professional debut took place with the show "The Marriage" by NV Gogol, staged at the Baia Mare Municipal Theatre, a production awarded the Special Jury Prize for Direction and the Prize for Set Design at the Atelier International Theatre Festival (2022). "Tenderness" marks the director's second collaboration with the Regina Maria Theatre, after his participation as assistant director in the show "The Awakening" by Doru Vatavlui, directed by Bobi Pricop.

The adaptation of the text is done together with playwright Vlad Sălbatecu, the set design is by Előd Golicza, the costumes by Cristina Breteanu, and the sound universe is created by Richard Balint.

The cast includes the following actors:

Giorgiana Coman – Emerald Queen
Anca Sigmirean – Princess Salmon
Alina Leonte – Princess Ruby
David Constantinescu – The Brown Woodcutter
Eugen Neag – The Woodcutter Verdemarin
Pavel Sîrghi – The Blue Woodcutter

The next performances are scheduled for March 16 and 31, as well as April 25, from 7:00 PM, at the Transilvania Hall.

Tickets can be purchased from the theater agency or online, on the platform poftimcultura.ro.

We are waiting for you at the theater!

PRESS RELEASE | Cipi, the giant dwarf

The Arcadia troupe of the Regina Maria Theater in Oradea announces the premiere of the show "Cipi, the Giant Dwarf", which will take place on Sunday, March 8, at 11:00 AM, at the Arcadia Hall.

The show is directed by Iulian Bulancea, an artist with a solid background in animation theater, a graduate of the "George Enescu" University of Arts in Iași and the Université du Québec à Montréal, where he specialized in contemporary puppet theater. This is his fourth collaboration with the Arcadia Troupe, after the shows "The Snow Queen and the Enchanted Mirror", "The Curious Elephant" and "The Doctor Who Loves". The show's scenography is by Răzvan Chendrean.

The main role is played by Alexandru Crefelean, a graduate of the University of Arts in Târgu Mureș, specializing in Performing Arts - Puppets and Marionettes, actor of the Arcadia Troupe since 2024. The cast also includes actors Eliza Atofanei, Ștefana Tărniceru, Ioana Buta and Florian Silaghi.

The show is inspired by the book "Cipi, this giant dwarf" by Sándor Fodor, one of the most famous literary creations for children in the contemporary Transylvanian space. The stage adaptation proposes a formula in verse, with expressive puppets and a playful aesthetic, exploring themes such as self-acceptance, altruism and friendship.

The story follows Cipi, a dwarf convinced that the entire world in the dungeon works because of him. When he discovers that the universe can go on without his help, his desire to grow takes on unexpected proportions. With the help of Goliath dust, he becomes giant and reaches the starry sky, where, for the first time, he feels truly important. But loneliness makes him understand that true greatness does not lie in size or power, but in love and friendship.

The next performances are scheduled for March 13, at 6:00 PM, and March 28, at 11:00 AM, at the Arcadia Hall. The show will also have performances dedicated to kindergartens and schools.

Tickets for performances intended for the general public are available at the Regina Maria Theatre's theatrical agency and online, on the poftimcultura.ro platform (https://www.poftimcultura.ro/bilete?term=Cipi%2C+piticul+uria%C8%99).

I NEVER UNDERSTOOD HOW THE AIR FEELS THAT YOU'RE GONE

The show "„I never understood how the air feels when you're gone.”" is inspired by the poetic universe of Ana Blandiana and combines two central themes of her poetry: love and death, starting from the image of the couple. This is reincarnated in an androgynous form, then reduced to two, to finally dissolve into eternity and regain itself through poetry.

With: Anda Tamasanu and Ciprian Ciuciu
Collective direction
Coordinating: Florina Dometi
Video art: Ciprian Ciuciu
Video: Ramona Nemes
Music: Khaleea/Alexandra Koszeghi

Technical director: Diana Sîrghi
Sound: Olimpiu Domide
Lights: Sorin Precup
Cabin attendants: Liana Domide, Florica Căvescu
Makeup/Hairstylist: Dana Dragoiu
Props: Argentina Fodor
Stage technicians: Cristian Segărceanu, Cristian Domide, Nicolae Segărceanu, Dragoș Crosman, Sorin Mudura

The show is part of the program TRM Poetry.

