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TICKET AGENCY HOURS

Monday: 2:00 PM-6:00 PM
Tuesday: 12:00 - 18:00
Wednesday: 10:00 - 14:00
Thursday: 12:00 - 18:00
Friday: 10:00 - 14:00
Saturday and Sunday: closed
The agency is also open one hour before the start of each show at the Great Hall, regardless of the day.

TICKET AGENCY PROGRAM
Monday: 2:00 PM - 6:00 PM
Tuesday: 12:00 - 18:00
Wednesday: 10:00 - 14:00
Thursday: 12:00 - 18:00
Friday: 10:00 - 14:00
Saturday and Sunday: closed
The agency is also open one hour before the start of each show at the Great Hall, regardless of the day.
Queen Marie Theater Oradea

Iosif Vulcan Band Archive

Tudor Manea

Actors Archive Iosif Vulcan Troupe
Date and place of birth: 22.07.1999 ORADEA Studies: Graduate (Bachelor's Degree) of the Faculty of Theatre and Film, Babeș-Bolyai University, Cluj-Napoca, specialization in Performing Arts (Acting), class of associate professor Filip Odangiu, Sinko Ferenc, Diana Aldea, class of 2022. ROLES IN FACULTY:
  • Oskar Schitz – accountant (Hippotopia – non-verbal performance, year 1, semester 1) – directed by: Filip Odangiu, Sinko Ferenc
  • Jimmie G. – The Lost Sailor – from “The Man Who Mistook His Wife for a Hat” by Oliver Sacks, directed by Diana Aldea
  • Othello – in the show "IAGO", adaptation of "Othello" by William Shakespeare, directed by: Filip Odangiu, Sinko Ferenc
  • Priest Savonarolli – penitent monk in the show "The New World", a Commedia dell' Arte show
  • Markus Wöhl, the deceived neighbor – in the show "CRONIC", adapted from "The Reunification of the Two Koreas" by Joel Pömmerat
  • Victor Mancini – in the one-man show "My Holiness", adaptation by Filip Odangiu after "Suffocation" by Chuck Palahniuk
  • Trigorin in "The Seagull" by AP Chekhov, directing exam year 2, semester 1 Haemon, in "Antigone", by Sophocles, directing exam year 2, semester 2
  • Emil in the show "Made in Romania", adaptation by Filip Odangiu after "Made in Poland" by Przemyslaw Wojcieszek, directed by Filip Odangiu
ROLES IN TRM:
  • Role in Cabaret in the COLLIE OF THE CRAZY by Jean Poiret, artistic direction: Daniel Vulcu (2022)
  • James in THE LIEUTENANT OF INISHMORE by Martin McDonagh, directed by Ovidiu Caița (2023)
  • Tudor in 98% THE RIGHT DECISION by Andreea Tănase, directed by: Cătălin Mardale (2023)
  • James in CRUELTY AND TENDERNESS by Martin Crimp, after The Trachineans by Sophocles, directed by Andrei Dinu (2023)
  • Marcel, soldier in CYRANO DE BERGERAC, free adaptation by Martin Crimp after the play by Edmond Rostand, directed by: Horia Suru (2023)
  • Snake, Eagle in THE JUNGLE BOOK, adaptation after Rudyard Kipling, artistic direction: Daniel Vulcu (2024)
  • Jason in RABBIT HOLE (Parallel Universes) by David Lindsay-Abaire, directed by Vlad Cristache (2024)
  • Ed, Mr. 1 in THE FEET, text: Pozsgai Zsolt, direction: Halasi Imre (2024)
  • Billing in AN ENEMY OF THE PEOPLE by Henrik Ibsen, adapted by Thomas Ostermeier and Florian Borchmeyer, directed by Radu Iacoban (2024)
FILM ROLES
  • The Boy – in “Outlast” by Luigi Candido
  • Sergius – in “Ciprian 3REI CEFE”, by Luigi Candido
  • Andrei – in "Still Life Sketch", directed by: Adelina Vancea
  • Vlad Popa David – in "What we feel when we say "I love you" to each other, directed by: Maria Giurgea
  • Othello - in "The Othello Experiment", director: Diana Aldea
AWARDS:
  • Mention at the Turda International Theater Festival, 2022
  • Winner of the Gala Hop 2022 preselection, theme: Musical/Show Total
  • The award for performance, stage delivery and body expression offered by actress Dorina Lazăr, director of the Odeon Theatre, at the Hop 2022 Young Actor Gala for the moment "Tevye's Disaster", adaptation of the musical "Fiddler on the Roof"

