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TICKET AGENCY HOURS

Monday: 2:00 PM-6:00 PM
Tuesday: 12:00 - 18:00
Wednesday: 10:00 - 14:00
Thursday: 12:00 - 18:00
Friday: 10:00 - 14:00
Saturday and Sunday: closed
The agency is also open one hour before the start of each show at the Great Hall, regardless of the day.

TICKET AGENCY PROGRAM
Monday: 2:00 PM - 6:00 PM
Tuesday: 12:00 - 18:00
Wednesday: 10:00 - 14:00
Thursday: 12:00 - 18:00
Friday: 10:00 - 14:00
Saturday and Sunday: closed
The agency is also open one hour before the start of each show at the Great Hall, regardless of the day.
Queen Marie Theater Oradea

Author: Queen Marie Theatre

ORADEA INTERNATIONAL THEATRE FESTIVAL begins

The Regina Maria Theater, in partnership with the Bihor County Council, the Oradea City Hall, the FITO Cultural Foundation and UNITER, organizes the 7th edition of the Oradea International Theater Festival from June 2 to 9.

Spectators are invited to participate for eight days in a theatrical marathon that brings together no less than 19 performances from renowned theater companies from across the country, but also from abroad: Moldova, Ukraine, Georgia and France.  

The Oradea International Theatre Festival will include two major sections this year: the competition section – SHORT THEATRE FESTIVAL, reached the anniversary edition with number XXV and the section GUEST SHOWS – OUT OF COMPETITION.

THE SHORT THEATRE FESTIVAL is a unique cultural event in the Romanian theatrical landscape and has a competitive character. This year the selection was made by Victoria Balint – head of the cultural projects and public relations office of the Regina Maria Theatre and includes 8 productions made by both institutionalized and independent theatres. The jury is made up of three cultural personalities of Romanian theatre: theatre critics Ion Parhon and Elisabeta Pop and theatre and film actor Ion Sapdaru.

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AVALANCHE: May 14, 2019 – Raluca Medeleanu (specialarad.ro)

Written by: Raluca Medeleanu
Taken from: www.specialarad.ro

The clothes that were handed to the audience – white boots and gowns – automatically foreshadowed one of the main themes of the show: birth, but also the idea of a sterile, closed environment, in which man is something foreign, an intruder, whose presence seems to not matter, has no place. Just as the audience became part of the scenery, so too did the people in the community presented in the show lose themselves in the scenery, intentionally becoming „non-existent”, for fear that nature would literally make them one and the same with it.

The show "Avalanșa", brought to the International New Theatre Festival by the "Regina Maria" Theatre in Oradea, was directed by the well-known Petru Vutcărău and, surprisingly, is based on a true story. In a small, forgotten mountain village in eastern Anatolia (Asia Minor), people are only allowed to make noise for 3 months a year, the rest of the time they are forced to live in silence, because even the slightest sound could trigger an avalanche, killing them.

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…ESCU

"Politics is like fashion! It evolves, it changes, it pretends. Fidelity in politics is nothing but an endless series of adulteries!" says the main character in …I am afraid. to justify his political career. Tudor Mușatescu wrote his play in 1933, a year after Titanic Waltz, but its heroes seem like modern-day people.

The children of Spirache Necșulescu, the petty official from Titanic Waltz, winning the election because he says, "Don't vote for me!", looks nothing like their father.

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Message for World Theatre Day 2019

 Carlos CELDRAN, Cuba

Before my awakening in the theater, my masters were already there. They had built their homes and poetics on the vestiges of their own lives. Many of them remain unknown or rarely visit our memories: they worked in secret, in the humble silence of rehearsal rooms and in performance halls filled to capacity with spectators. So that, imperceptibly, at the end of many years of work sprinkled with extraordinary achievements, they would become invisible and disappear. When I understood that my profession, that my personal destiny was to follow in their footsteps, I also understood that I had inherited from them this heartbreaking and unique tradition of living the present without any other hope than reaching the transparency of an unrepeatable moment. The moment when you meet the other in the darkness of the theater, protected only by the truth of a gesture, of a revealing word.

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NATIONAL CAMPAIGN "ARTISTS FOR ARTISTS" 2019

On March 1st, the 18th edition of the "Artists for Artists" social campaign kicked off, with the indispensable support of theater institutions in Bucharest and across the country. Through this humanitarian campaign organized by UNITER in March and April, funds are raised for artists of all ages, from all over the country, who have medical problems and poor health.

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Queen Maria Theater on tour in Vienna

The shows "A Very Simple Story" and "The Wizard of Oz" will be performed in Vienna, as part of a tour between February 26-28, 2019. The two productions of the "Regina Maria" Theater ("Iosif Vulcan" Troupe) will be performed at the Pygmalion Theater in the Austrian capital, with which there is a cultural exchange partnership. The shows are addressed to the Romanian community in Vienna, but also to the general public.

