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TICKET AGENCY HOURS

Monday: 2:00 PM-6:00 PM
Tuesday: 12:00 - 18:00
Wednesday: 10:00 - 14:00
Thursday: 12:00 - 18:00
Friday: 10:00 - 14:00
Saturday and Sunday: closed
The agency is also open one hour before the start of each show at the Great Hall, regardless of the day.

TICKET AGENCY PROGRAM
Monday: 2:00 PM - 6:00 PM
Tuesday: 12:00 - 18:00
Wednesday: 10:00 - 14:00
Thursday: 12:00 - 18:00
Friday: 10:00 - 14:00
Saturday and Sunday: closed
The agency is also open one hour before the start of each show at the Great Hall, regardless of the day.
Queen Marie Theater Oradea

Iosif Vulcan Band Archive

End of game

2012-2013 season

by Samuel Beckett

Originally written in French, then translated into English by the author himself, the play "End of the Game" draws a parallel between the final stage of a chess game, when the result is already known, and the last stages of life.

The play centers on four characters who live cloistered in a space outside of which nothing remains, as if after an apocalypse. Hamm, blind and helpless, is confined to a wheelchair; his servant or son, Clov, is in a state of perpetual agitation, in permanent conflict with Hamm, unable to calm down or go elsewhere, to free himself. Alongside the two, who remain together for incomprehensible reasons, Nagg and Nell, Hamm's parents, live their lives in garbage cans. Their only happiness is the memory of the past; dehumanized and dependent on Clov, they seem incapable of understanding the present outside of the suffering they are experiencing.

Thus, a small world with its own laws, with a cyclical existence, is shaped, in which the characters are trapped in an eternal routine. Death seems imminent and yet the characters' discussions are empty, banal, conveying nothing. In the good tradition of the theater of the absurd, language is not used for the purpose of communication, but disaggregates, is eccentric and sterile.

The play has no authentic ending, neither in a dramatic nor interpretative sense, but remains open. No one wins the game, which will be resumed, in identical terms, the next day.

Brothel

2012-2013 season

Performance in collaboration with the Pygmalion Theater in Vienna*

Martin is a successful manager, who lives between business meetings, with his phone to his ear, his Rolex on his wrist but with an empty heart. If he's going to spend money to be with a woman, she has to be a professional, she certainly has to be the best in her field. Stefan's recommendation – his best friend – is Maria – the ultimate solution.

So, Martin has reached the woman who takes everything that doesn't matter to him (clothes or phones), leaving him with only the money needed to pay for her services. Suddenly, we have a woman who listens to him, understands him and most importantly, sees through the lie that is, in fact, Martin's life. It is clear from his suffering what his views are about the world around him and the way things are.

Then he falls in love with her and believes, in turn, that he is loved. But is the payment for Maria's "services" enough?

The time is coming soon.

2012-2013 season

by Line Knutzon

Published in 1999, Line Knutzon's play "Snart Komen Tiden" (The Time Will Come Soon) marked an important point in the Danish playwright's career, achieving a resounding success in the adaptation by Dr. Dantes Aveny Theatre in Copenhagen.

The play is more about married life than youth, unlike most of Knutzon's writings, "At 20, you chase a bunch of dreams, but at some point, you realize that you've fulfilled them all... and you have nothing left to dream about. So you wake up to reality now, a terrible shock: what's next? You might be afraid of death... Which begins to make its presence felt, becoming more and more oppressive."

Rebekka and Hilbert's married life is long over. They should probably get a divorce. Although it seems like no time has passed, they suddenly find themselves with children. Hilbert hired a housekeeper, Oda, as a gift for Rebekka, so that she would have time to have time. Oda introduces herself as the descendant of a childless family... Rebekka fears that Oda has come to kill her and her husband, but despite this, she orders the housekeeper to prepare her 55th birthday party, to which Micuta, the couple's daughter, is also expected. Even Rebekka's ex-boyfriend, John, shows up, along with his fiancée Ingrid. Micuta shows up, but surprise: she's 50!

Horse

2012-2013 season

by Peter Shaffer

„A couple of years ago, one weekend, I was driving down a country road with a friend. We passed a stable and suddenly he remembered an unusual crime he had recently heard about at a dinner party in London. He knew only one detail – horrible – and the whole story lasted less than a minute, but it aroused an intense fascination in me. The act had been committed a few years earlier by a troubled young man. It deeply shocked the local magistrates. And in the end, no rational explanation could be found.” (Peter Shaffer, prologue to the play EQUUS)

Horse (1973) is a play written by English playwright Peter Shaffer, and is the story of a psychiatrist who tries to treat a young man who has a pathological religious fascination with horses. Shaffer was inspired to write Horse after hearing about a shocking incident: a 17-year-old boy blinded six horses in a small town near Suffolk. The playwright built a fictional history of the possible causes of the incident, without knowing any other details about it. The plot of the play is similar to a detective story, in which psychiatrist Martin Dysart tries to understand the causes of the boy's actions, while struggling with conflicting feelings about his personal life.