LUXURY

Season 2022-2023

LUX is a performance that addresses the concept of loss in various forms. Loss of innocence, loss of a friendship, loss of a loved one – loss on a symbolic level and loss on a concrete level. Integrating four distinct stories, united by the desire to cause a change for the better in the world, the performance starts from a documentation of everyday events and proposes an original performative exploration of the effects they have on an individual level.

The four characters act according to their own thought system, thus outlining a typology for each of them: the victim who constantly needs others to intervene and save her from her own life; the people pleaser who puts her own needs last, trying to please others first; the addict, a naive person who only feels at ease when protected by the group, and the savior, an outwardly strong personality who has managed to mask her fears by putting herself in a position of control.

VINEGAR TOM

Season 2021-2022

For Jack and Margery, villagers of the Middle Ages, life is hard. The lands are small and few and the portion of the fief that falls to them can only be increased by the death or departure of someone from the village. The cattle get sick and die on their heads. The butter does not always curdle. Love has also withered along with Jack's lost erection. All this must be a punishment sent by the God of the Middle Ages for their sins. But what if it is not God who is playing with their lives, but, on the contrary... the Devil? It is known that the Devil does his work through his helpers on earth: the witches.

Their neighbor, Alice, and her old mother have all the makings of witches: both are single and have raised flower children (probably conceived with the help of the Devil); both curse whenever they are provoked; both (and only they) are able to restore Jack's erection when shown to him; they are poor and most likely envious of their wealth; but, most importantly, they have a black cat that frequently roams their household. 

So when a famous witch hunter arrives in the village, Jack and Margery are more than motivated to contribute their testimonies to the general welfare.

Repciuc, Ioana-Maria

Actors Archive Iosif Vulcan Troupe
Date of birth: August 17, 1991, Babes Bolyai University, Faculty of Theatre and Television, acting department, Romanian line, class of Assoc. Prof. Miklós Bács, Lect. Univ. Irina Wintze, Asst. Prof. Camelia Curuțiu, Cluj-Napoca (Romania)

THEATRE ROLES/PERFORMANCES:

QUEEN MARIA THEATRE
  • Cabaret artist in COLIVIA NEBUNER by Jean Poiret, directed by Daniel Vulcu (2022)
  • Susan, in VINEGAR TOM by Caryl Churchill, translated and directed by Dragoș Alexandru Mușoiu (2022)
  • EVA HEYMAN in the show EVA HEYMAN, direction, dramatization, concept Emil Sauciuc and ÿIoana Maria Repciuc, Regina Maria Theater, Oradea, 2021
  • Mary Magdalene/Angel in the musical GODSPELL (The Gospel According to Matthew), collaboration with the "Regina Maria" Theater Oradea, the "Iosif Vulcan" troupe, 2008, musical direction Ari Nagy Alexandru, choreography Dimeny Levente, direction Meleg
Other theaters:
  • ARSONIC, LITTLE PIG, GULLIVER, LITTLE GIRL in "Gulli..." based on the novel Travels his Gulliver by Johnattan Swift (first year exam, first semester, Faculty of Theatre and Television, 2012)
  • BETTYANDERSON in "Parents and Children", dramatization of the novel Pit isyton Like by Grace Metalious (first year exam, second semester, Faculty of Theatre and Television, 2012)
  • PANTALONE in "1642", collective scenario Commedia dell'arte (exam year 2, semester 1, Faculty of Theatre and Television, 2013)
  • BACCHANTE in "The Bacchae" by Euripides, directed by Bianca Stânea (directing exam, second year, first semester, 2013)
  • CORIFEUS in "The Trojans" by Euripides, directed by Eliza Cîtea (directing exam, second year, first semester, 2013)
  • JENNY in the musical "The Threepenny Opera", directed by Laurent Festas, musical coordinator Joan Farjot (Euroculture en Pays Gentiane, Riom es Montagne, France, 2013)
  • GERTRUDE in "Shakespeare Study" (from the play Hamlet by Shakespeare, second year exam, second semester, Faculty of Theatre and Television, 2013)
  • IRINAși MAȘA from "Three Sisters" by P. Chekhov (acting exam, third year, first semester, Faculty of Theatre and Television, 2014)
  • CHARITY in the musical "Sweet Charity" by Neill Simon, music by Cy Coleman, lyrics by Dorothy Fields (bachelor's degree show, third year, second semester, Faculty of Theatre and Television, 2014)
  • MARIA in the musical "West Side Story" by Arthur Laurents, music by Leonard Bernstein, lyrics by Stephen Sondheim, direction and choreography by Răzvan Mazilu, at the Odeon Theater (show produced by the 2014 National Theater Festival)
  • NADIA and COQUELICOT in the show "Balcanicele" by Jules Tasca, directed by Alexander Hausvater, at the Tony Bulandra Theater, Targoviste 2015
  • SCHOOLGIRL, NEIGHBOR in the show "The Inventor of Love", directed by Horațiu Mihaiu, at the Tony Bulandra Theater, Targoviște 2015
  • MEG GIRY (understudy) in the performance "The Phantom of the Opera" by Andrew Lloyd Webber, directed by Stephen Barlow, at the "Ion Dacian" Operetta and Musical Theater, Bucharest 2015
  • GIULIETTA, NUN, MADAME DE POMPADOUR in the show "Casanova", directed by Dragoș Galgoțiu, Odeon Theatre, Bucharest, 2015
  • BECKY in the show TOM SAWYER, directed by Horia Suru, Excelsior Theatre, Bucharest, 2015
  • FALINE ADULT, BAMBI CHILD in the show BAMBI, directed by Attila VIzauer, Excelsior Theater, Bucharest, 2016
  • MATROANA, BABA, CHILD COMMUNIST in the show ALL OVER YOUR FACE, directed by Botond Nagy, Reactor de creaţie și experiment, Cluj-Napoca, 2016
  • TISHA in the show SONG FOR TISHA, directed by Felicia Dalu, Miniarshow company
  • RAMBUKU in the show RAMBUKU, directed by Mihai Măniuțiu, Timișoara National Theatre, Timișoara, 2017
  • MARIA in the performance BALULCIMITIRULUI, directed by Alexander Hausvater, Romanian Dramaturgs' Theatre, Bucharest, 2017
  • HERMIA in the performance A MIDSUMMER NIGHT'S DREAM, directed by Muriel Manea, Aureliu Manea Theater, Turda, 2018
  • ANGEL in the show TRIX SHOW, directed by Sandu Gruia, Aureliu Manea Theater, Turda, 2018
  • MARIA (understudy) in the performance THE SOUND OF MUSIC, directed by Răzvan Mazilu, Comic Opera for Children, Bucharest, 2018
  • HAVA in the show “THE ROOF PIANO”, directed by Andrei Munteanu, Jewish State Theatre, Bucharest, 2019
  • FATHER in the show "CIRCLES OF TRUST", directed by Radu Popescu, Apropo Theatre, Bucharest, 2019
Dubbing serials, drawings Animated and movie Disney, theater radio.

ROLES/FILM/COMMERCIALS

  • THE MUSTACHE SINGER in “Ipohondris”, short film, directed by Andrei Măjeri (2012, Persona Association)
  • FORMERLY in the commercial for Depanero (2014)
  • DANCER BRD commercial (2015)
  • FATACLUB commercial BILLA (2016)
  • LANGUAGE (2020)
  • TEACHER BRD commercial (2021)

WORKSHOPS

  • Workshop movement with the director Peter Uray (Hungary), Faculty of Theatre and Television, 2012
  • Workshop Meyerhold's Biomechanicswith the actor Rainer Dobernig (Germany), Faculty of Theatre and Television, 2012
  • Workshop ThClowns with the actor and director It isitand Simon (California), National Theatre Cluj-Napoca, 2012
  • Workshop dance contemporary with the actor, choreographer and director Attila Bordas, Faculty of Theatre and Television, 2013
  • Workshop P.It is.M with the actor, director and playwright Stit ispHAin Perdekamp and the actress SARAh Victoria (Germany), Faculty of Theatre and Television, 2013
  • Workshop Theater Sports with the actor Dragos Musk, Faculty of Theatre and Television, 2012
  • Sewing workshop mUmANDtand with the actor and the set designer AdRandADamian, Faculty of Theatre and Television, 2013
  • Workshop music ENTERTAINMENT, with Mr. JOSEPH Hercea, Tiff's house, 2013
  • Workshop youRbiRthere is also a voice with the actress toyouRa Wayth (California), Faculty of Theater and Television, 2011
  • Workshop Action, Rhythm and The Actor light with the composer Jean-Jacques Lemêtre, (Théâtre du Soleil, France), Faculty of Theatre and Television, 2013
  • Workshop Technology one man show