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AVALANCHE: December 4, 2018 – Mircea Morariu (Yorick.ro)

Text author: Mircea Morariu
Taken from Yorick.ro

A confession by Tuncer Cücenoğlu, the author of the play Avalanche, published in the hall notebook of the Oradea show, clarifies that the writing is based on a real fact. Which the playwright learned about sometime in 1987. Somewhere, in Eastern Anatolia, there is a small town, surrounded by mountains, where people are forced by laws with strong infusions of prejudice to speak in a whisper. At least a few months a year. Not because they hold who knows what secrets that must remain that way, but to protect themselves from the danger of an avalanche. Three months a year it snows heavily in the area in question and any uncontrolled noise could be the cause of a catastrophe.

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APOLLODOR, THE TRAVELING PENGUIN

Apolodor is a tenor penguin in the choir of a circus, in Calea Moşilor, who really misses his family and the other penguins he lived with at the North Pole. Thus, he sets off on a long journey to find them, going through countless adventures and meeting more and more wonderful characters who will help him. 

With: Igor Lungu, Zentania Lupșe, Florian Silaghi

Artistic direction: Sebastian Wolf
Scenography: Oana Cernea
Paintings:  Madalina Baciu

Technical direction and lighting: Peter Papp
Sound system: Obada Lucian
Costume: Anna Cellino
Decoration handlers: Turcut Daniel, Sabau Viorel

Premiere: November 4, 2018, Arcadia Hall

*Show not recommended for children under 5 years old!

MISS IULIA: November 2018 – Mirabela Pop (pirdutaprintrecuvinte.blogspot.com)

Text by: Mirabela Pop
Taken from lostinwords.blogspot.com

If someone had told me yesterday that “Miss Julia,” a play by Strindberg, performed in a 100-seat studio theater, would become my favorite of the year, I would have laughed. It’s a play that easily gets lost in the mists of time, but I’ve never seen such conviction that these few hours of a Midsummer night in late-19th-century Sweden are truly a matter of life and death.

Times and theatrical trends change, but some works remain. Last night’s production highlighted the interplay between the evanescent (time, place – elegantly evoked in design) and the enduring (the birds, the midnight disco carnival). These contrasts frame the encounter between Iulia (the count’s daughter) and Jean (her father’s valet) in the kitchen, the domain of Kristin, the cook (Jean’s fiancée). Their momentary passion will be judged by a long-term measure. Changing times also resonate today: class relations have changed, but the hope-killing status differences created by social inequality persist.

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FITO 2018 | Winner of the DRAMATIC CREATION COMPETITION

The jury of the "Short Play Dramatic Creation Contest" has designated the winner of this edition!

As every year, the "Dramatic Creation Competition Dedicated to Short Plays" was organized within the Short Theatre Festival, which aims to encourage original Romanian dramaturgy, especially short theatre.

The organizers do not suggest a specific theme, leaving freedom of choice to the writers, the criterion for appreciating the plays being an aesthetic one. The only imposed element is the formal one, required by the rigors of short theater.

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ORADEA INTERNATIONAL THEATRE FESTIVAL PROGRAM | 2018 edition

SEPTEMBER 23 (Sunday)

  • 17:00 – Szigligeti Studio Hall | MINING DARKNESS, of Székely Csaba, directed by Hunyadi István – Szigligeti Theater Oradea
  • 7 p.m.:00 – Great Hall of the Theater | CONCERT FOR TWO CLOWNS, by Igor Sellem and Julia Moa Caprez – The Vagabond Kings, France
  • 21:00 National Center for Tourist Information and Promotion Bihor | CREDIT, by Jordi Galcerán, directed by Sebastian Lupu – Artemotion Theater, Oradea

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Oradea is preparing for FITO

The Regina Maria Theater, in partnership with the Bihor County Council, the Oradea City Hall, the FITO Cultural Foundation and UNITER, is organizing the 6th edition of the Oradea International Theater Festival between September 23 and 30.

As every year, spectators are invited to enjoy eight intensive days of theater, during which they will have the opportunity to watch 26 performances from renowned theater companies from across the country, as well as from abroad, and 2 reading performances. In addition to the theatrical performances, this edition will also be completed by a series of related events, which aim to create very special cultural meeting spaces.

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The 2018-2019 season at the Regina Maria Theater

The 2018-2019 season begins at the Regina Maria Theater in September with a series of shows that managed to bring the audience to their feet at each performance. However, the new theatrical year promises to be extraordinary from all points of view: in addition to the fact that the most beloved shows from past seasons are being reprised, new projects are being prepared, which will include works from both classical and contemporary dramaturgy, directors who have made history on the Oradea theater stage will return, and we will also meet some new ones, who will certainly surprise us with their special creative methods.

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