Cyrano de Bergerac

Season 2023-2024
Heroic comedy in five acts by Edmond Rostand Translation: Corneliu Rădulescu

Artistic director: Valeriu Moisescu Second director: Valeriu Grama Decor: Mircea Marosin Costumes: Lydia Pincus and Olga Scorteanu Music: Theodor Grigoriu Conductor: Matolcsi Zoltán (print) Master fencer: Szántay János and T.Bartos Premiere date: June 19, 1960

„"Cyrano de Bergerac" is a five-act play written almost entirely in alexandrine, following the traditions of romantic theater in form and style. Cyrano is a rebellious musketeer in love with his cousin, Roxane. Complexed by his enormous nose, he does not dare to reveal his feelings or court her and, out of desperation, agrees to protect his rival, Cristian, with whom Roxane is in love. Moreover, Cyrano even helps him seduce Roxane through passionate declarations and letters. Gradually, however, Cristian realizes that Roxane does not love him, but the spirit and intelligence that Cyrano demonstrates in his letters. When the two decide to reveal everything, Cristian is killed in battle, and Cyrano decides to remain silent. Fifteen years later, while living in seclusion in a monastery, Roxane understands everything. But it is too late, as Cyrano, wounded, dies in her arms.

Presented as a co-production of the Romanian and Hungarian sections of the Oradea State Theatre, "Cyrano de Bergerac" was a success both in terms of outlining the historical atmosphere and in terms of portraying the heroism of the sword and cape, as well as in terms of the characters' character, bearers of ever-present values.

Distribution:

Cyrano:  Ion Marinescu Christian:   George Pintilescu De Guiche:  Bartos Ede Ragueneau:  John the Baptist Le Bret:  Constantin Adamovici Castle Coal:  Ricardo Colbert Cadets:  Andrei Bursaci, Cseke Alexandru, Ilie Iliescu, Liviu Martinuş, Marcel Segărceanu, Jean Sandulescu, Grig Schiţcu, Nicolae Toma, Eugen Tugulea Liners:  Dorel Urlățeanu From Valverde:  Jean Sandulescu A marquis:  Constantin Simionescu Second Marquis:  Ilie Iliescu  Montfleury:  Dan Alecsandrescu Bellerose:  Grig Schiţcu Jodelet:  Valeriu Grama Cuigny:  Eugen Tugulea Bresaille:  Nicholas Thomas A boring one:  Radu Reisel D'Artagnan:  Andrei Bursaci, Zoltán Vadász Goalkeeper:  George V. George A bourgeois:  Misu Vladimir His son:  Ivan Sugar A scoundrel:  Marcel Segărceanu The card player:  Laszlo Balogh A Capuchin monk:  Constantin Simionescu Poets:  Gheorghe V. Gheorghe, Radu Reisel, Valeriu Grama Confectioners:  Jenő Sugar, Grig Schiţcu Children:  Peter Cseke, Bea Halasi   Roxanne:  Anna Dukász, Vera Varzopov Sister Martha:  Liana Simionescu Lisa:  Sofica Albu, Doina Ioja Vasiu Sister Clara: Eva Bányai Saleswoman:  Doina Urlățeanu Mother Margaret:  Lili Mihailescu The companion:  Maud Mary  An actress:  Doina Ioja Vasiu Page:  Sofia Albu Florist:   Simona Constantinescu The precious ones:  Stela Adamovici, Lucy Chevalier Nuns:  Doina Urlăţeanu, Doina Ioja Vasiu, Simona Constantintescu, Stela Adamovici, Eva Bányai, Liana Simionescu

Blaga, Joanna

Actors Archive Iosif Vulcan Troupe

Actress

Date and place of birth: 12.11.1968, Bucharest

Studies: "Babeş-Bolyai" University, Cluj-Napoca, Faculty of Letters, Acting Department, 1994

In 1995 she came to Oradea. An unfortunate debut – the role of Woman – moreover the main role – in the play „Aproape o pădure” (the debut in dramaturgy of the young Ana Ripka Rus). A failed, unsuccessful, practical play (directed by Iustina Prisăcaru), which was performed very few times. She proved much better in the role of Woman in the play „Hey, good people!” by William Saroyan, directed by Petru Vutcărău, proving her capacity for concentration and tragic sense. Tall, well-built, brunette with black eyes, Ioana Blaga was one of the best performers of the role of Angustias in the play „Casa Bernardei Alba” by FGLorca. She thought out her role carefully, putting „to the test” not only a generous body gifted by nature, but also a special sensitivity and a well-toned voice.