OTHERS:

  • "HOP" Young Actor Gala 2014
  • Euroculture experience exchange in Pays Gentiane, France – Saint Remy de Provence (2012) and
Riom es Montagne (2013)
  • "Spot" Theater Festival, Carei 2013
  • "Exceptio" Theater Festival, Baia Mare 2014
  • Sibiu International Theatre Festival 2015
  • Debutn-T Festival, Saint George 2016
  • "HOP" Young Actor Gala 2016
  • Sibiu International Theatre Festival 2017
  • National Theatre Festival, Bucharest 2017
  • MESS International Theatre Festival, Sarajevo, 2018
  • Bucharest Fringe Festival, Bucharest 2019
  • Best Actress Award at the Atelier International Theatre Festival, in the show All Over Your Face, directed by Botond Nagy, Reactor for Creation and Experiment, 2017
  • UNITER Award for the best show RAMBUKU, Mihai Eminescu National Theater, Timișoara, 2017
  • Special Jury Prize, performance fiddler ON ROOF, Jewish State Theater, International Festival of Contemporary Drama, Brașov, 2019

MUSIC FESTIVALS:

  • 2010 – Oradea Young Talents Gala – 3rd prize
  • 2010 – Oradea Light Music Festival – 1st prize
  • 2010 and 2011 – Cluj-Napoca Jazz Debutants Festival – 1st prize
  • 2011 – International Festival "George Grigoriu" Brăila
  • 2011 – "Rose Crown" Festival Calafat
  • 2011 – “May Flowers” Festival – Călărași – 2nd prize
  • 2011 – Amara Youth Festival

THE THREEPENNY OPERA

Season 2021-2022

Ironic, critical and picaresque, "The Threepenny Opera" is one of the plays that have become a phenomenon in the European cultural space. Written by Bertolt Brecht, a multilateral and influential reformer of 20th-century theater, after the satirical melodrama "The Beggar's Opera" (1728) by John Gay, the play captures the world of the marginalized: thieves, beggars, prostitutes and preserves the original plot, but in a different context and exploring new meanings.

The music, composed by Kurt Weill, with lyrics by Brecht, plays an important role in the economy of the play. Revolutionary for its time, combining influences of jazz and German dance music, it gives a distinctive touch and a special flavor, having both a recreational and a critical role. It is certain that the songs/chantments of the "Threepenny Opera" enjoyed great popularity.

Vutcărău, Petru – director

Actors Archive Iosif Vulcan Troupe

Date and place of birth: 1107.1960, Bardar – Ialoveni, Republic of Moldova

Studies: "Boris Shchukin" Higher Theater School, Moscow, Russian SFSR, USSR – Faculty of Acting
"Shota Rustaveli" Theater Institute in Tbilisi, Georgian SSR, specialization - directing

Artistic sheet:

The band Joseph Vulcan:

  • THE REVIEWER by NV Gogol – premiere: 18 and 19.02.2020
  • HAMLET'S TRAP, adaptation after Nedialko Yordanov – premiere: 13.01.2019
  • AVALANCHE, by Tuncer Cücenoğlu – premiere: 21.11.2018
  • THE KILLING OF GONZAGO by Nedialko Yordanov – premiere: 03/05/2010
  • SALON NO. 6 by AP Chekhov – premiere: 21.12.2006
  • ON WOMEN'S SEX AS A BATTLEFIELD IN THE BOSNIAN WAR by Matei Vişniec – premiere: 1999
  • HEY GOOD PEOPLE! by William Saroyan – premiered: 1995
  • …AND WHAT DO WE DO WITH THE CELLO? by Matei Vişniec - premiere 1995