Show recommended for people over 12 years old!
Premiere date: March 27, 2026, Transilvania Hall

CHIPI, THE GIANT DWARF

Greatness hides in a pure heart!

The show "Chipi, the Giant Dwarf" is inspired by the book "Chipi, this giant dwarf" by Sándor Fodor, one of the most famous literary creations for children from the contemporary Transylvanian space. The stage adaptation proposes a formula in verse, with expressive puppets and a playful aesthetic, exploring themes such as self-acceptance, altruism and friendship.

Cipi is a dwarf convinced that the entire world in the forest works because of him. He wakes everyone up every morning, explains to the bees how to make honey and tells the birds how to sing. Because they love him, the others allow him to believe that the little forest could not exist without him. But Cipi is not enough. His greatest desire is to grow, to be taller and stronger. When he discovers that the world is moving forward even without his help, his determination to be great becomes even stronger.

With the help of the mysterious Goliath dust, he reaches the starry sky, where, for the first time, he feels truly important. But up there, lost among the planets, he also discovers what loneliness means. This is how he understands a wonderful truth: greatness does not lie in size or power, but in love and friendship. But the adventure does not stop there. Cipi now has a new challenge: will he manage to become a dwarf again and return home?

With: Alexandru Crefelean, Eliza Atofanei, Ioana Buta, Stefana Tarniceru, Florian Silaghi

Text and direction: Julian Bulancea
Scenography: Răzvan Chendrean

Technical direction, video projection, sound: Peter Papp
Lights: Anthony Nica
Stage technicians: Daniel Turcut, Daniil Fodor
Cabin: Anna Cellino

Show recommended for children over 5 years!
Premiere date: March 8, 2026, Arcadia Hall

TENDERNESS

A queen with magical powers makes an extraordinary plan to save her daughters from the empire of men: she causes a shipwreck and retreats with them to a deserted island to build a republic of women, at the cost of sinking an entire army. But there they get a huge surprise when they discover that the island is already inhabited by three men, a father with his two sons, who have isolated themselves to protect themselves from the suffering caused by women. Faced with this new reality and disappointed that their plans have failed, the queen and the boys' father must find new saving solutions. But the laws of attraction have their own plans.

„"Tenderness"”, by Alfredo Sanzol, is a romantic comedy with echoes of Shakespearean opera, which transforms the "war of the sexes" into a humorous game. Beyond satires on patriarchy, resentment and the desire for control, the show speaks of the fragility of people in the face of love and the imperfect but necessary possibility of reconciliation.

Dramatis Personae:

Emerald Queen: Giorgiana Coman
Princess Salmon: Anca Sigmirean
Princess Ruby: Alina Leonte
The Brown Woodcutter: David Constantinescu
The Woodcutter Verdemarin: Eugene Neag
The woodcutter Bleuciel: Pavel Sirghi

Directed by: Michael Gligan
Playwright: Vlad Salbatecu
Decor: Előd Golicza
Costumes: Cristina Breteanu
Sound design: Richard Balint

Show recommended for people over 14 years old!
Premiere date: March 15, 2026, Transilvania Hall

THE DISASTER | an interview with Denisa Irina Vlad

Denisa Irina Vlad is an actress of the Iosif Vulcan Troupe, who successfully capitalizes on her stage talent through strong roles and complements it with her inclination towards directing, preferring realistic texts, with complex characters and deep messages. On the occasion of the premiere of the show Năpasta by IL Caragiale, Denisa accepted our challenge to answer a few questions about the show and the characters, seen both through the eyes of the director and the actress.

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BLUE BIRD

„"The Blue Bird" is a fairy tale about the search for happiness. The story follows the siblings Tyltyl and Mytyl, who embark on a magical journey to find the Blue Bird, a symbol of perfect happiness, and give it to the Fairy Berylune. After traveling through fantasy worlds, where they discover hidden truths about fear, the afterlife, and the future, they realize that happiness was always there, right in front of them, they just didn't have the right tools to see it.