(Presentation by Eugen Ţugulea)

Zdrehus, Corneliu

Actors Archive Iosif Vulcan Troupe

Artistic director

Date and place of birth: 20.01.1926, Săcel

Studies: "ILCaragiale" Institute of Theater and Cinematography, Bucharest, acting department – 1951, directing department – 1952

Before coming as the main director in the formation that marked the beginning of the existence of the Romanian section of the Oradea theater, he worked at the theaters in Arad and Galaţi. He staged the inaugural show with "O scrisoare pierdută" by IL Caragiale, and, in the same season, "Inima noastră" by Valeriu Luca, a show that won 3rd place at the Decade of Original Drama in 1956, the director receiving the same distinction: 3rd place for direction. A profound and methodical, intelligent, extremely sensitive and refined director, he also produced other shows, of a good professional level, some even very good, until serious health problems negatively influenced his artistic activity, and, ultimately, caused his premature death.   (Presentation by Eugen Ţugulea)

Volbea, Zacharias

Actors Archive Iosif Vulcan Troupe

Actor

Studies: secondary

He also played in Arad.

An actor with a rich interpretive palette, both in the dramatic and comic register, with the science of character construction, he was one of the most used actors in the theater, playing seventeen roles in just three seasons, and not simple appearances of a few lines: Silvestru Trandafir in "The Deserter" by Mihail Sorbul, Zurăscu in "Nota zero la purtare" by Virgil Stoenescu and Octavian Sava, Nichita in "Omul cu mârţoaga" by G. Ciprian, La Hire in "Ciocârlia" by Jean Anouilh, are just a few of the actor's reference creations. Due to personal problems, he moved to the Theater in Bârlad, where he worked until the end of his career and life.

(Presentation by Eugen Ţugulea)

Vladimir, Misu

Actors Archive Iosif Vulcan Troupe

Actor

Date and place of birth: 20.11.1911, Vaslui

Studies: secondary

A particularly likeable actor, a great sleuth, he began his career as a vocalist, then a prompter, at some theatrical companies in the capital – "Alhambra", Teatrul Vesel, "Baraşeum", "Teatrul nostru" –, even before the Second World War, where: Ianconescu, George Vraca, Critico, the Bulandras and other "greats" of the time worked. He later became an actor, and after the establishment of state theaters, he got a job in Arad, together with his first wife.  In 1955 he was asked to come to Oradea, to found the new collective. Here he made his debut in the role of Ghiţă Pristanda in the inaugural performance „O scrisoare pierdută” by IL Caragiale, and appeared in several important or secondary roles in the many years he spent on the Oradea stage. A good actor („he knew how to wear a tailcoat” – as they say), he truly shone in the role of Ianke in the performance „Tache, Ianke și Cadâr” by VIPopa. He was magnificent.

(Presentation by Eugen Ţugulea)

Vilcu, Ion

Actors Archive Iosif Vulcan Troupe

Actor

Studies: Institute of Theatrical and Cinematographic Art "ILCaragiale" Bucharest, 1955

One of the leaders of the class that founded the Romanian section of the Oradea State Theatre, he debuted with the role of Farfuridi in the inaugural performance "A Lost Letter" by IL Caragiale. He also played other leading roles in the two Oradea seasons, demonstrating his qualities as an intelligent actor, with dramatic force and characterization power. He left for the Giuleşti Theatre (Odeon) in Bucharest, and soon became one of the leading men of the institution. He appeared in TV shows and several feature films, proving his talent. Unfortunately, he passed away prematurely due to serious health problems.

(Presentation by Eugen Ţugulea)

Velcescu, Mihai

Actors Archive Iosif Vulcan Troupe

Actor

Date and place of birth: 20.08.1942, Bucharest

Studies: Institute of Theatre and Cinematography "ILCaragiale" Bucharest, 1966

He came, together with his wife, through a reassignment, to the Oradea State Theatre. He was cast in the main role in the play "Simple coincidences" by Paul Everac, declared himself dissatisfied (the reason is unknown), and left for his hometown - Bucharest, then collaborating with the theatres in Brăila, Braşov, Botoşani. An admirable, intelligent and very sensitive reciter, with a clear inclination towards poetry (he also wrote), with the ever-living desire to surpass his condition as an actor, Mihai Velcescu will, over time, direct several beautiful poetry performances and more. (Presentation by Eugen Ţugulea)

Artistic sheet – Oradea State Theatre

  • Sorin Vlăsceanu in SIMPLE COINCIDENTS by Paul Everac, 1966, directed by Valeriu Grama