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TICKET AGENCY HOURS

Monday: 2:00 PM-6:00 PM
Tuesday: 12:00 - 18:00
Wednesday: 10:00 - 14:00
Thursday: 12:00 - 18:00
Friday: 10:00 - 14:00
Saturday and Sunday: closed
The agency is also open one hour before the start of each show at the Great Hall, regardless of the day.

TICKET AGENCY PROGRAM
Monday: 2:00 PM - 6:00 PM
Tuesday: 12:00 - 18:00
Wednesday: 10:00 - 14:00
Thursday: 12:00 - 18:00
Friday: 10:00 - 14:00
Saturday and Sunday: closed
The agency is also open one hour before the start of each show at the Great Hall, regardless of the day.
Queen Marie Theater Oradea

Arcadia Band Archive

Arcadia Band Performances Archive

Toc Năpârstoc and Tiţa-Fetiţa

Arcadia Troupe Performance Archive, 1972-1973 Season

by Viorica Huber-Rogoz

„"What about the children? The children, and especially the schoolchildren, were fascinated by how much struggle the show awakened in them, the will to fight with numbers, with addition and subtraction, with the ink stains on the notebooks, which, in the play, become, through personification, authentic characters.".

The play is more than just a story… it is an educational lesson that contains multiple data to influence children-students towards work and conscientiousness. We believe that no class from cycle I-IV should miss the show, that the educational hour could be supplemented with this show.

Francisca Simionescu's direction managed to create a special show, of true artistic and educational value, Nistor Coita's scenography functionally supported the direction by emphasizing the scenic movement and the ideas of the text, helping to decipher the play's message..." (Teodor Crişan, Crişana, March 25, 1973)

Story from the Carpathians

Arcadia Troupe Performance Archive, 1971-1972 Season

Free adaptation by Ana Ioniță
National premiere

„"At the end of this season, the puppeteers from Oradea offer us, with their last premiere, a new proof of their value, of the professional seriousness that characterizes them. This "Carpathian Tale", inspired by the folklore as rich and diverse as the spiritual universe of our people, gives, first of all, the opportunity for the director Francisca Simionescu to justify her return to the Oradea theater (where she had established herself a few years ago). Benefiting from excellent incidental music, arranged by Romeo Chelaru from Romanian Television, which, I can say, is the determining element of the show, the director has created a ballad atmosphere in which popular lyricism confronts profound drama, in which the action "flows" into a unified, tense and captivating whole. Another important element of the show is the scenography (sets and puppets) created by the hand and thinking, certainly, of Paul Fux, who, through the simplicity of the lines and elements, through The monumentality and expressiveness of some puppets elevates the craft to the rank of art, the stage action to the level of a "moment of history".