Andriuca, Inna

Actors Archive Iosif Vulcan Troupe

Actress

Date of birth: July 13, 1971

Graduate of the "Shota Rustaveli" Theater and Film Faculty in Tbilisi (Georgia), Class of 1992

Artistic sheet (selective):

  • 1996 – "Maria Filotti" Theater – Brăila, "Chira Chiralina" by Panait Istrati, directed by Cătălina Buzoianu, role – ZINCUŢA
  • 1996 – Sfântu Gheorghe Theater “The Gospel According to Thomas” by Radu Macrinici, directed by Bogdan Voicu, role – DAUGHTER
  • 1997 – Sfântu Gheorghe Theater "Requiem" by Leonid Andreev, directed by Horațiu Mihaiu, role of HIS HIGHNESS
  • 1999 – Sfântu Gheorghe Theater, "Lazaret" by Brunea Fox, directed by Gelu Badea, cast ALEXA
  • 2000 – Sfântu Gheorghe Theater, "The House on the Border" by Slawomir Mrozek, directed by Szabo K. Istvan, role: WIFE
  • 2001 – Sfântu Gheorghe Theater, "Alge-Bernarda's House Remix" after F. Garcia Lorca, directed by Radu Afrim, role: MARTIRIO

Love in four paintings

2013-2014 season

by Lukas Bärfuss

Lukas Bärfuss is an acclaimed contemporary Swiss playwright who was born on December 30, 1971. The author began to focus on his career in the theatrical world in 1997, founding the theater troupe 400th together with Samuel Schwarz and writing plays for it. Currently, he collaborates with theaters in Hamburg, Munich and Berlin, and his plays enjoy great international success, being translated into dozens of languages and performed on the stages of many major theaters in Europe.

The plays based on his texts deal with contemporary issues related to interpersonal relationships with cynicism and humor. The situational comedy in the plays written by Lukas Bärfuss is quite dark, revealing the contradictions in the problems that torment his protagonists, without ever judging them.

Love, in four paintings (orig. Four Pictures of Love) is no exception to this rule. Four paintings, four locations, four central characters and a somewhat ghostly one who seems to always try to guide the characters towards the door leading outside, which is a symbol of freedom, of personal salvation from the routine in which they have immersed themselves.

Happy holidays!

2013-2014 season

by Jean Poiret

Written in 1980, the play Happy holidays! has already become a classic show of the boulevard theater. Poiret's text became famous through its film adaptation in 1984 with an exceptional cast, among which Jean-Paul Belmondo and Sophie Marceau stand out in the leading roles. On the theater stage, the play has been reprised many times from 1982 to the present with great success, being played including at the Théâtre du Palais Royal in Paris.

A few days before Easter, Ştefan, a middle-aged man, takes advantage of the absence of his wife, Silvia, to invite Magda, a beautiful young woman he has fallen head over heels for, to his home. His plans are turned upside down by a strike that causes flights to be canceled and his wife's unexpected return home in the middle of the night.

Caught red-handed, Stefan shows an overflowing imagination, fabricating stories to justify the girl's presence at their home. He confidently maintains the lie that Magda is his daughter from a previous marriage that he kept hidden from his current wife. The fact that his wife plays his game with intelligence and humor creates complicated, improbable situations, Silvia encouraging Stefan to get entangled in the complicated web of his own lies to the point where the comedy reaches paroxysmal proportions.

Comet

2013-2014 season

by Justine del Corte

National premiere performance!

A comet, and under it – a happy newlywed couple. Around them – relaxed and happy people. A cheerful party in the countryside, in the shade of a tree. A scorching summer day, full of the desire for happiness.

Ten years after her wedding, Elisabeth wonders if happiness can be fixed and tries the following: she repeats the party. And since happiness is not very flexible from Elisabeth's point of view, the same guests, dressed the same, have to have the same discussions in the same places and thus result in… the same happiness. It is quite unclear whether a whole series of lies and infidelities that took place ten years ago are likely to serve the same purpose. It is difficult to determine, especially since the secrets are initially known only to those directly involved.

Each person's egocentrism is increasingly revealed, and with it, the characters gradually give up on the initial euphoria and success of the event. Increasingly drunk and uninhibited, the guests move more and more insistently towards what could be the achievement of their own happiness.