*performance produced in partnership with the "George Enescu" National University of Arts - Faculty of Theatre, Iași

With: Eliza Atofanei
Voices: Doru Aftanasiu, Iasmina Liteanu

Screenplay and direction: Ciprian Hutanu
Decor: Oana Cernea
Dolls: Tomos Tünde
Set design assistant: Vladimir Boca
Sound design: Michael Cornea
Picture: Madalina Baciu, Giorgiana Coman

Technical direction, sound: Peter Papp
Lights: Adrian Gherdan
Stage technicians: Daniel Turcut, Daniil Fodor

Show recommended for children over 4 years old!
Premiere date: December 14, 2025, Arcadia Hall

THE GIFT FROM THE NEST

Christmas means something different to everyone: gifts, family, kindness, shared moments. But beyond all of this, lies its true meaning: the birth of the Savior, the one promised since ancient times and announced by the prophets, who came to earth to bring salvation and light to the world. A miracle that, even after thousands of years, still fills our universe with peace, hope and love.

Created with little ones in mind, but also suitable for parents, "The Gift from the Manger" is a puppet show built as an illustrated story full of candor, which follows, preserving the biblical truth, the story of the Nativity, starting from the Annunciation, to the Adoration of the Magi. The show reminds us of the true source of the magic of Christmas and brings the holy story closer to our souls, through the beauty of traditional Romanian carols.

With: Zentania Lupșe, Armanca Serac, Alexandru Pop, Alexandru Crefelean

Directed by: Florian Silaghi
Scenography: Oana Cernea
Music: Ionuț Chiș

Technical director, sound: Peter Papp
Stage technicians: Daniel Turcuț, Daniil Fodor
Painters: Madalina Baciu, Giorgiana Coman
Prop: Razvan Chendrean

Show recommended for children over 4 years old!
Duration: 50 minutes.

Premiere date: December 7, 2025, Arcadia Hall

PRESS RELEASE | Acclaimed director Timofei Kuliabin returns to Romania and stages "The Broken Mirror" at the Regina Maria Theater

The Iosif Vulcan troupe of the Regina Maria Theater announces the premiere of the show Broken mirror, a scenario of Roman Doljanski inspired by his work Arthur Miller, directed by one of the most important European directors of the moment, Timofey Kuliabin. The show will have its first performances on November 16 and 17, 2025, at 7:00 PM, at the Great Hall of the Regina Maria Theater, and the public interest is huge, with all tickets already sold.

Arthur Miller (October 17, 1915 – February 10, 2005) was an American playwright, who combined social consciousness with a deep concern for the inner lives of his characters, his main sources of inspiration being the Greek tragedians and the common man: I believe that the tragic feeling is evoked in us when we are in the presence of a character who is ready to give his life, if necessary, to ensure one thing: his sense of personal dignity. His writings brought him many honors throughout his life, including the Pulitzer Prize, seven Tony Awards, two Drama Critics Circle Awards, an Obie, an Olivier, the John F. Kennedy Lifetime Achievement Award, and the Dorothy and Lillian Gish Award.

„"Broken Glass" (a play that has never been translated into Romanian) explores the story of a New York couple caught between marital tensions and historical awareness. In the Oradea production, the text is staged by Roman Doljanski, a playwright of Russian origin and one of the most appreciated critics and theorists of European theater, established in Europe since 2022, where he exclusively works. Roman Doljanski transposed Arthur Miller's play into an updated stage form, which enters into dialogue with contemporary reality and the ethical dilemmas of the present: "„The title of another fabulous play by the great American playwright Arthur Miller, The Price, defines the central theme of the new production entitled „The Broken Mirror”. It is about the price that those around the protagonist must pay for her healing. Can the treatment be considered a success if one person heals at the expense of the well-being of another? Where is the limit beyond which healing turns into manipulation? There is no definitive answer to this question – neither from Arthur Miller, nor from the characters, nor from the creators of the show. The goal is to ask questions and invite the audience to formulate their own answer, Roman explains.

The show is directed by the acclaimed theater and opera director, Timofey Kuliabin, who has staged on the most important stages of Europe. A graduate of the Russian Theater Academy in Moscow (GITIS), Kuliabin joined, after completing his studies, the Academic Theater "Red Torch" in Novosibirsk, where, in 2015, at just 31 years old, he was appointed artistic director, becoming the youngest artistic director of a theater in Russia at that time. Until 2022, when he was forced to resign due to his explicitly anti-war position and chose the path of exile, he staged performances both in theaters in Russia and on important stages in the German space, which brought him recognition, confirming the strength and originality of his directorial vision. Since 2022, Timofey Kuliabin operates exclusively abroad, collaborating with theaters in Germany, Switzerland, France, Greece, Estonia, Bulgaria. . In 2022, he signs an exceptional collaboration with John Malkovich for the show "In the Solitude of the Cotton Fields", staged at the Dailes Theater in Riga and subsequently presented on a tour in 12 countries. The collaboration with the Regina Maria Theater in Oradea is his second project in Romania, after "The Long Road to Night" by Eugene O'Neill staged at the "Radu Stanca" National Theater in Sibiu.

About the show he is staging in Oradea, director Timofei Kuliabin declares:

„This play can be considered a classic psychotherapeutic drama. In cinema and popular culture, especially in TV series, there are many successful examples of this genre – but in theater, almost none. The story of a doctor and his patient (or, as in this case, a female patient) almost always goes beyond the boundaries of medical practice, addressing a much wider range of problems – not only personal, but also social, historical and even philosophical. From the very beginning, we leave the audience free to know how the story will end. We do not turn Arthur Miller's narrative into a detective novel. We simply observe how events unfolded. We invite the audience to follow the nuances and deeply human character of the characters.”

The creative team also brings together other important names in contemporary theater: Timofei Pastuhov, the composer of the original music, and Oleg Golovko, the set designer who signs the visual universe of the show. The translation into Romanian belongs to him Ralucai Radulescu, translator, journalist and theatrical curator.

The cast of the show includes the actors Eugene Neag (Phillip Gellburg), Denisa Irina Vlad (Sylvia Gellburg), Razvan Vicoveanu (Dr. Harry Hyman), Anda Tamasanu (Jessica), Richard Balint (Robert Wilson) and Alexandru Rusu (Stanton Case).

The show is also scheduled for December 11 and 12, and tickets can be purchased from the theater agency (Piața Regele Ferdinand I, no. 6) and online on the Regina Maria Theater website and on the Poftim Cultură ticketing platform.


BROKEN MIRROR
a screenplay by Roman Doljanski after Arthur Miller, directed by Timofei Kuliabin

Distribution:

Phillip Gellburg: Eugen Neag
Sylvia Gellburg: Denisa Irina Vlad
Dr. Harry Hyman: Razvan Vicoveanu
Jessica: Anda Tamasanu
Robert Wilson: Richard Balint
Stanton Case: Alexandru Rusu

Directed by: Timofei Kuliabin
Screenplay: Roman Doljanski
Translation: Raluca Radulescu
Scenography: Oleg Golovko
Original music: Timofei Pastuhov

Show recommended for people over 18 years old!
Premiere date: November 16 and 17, 2025, Great Hall of the Regina Maria Theater in Oradea

WHY THE FLOWER IS LEAVING – performative reading

A novelty in the repertoire of the Iosif Vulcan Troupe: the performative reading "Why the Vatman Frunză?"„

What does a performative reading mean? A theatrical event in which actors read the text, but do so with stage intent, with energy, rhythm, intonation, character relationships, and minimal stage movement, lights, sound, or projections. The emphasis is on performance and presence, not on complete mise-en-scène.

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Tonul face muzica | un interviu cu Toma Hogea

Interview taken from LiterNet.ro

Toma Hogea is a complex creator: a puppeteer gifted with the joy of creating, who has performed hundreds of roles in numerous shows from different registers over time, an artistic director with a repertoire of high-quality shows that he has staged all over the country, author of essential volumes on the art of puppetry and professor at the University of Arts in Iași, a personality of animation theater, rewarded over time with numerous national and international awards for his artistic activity. On the occasion of the staging of the show Degețica, after Hans Christian Andersen, we invited him to a short discussion about animation theater, directing and the new project.

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BROKEN MIRROR

„This play can be called a classic psychotherapeutic drama. In cinema and popular culture, especially in TV series, there are many successful examples of this genre – but in theater, almost none. The story of a doctor and his patient (or, as in this case, a female patient) almost always goes beyond the boundaries of medical practice, addressing a much wider range of problems – not only personal, but also social, historical and even philosophical. From the very beginning, we leave the audience free to know how the story will end. We do not turn Arthur Miller's narrative into a detective novel. We simply observe how events unfolded. We invite the audience to follow the nuances and deeply human character of the characters.” – Timofey Kuliabin

Continue reading